are found, I do not understand, I free, I give; Therefore, the verbs in -MI are not Aeolic; from the breathing, because the Aeolians are psilotic; but ἵστημι and ἵστημι is aspirated; Therefore, the verbs in -MI are not Aeolic; but from the primary forms, because verbs in -MI among them are never formed from barytone themes, but from perispomenon themes; but among us also from barytone verbs, such as ζευγνύω ζεύγνυμι, πηγνύω πήγνυμι; Therefore, the verbs in -MI are not Aeolic. The perfect δέδωκα, the plurals δεδώκαμεν, δεδώκατε, δεδώκασι; as τετύφαμεν, τετύφατε, τετύφασι. The δῶ in the -MI plurals, why? Of the verbs in -MI, the first and second conjugation have H as the penultimate letter, and they were written with omicron, according to the rule that says, that the verbs in -MI in the plural and passive shorten ... ...... just as also in the case of δώσομεν, δώσετε, δώσουσι, the spelling of the A, a type of δῶ, δώσω, is given, as it also happens in the case of many others.

ON THE CHAIR, how many parts of speech are there? Two, ἐπί preposition, καθέδραν of a noun. What kind of noun is it? Common, of a compound form. And from where was it compounded? From the preposition κατά, and the verb ἕζω meaning 'I sit', ἕδρα and καθέδρα, and it becomes καταέδρα; but prepositions ending in a vowel, if they are compounded with another word beginning with a vowel, drop their last vowel, and it becomes κατέδρα; but since smooth leads smooth, and rough leads rough, the T changes to TH, and it becomes καθέδρα. Is the TH with the E in the same syllable, or in a separate 27 one? In the same syllable. Why? Every preposition undergoing syncope of the last vowel, what remains, unless it is N, assimilates to the following sound. And otherwise, even if it is not one word, but two, and the one undergoes elision, the consonant before the apostrophe is carried over to the following vowel. The -ΔΡΑ is long; why? Feminines in -RA with a consonant cluster want to be paroxytone, and to have a long A, and to have an E or a short-or-long vowel as the penultimate, such as Φλέγρα, πέτρα, λέπρα; so therefore also καθέδρα; the name Ἐρυθρά the city, spoken in the plural, was accented similarly to the adjective. It has been noted that Τάναγρα and σκολόπενδρα are proparoxytone and shorten the A. In ἕζω the E is smooth, why? Verbal derivatives from ἕζω are written with a smooth E, except for παίζω, which comes from παιδιά, from which also παίγνιον. Why rough? The E before Z is aspirated, unless it is from a verbal inflection, as in ζητῶ ἐζήτουν, and related words are also aspirated, ἕδος, ἑδραῖος, ἔδαφος, and the like. The preposition ἐπί is construed with the dative, and genitive, and accusative, such as ἐπ' ἐμοῦ, ἐπ' ἐμοὶ, ἐπ' ἐμέ. OF PLAGUES, genitive plural; the nominative is ὁ λοιμός. From where does it come? From _0_famine_0_1_I leave_1, with the addition of O, λοιμός. But why is λιμός written with an I? Because there are many nouns that come from verbs, with the verbs being written with a diphthong, but the nouns with an I, such as πείθω πιθανός, λείχω λιχανός, οἰκτείρω οἰκτιρμός, σείω σῖτος; so therefore also λείπω λιμός. Or because there are many nouns that are affected along with what is signified, such as χείρ with a diphthong, but χιράς, the affliction concerning the hand, with an I; and the writing has imitated the affliction of the sound, sympathizing with what is signified. Why is λοιμός oxytone? Disyllabic nouns in -μός proper, with a diphthong as the penultimate, beginning with a consonant, are rare and are oxytone, such as λαιμὸς, λοιμὸς, but those 28 beginning with a vowel are barytone, such as αἷμος, οἶμος. But χήρα, the woman, is written with an H, because it comes from χαρά by antiphrasis, she who does not rejoice. HE DID NOT SIT, what part of speech is it? Two; οὐ is an adverb of negation, ἐκάθισε a verb, of the fourth conjugation of the barytones. How is this clear? The fourth is through Z or two S's. And why through Z? Because it is a fourth consonant, and a medial, and is related to S and D. And why two SS? So that when the two SS are doubled, it may fill up the equal power of the

εὑρίσκονται, α᾿συνέτημι, ε᾿λευθέρωμι, δέδωμι· ου᾿κ α᾿´ρα ει᾿σι`ν Αι᾿ολικὰ τὰ ει᾿ς ΜΙ· α᾿πο` πνεύματος, ο῾´τι οἱ Αι᾿ολεῖς ψιλωταί ει᾿σι· τὸ δὲ ι᾿´στημι καὶ ι῾´στημι δασύνεται· ου᾿κ α᾿´ρα ει᾿σι`ν Αι᾿ολικὰ τὰ ει᾿ς ΜΙ· α᾿πο` δὲ πρωτοτύπων, ο῾´τι ου᾿δε´ποτε α᾿πο` βαρυτόνων θεμάτων γίνονται τὰ ει᾿ς ΜΙ παρ' αυ᾿τοῖς, α᾿λλ' α᾿πο` περι σπωμένων· παρ' ἡμῖν δὲ καὶ ἀπὸ βαρυτόνων ῥημάτων, οι῾῀ον ζευγνύω ζεύγνυμι, πηγνύω πήγνυμι· ου᾿κ α᾿´ρα ει᾿σι`ν Αι᾿ολικὰ τὰ ει᾿ς ΜΙ. ὁ παρακείμενος δέδωκα, τὰ πληθυντ. δεδώκαμεν, δεδώκατε, δεδώκασι· ὡς τετύφαμεν, τετύφατε, τετύφασι. Τὸ δῶ ἐν τοῖς πληθυντικοῖς ΜΙ, διατί; Τῶν ει᾿ς ΜΙ ἡ πρώτη μὲν καὶ δευτέρα συζυγία τῷ Η παραληγ., καὶ ἐγράφοντο διὰ τοῦ Ο μικροῦ, κατὰ τὸν κανόνα τὸν λέγοντα, ο῾´τι τὰ ει᾿ς ΜΙ ε᾿πι` τῶν πληθυντ. καὶ παθητικῶν συστέλλει ... ...... ω῾´σπερ καὶ ἐπὶ τοῦ δώσομεν, δώσετε, δώσουσι, ἡ γραφὴ τοῦ Α τύπος τοῦ δῶ δώσω δέδωται, ὡς καὶ ἐπὶ τῶν α᾿´λλων πολλῶν, γίνεται.

ἘΠῚ ΚΑΘΈ∆ΡΑΝ, πόσα μέρη λόγου ει᾿σι´; ∆ύο, ε᾿πι` πρό θεσις, καθέδραν ο᾿νο´ματος. Ποίου ει᾿´δους τῶν ὑποπεπτω κότων τῷ ὀνόματι; Προσηγορικοῦ, σχήματος συνθέτου. Καὶ πόθεν συνετέθη;Ἐκ τῆς κατὰ προθέσεως, καὶ τοῦ ε῾´ζω τὸ κάθημαι, ε῾´δρα καὶ καθέδρα, καὶ γίνεται καταέδρα· α᾿λλ' αἱ ει᾿ς φωνῆεν λήγουσαι προθέσεις, ἐὰν συντεθῶσι μεθ' ἑτέρας λέξεως τῆς α᾿πο` φωνήεντος α᾿ρχομένης ε᾿κβάλλουσι τὸ ε᾿´σχατον αυ᾿τω῀ν φωνῆεν, καὶ γίνεται κατέδρα· α᾿λλ' ε᾿πεὶ ψιλὰ ψιλῶν ἡγεῖται, καὶ δασέα δασέων, τρέπεται τὸ Τ ει᾿ς Θ, καὶ γίνεται καθέδρα. Τὸ Θ μετὰ τοῦ Ε ε᾿ν συλλήψει ε᾿στὶν, η᾿` ε᾿ν δια 27 στάσει;Ἐν συλλήψει. ∆ιατί; Πᾶσα πρόθεσις συγκοπὴν πάσχουσα τοῦ ἐσχάτου φωνήεντος, τὸ καταλειπόμενον, ει᾿ μὴ τὸ Ν ει᾿´η, τρέπει πρὸς τὸ ἐπιφερόμενον. Καὶ α᾿´λλως, κα᾿`ν μὴ ᾖ δὲ μία λέξις, α᾿λλὰ δύο, πάθῃ δὲ ἡ μία ε᾿´κθλιψιν, τὸ πρὸ τῆς α᾿ποστρόφου σύμφωνον τῷ ἐπιφερομένῳ φωνήεντι ε᾿πι φέρει. Τὸ ∆ΡΑ μακρόν· διατί; Τὰ ει᾿ς ΡΑ θηλυκὰ μετ' ε᾿πι πλοκῆς συμφώνου παροξύνεσθαι θέλει, καὶ μακρὸν ε᾿´χειν τὸ Α, καὶ τῷ Ε η᾿` διχρόνῳ παραλήγεσθαι, οι῾῀ον Φλέγρα, πέτρα, λέπρα· ου῾´τως ου᾿῀ν καὶ καθέδρα· τὸἘρυθρὰ ἡ πόλις πλη θυντικῶς λεγόμενον, ὁμοῖα τῷ ἐπιθετικῷ ἐτονήθη. Σεση μείωται τὸ Τάναγρα καὶ σκολόπενδρα προπαροξυνόμενα καὶ συστέλλοντα τὸ Α. Ἕζω τὸ Ε ψιλὸν, διατί; Τὰ διὰ τοῦ ε῾´ζω ῥηματικὰ διὰ τοῦ Ε ψιλοῦ γράφεται, πλὴν τοῦ παίζω, ο῾´περ α᾿πο` τοῦ παιδιὰ γέγονεν, ε᾿ξ ου῾῀ καὶ παίγνιον. ∆ασεῖαν διατί; Τὸ Ε πρὸ τοῦ Ζ δασύνεται, χωρὶς ει᾿ μὴ ἀπὸ κλίσεως ει᾿´η ῥημα τικῆς, ὡς τὸ ζητῶ ἐζήτουν, καὶ τὰ παρ' αυ᾿τοῖς δὲ δασύ νεται, ε῾´δος, ἑδραῖος, ε᾿´δαφος, καὶ τὰ ο῾´μοια. Συντάσσεται δὲ ἐπὶ πρόθεσις μετὰ δοτικῆς, καὶ γενικῆς, καὶ αι᾿τιατικῆς, οι῾῀ον ε᾿π' ε᾿μοῦ, ε᾿π' ε᾿μοὶ, ε᾿π' ε᾿με´. ΛΟΙΜΩ͂Ν γενικῆς τῶν πληθυντικῶν· ἡ ευ᾿θεῖα ὁ λοιμός. Πόθεν γίνεται; Παρὰ τὸ _0_λ_ι_μ_ὸ_ς0_1_λ_ε_ί_π_ω1, πλεονασμῷ τοῦ Ο λοιμός. Τὸ δὲ λιμὸς διὰ τί γράφεται διὰ τοῦ Ι; ∆ιότι πολλά ει᾿σιν ο᾿νο´ματα α᾿πο` ῥημάτων γινόμενα, καὶ γραφομένων τῶν ῥημάτων διὰ διφθόγγου, τῶν δὲ ὀνομάτων διὰ τοῦ Ι, οι῾῀ον πείθω πιθανὸς, λείχω λιχανὸς, οι᾿κτείρω οι᾿κτιρμὸς, σείω σῖτος· ου῾´τως ου᾿῀ν καὶ λείπω λιμός.Ἢ ο῾´τι πολλά ει᾿σιν ο᾿νο´ματα συμπάσχοντα τῷ δηλουμένῳ, οι῾῀ον χεὶρ διὰ διφθόγ γου, χιρὰς δὲ, τὸ περὶ τὴν χεῖρα πάθος, διὰ τοῦ Ι· καὶ ἐμι μήσατο ἡ γραφὴ τὸ πάθος τῆς φωνῆς συμπαθοῦσα τῷ δηλουμένῳ. Λοιμὸς διὰ τί ὀξύνεται; Τὰ ει᾿ς μὸς καθαρὰ δισύλλαβα διφθόγγῳ παραληγόμενα α᾿πο` συμφώνου α᾿ρχό μενα σπάνιά ει᾿σι καὶ ὀξύνονται, οι῾῀ον λαιμὸς, λοιμὸς, τὰ δὲ 28 α᾿πο` φωνήεντος α᾿ρχόμενα βαρύνονται, οι῾῀ον αι῾῀μος, οι῾῀μος. Χήρα δὲ, ἡ γυνὴ, διὰ τοῦ Η γράφεται, ο῾´τι α᾿πο` τοῦ χαρὰ γέγονε κατὰ ἀντίφρασιν, ἡ μὴ χαίρουσα. ΟΥ᾿ΚἘΚΆΘΙΣΕ, ποίου μέρους λόγου ε᾿στί; βʹ· ου᾿ ε᾿πι´ρρημα α᾿ρνήσεως, ε᾿κα´θισε ῥῆμα, συζυγίας τετάρτης τῶν βαρυτόνων. Πόθεν δῆλον;Ἡ δὲ δʹ διὰ τοῦ Ζ η᾿` δύο Σ. Καὶ διατί διὰ τοῦ Ζ; ∆ιότι τέταρτον σύμφωνον ε᾿στὶ, καὶ μέσον, καὶ συγγενὲς ὑπάρχον τοῦ Σ καὶ ∆. Καὶ διὰ τί δύο ΣΣ;Ἵνα α᾿νδιπλασιασθέντων τῶν δύο ΣΣ, τὴν ι᾿´σην δύναμιν α᾿ναπληρώσῃ τοῦ