having a monosyllable in the genitive, sometimes the consonant of the perfect, sometimes that of the future. And what is the consonant of the perfect? The Chi, and it becomes nychos. But the Tau is added, and it becomes nychtos. And why is the Tau added? The Tau is added in many words, as in anax, anakos and anaktos, and blepo, blepto, from which also ablepo (six); and since smooths lead smooths, and roughs lead roughs, the Kappa has been changed into the corresponding Chi. AND IT SHALL BE; estai is a part of speech, a verb of the 41 middle voice. And whence does it come? From eo, that is, I exist, the future eso, the middle future esomai, the second person ese, the third person esetai, and in syncope estai. Why does eo have a grave accent? Pure verbs in eo tend to have a grave accent, unless it should change from a barytone to a circumflex, or be derived from nouns; for verbs derived from nouns are circumflexed, like theo from thea, and noo from noos, and eleo from eleos. Why is STAI a diphthong? The first and third persons singular and third person plural endings in MAI and TAI are all written with the diphthong AI. Regarding the smooth E, why? From eo, for the E before a vowel, being in hiatus, is unaspirated. AS, what part of speech is it? An adverb of comparison. Define it. Those of comparison or similarity, such as os, osper, eüte.

What is an adverb? An indeclinable part of speech said of a verb. And otherwise: an indeclinable word, predicating the moods of verbs. Why is it called an adverb? Because the verb is subordinated to them. The os with an Omega, why? Adverbs in OS are written with a great Omega, except for paros, (which means before, and is an adverb indicating time,) and emos (meaning when,) and temos and temoutos, (which mean then,) and enanchos, (which represents time, and means a little while ago,) and etos, (and it means truly,) and entos and ektos, which are locative, and the interrogative kechos; it comes from pe and by extension of the syllable CHOS it becomes pechos, and by change of the P to a K, kechos. Regarding AS with a rough breathing, why? The OS of comparison has a rough breathing. How many things does OS mean? 32. What and what? Comparison, as a lion rejoiced, chancing upon a great carcass; correspondence, as again he went into the throng of the proud Trojans; hyperbole; as there is nothing else more terrible and shameless than a woman; 42 likeness; as he resembles the son of great-hearted Odysseus; instead of "however," but not even so did he rescue his companions, though he yearned to do so; reference; so they said such things to one another; wonder, what good wits the wise Penelope had, instead of "thus," so saying, from the gates rushed glorious Hector. the conjunction "in order that," that you might name for me also this monstrous man. "so that," so that you may pour a libation to father Zeus and the other immortals. "that," you knew that (as) I am a god, and that on account of this one the Far-shooter, "since," since he saw the deserted place where the swift horses stood; the optative adverb "if," if only evil death were pleasing to me; "wherefore," wherefore then from you your own child; the connective conjunction "if," if you would go from me to the swift ship; "likewise," I will remember how he treated me shamefully among the Argives; "however," however first he overcame the Cicones of Zeus; "as much as," and as much meat as their hands could grasp (could hold); for the conjunction, that it was not fated for them to be overcome by the river; 43 "immediately," when he saw (saw) how anger entered him more; "in the same way," and so now, you gods, grant me this; affirmation; how charming a man is to men; "but"; but there is some truth to this; this is Attic; Aristoph. Nub. 209. as this place is truly Attic.) "while," while he was there gathering much livelihood and gold; "so," as he once was, now again let younger men oppose; "no longer," as there is no longer gratitude afterwards for good deeds. a narrative chapter; how he came, how Aegisthus devised grim destruction; "exceedingly"; how magnified are your works, Lord; "so much," as

μονοσύλλαβον ε᾿´χον ε᾿πι` τῆς γενικῆς, ποτὲ μὲν τὸ σύμφωνον τοῦ παρακειμένου, ποτὲ δὲ τοῦ μέλλοντος. Καὶ ποῖον ε᾿στὶ τὸ σύμφωνον τοῦ παρακειμένου; Τὸ Χ, καὶ γίνεται νυχός. Ἀλλὰ πλεονάζει τὸ Τ, καὶ γίνεται νυχτός. Καὶ διατί πλεονάζει τὸ Τ;Ἐν πολλαῖς λέξεσι πλεονάζει τὸ Τ, ὡς ε᾿ν τῷ α᾿´ναξ, α᾿´νακος καὶ α᾿´νακτος, καὶ βλέπω, βλέπτω, ε᾿ξ ου῾῀ καὶ α᾿βλεπῶ (σιξ)· καὶ ἐπεὶ ψιλὰ ψιλῶν ἡγεῖται, καὶ δασέα δασέων, ει᾿ς τὸ ἀντίστοιχον τοῦ Χ μεταβέβληται τὸ Κ. ΚΑῚἜΣΤΑΙ· τὸ ε᾿´σται μέρος λόγου ε᾿στι, ῥήματος δια 41 θέσεως μέσης. Καὶ πόθεν γίνεται;Ἐκ τοῦ ε᾿´ω, τὸ ὑπάρχω, ὁ μέλλων ε᾿´σω, ὁ μέσος μέλλων ε᾿´σομαι, τὸ δεύτερον ε᾿´σῃ, τὸ τρίτον ε᾿´σεται, καὶ ἐν συγκοπῇ ε᾿´σται. Τὸ ε᾿´ω διατί βαρύ νεται; Τὰ διὰ τοῦ ε᾿´ω ῥήματα καθαρὰ βαρύνεσθαι θέλουσι, χωρὶς ει᾿ μὴ ἀπὸ βαρυτόνου μετασταίη ει᾿ς περισπώμενον, η᾿` α᾿πο` ὀνομάτων γένηται· τὰ γὰρ α᾿π' ο᾿νομάτων γινόμενα ῥήματα περισπῶνται, ὡς τὸ θεῶ παρὰ τὸ θέα, καὶ νοῶ παρὰ τὸ νόος, καὶ ἐλεῶ παρὰ τὸ ε᾿´λεος. Τὸ ΣΤΑΙ δίφθογγος διατί; Τὰ ει᾿ς ΜΑΙ καὶ ει᾿ς ΤΑΙ πρῶτα καὶ τρίτα πρόσωπα τῶν ἑνικῶν καὶ τρίτα τῶν πληθυντικῶν α῾´παντα διὰ τῆς ΑΙ διφθόγγου γράφεται. Ει᾿ς τὸν Ε ψιλὸν, διατί;Ἐκ τοῦ ε᾿´ω, τὸ γὰρ Ε πρὸ φωνήεντος κατὰ διάστασιν ο᾿`ν ψιλοῦται. ὩΣ ποίου μέρους λόγου ε᾿στίν;Ἐπιρρήματος παραβολῆς. ∆ιόρισον. Τὰ δὲ παραβολῆς η᾿` ο῾μοιώσεως, οι῾῀ον ὡς, ω῾´σπερ, ἠΰτε.

Τί ἐστιν ε᾿πι´ρρημα; Μέρος λόγου α᾿´κλιτον κατὰ ῥή ματος λεγόμενον. Καὶ α᾿´λλως· λέξις α᾿´κλιτος, κατηγοροῦσα τῶν ῥηματικῶν ε᾿γκλίσεων. ∆ιατί λέγεται ε᾿πι´ρρημα; ∆ιότι ὑποτάσσεται αυ᾿τω῀ν τὸ ῥῆμα. Τὸ ὡς Ω, διατί; Τὰ ει᾿ς ΩΣ ε᾿πιρρήματα διὰ τοῦ Ω μεγάλου γράφεται, πλὴν τοῦ πάρος, (ο῾` δηλοῖ τὸ πρότερον, καὶ ε᾿´στιν ε᾿πι´ρρημα χρόνου δηλω τικὸν,) καὶ τοῦ η᾿῀μος (τοῦ δηλοῦντος τὸ ἡνίκα,) καὶ τοῦ τῆμος καὶ τημοῦτος, (α῾` δηλοῖ τὸ τηνικαῦτα,) καὶ τοῦ ε᾿´ναγχος, (ο῾´ ε᾿στιν ε᾿πι` καιροῦ παραστατικοῦ, καὶ δηλοῖ τὸ πρὸ ὀλίγου,) καὶ ἐτὸς, (σημαίνει δὲ τὸ ἀληθῶς,) καὶ ἐντὸς καὶ ἐκτὸς τοπι κὸν, καὶ τοῦ κῆχος ε᾿ρωτηματικόν· γίνεται δὲ παρὰ τὸ πῆ καὶ ἐκτάσει τῆς ΧΟΣ συλλαβῆς πῆχος, καὶ τροπῇ τοῦ Π ει᾿ς Κ κῆχος. Ει᾿ς τὸὩΣ δασεῖαν, διατί; Τὸ τῆς παραβολῆς ΩΣ δασύνεται. Τὸ ΩΣ πόσα σημαίνει; λβʹ. Τὶ καὶ τί; Παραβολὴν, ω῾´στε λέων ε᾿χα´ρη, μεγάλῳ ε᾿πι` σώματι κύρσας· α᾿νταπόδοσιν, ω῾`ς αυ᾿῀τις καθ' ο῾´μιλον ε᾿´δυ Τρωῶν α᾿γερώχων· ὑπερβολήν· ὡς ου᾿κ αι᾿νο´τερον καὶ κύντερον α᾿´λλο γυναικός· 42 ὁμοίωσιν· ὡςὈδυσσῆος μεγαλήτορος υἱῒ ε᾿´οικεν· α᾿ντὶ τοῦ ο῾´μως, α᾿λλ' ου᾿δ' ω῾`ς ἑτάρους ε᾿ρρύσατο ἰέμενος [ω῾´σ]περ· α᾿ναφοράν· ω῾`ς οἱ μὲν τοιαῦτα πρὸς α᾿λλήλοις α᾿γο´ρευον· θαυμασμὸν, ὡς α᾿γαθαὶ φρένες η᾿῀σαν ε᾿χε´φρονος Πηνελοπείης, α᾿ντὶ τοῦ ου῾´τως, ω῾`ς ει᾿πω`ν πυλέων ε᾿ξε´σσυτο φαίδιμοςἝκτωρ. τὸν ι῾´να σύνδεσμον, ω῾´ς μοι καὶ τόνδ' α᾿´νδρα πελώριον ε᾿ξονομήνῃς. τὸ ο῾´πως, ω῾`ς σπείσῃς ∆ιὶ πατρὶ καὶ α᾿´λλοις α᾿θανάτοισι. τὸ ο῾´τι, ε᾿´γνως ο῾´τι (ὡς) θεός ει᾿μι, καὶ τὸ ὡς δὴ τοῦδ' ε῾´νεκά σφιν ε᾿κηβόλω, τὸ ἐπεὶ, ὡς ι᾿´δε χῶρον ε᾿´ρημον ο῾´θ' ε῾´στασαν ω᾿κεῖς ι῾´πποι· τὸ ει᾿´τε ευ᾿κτικὸν ε᾿πι´ρρημα, ὡς ο᾿´φειλε θάνατός μοι α᾿δεῖν κακός· τὸ διὸ, ὡς α᾿`ν ε᾿´πειτ' α᾿πο` σεῖο φίλον τέκος· τὸ ει᾿ συναπτικὸν σύνδεσμον, ὡς ὑμεῖς παρ' ε᾿μεῖο θοὴν ε᾿πι` νῆα κίοιτε· τὸ ὁμοίως, μνήσομαι ω῾´ς μ' α᾿συ´φυλον ε᾿νἈργείοισιν ε᾿´ρεξεν· τὸ ο῾´μως, ὡς πρῶτον Κίκονας δαμάσσατο ∆ιός· τὸ ο῾´σον, καὶ κρέας ὡς οἱ χεῖρες ε᾿δα´νδανον (ε᾿χα´νδανον) τὸν γὰρ σύνδεσμον ὡς ου᾿´τοι ποταμῷ δαμήμεναι αι᾿´σιμον η᾿῀εν· 43 τὸ ευ᾿θε´ως, ὡς ει᾿῀δεν (ι᾿´δεν) ω῾´ς μιν μᾶλλον ε᾿´δυ χόλος· τὸ ὡσαύτως, ω῾`ς δ' αυ᾿῀ νῦν μοι α᾿γα´σασθε (α᾿γα´ασθε) θεοί· τὴν βεβαίωσιν· ὡς χαρίεν τ' α᾿´νθρωπος α᾿νθρώποισι· τὸ ἀλλά· ὡς τούτου α᾿λη´θειά τις·Ἀττικὸν τοῦτο· Aristoph. Nub. 209. ὡς τοῦτ' α᾿ληθῶςἈττικὸν τὸ χωρίον.) τὸ ε῾´ως, ὡς ὁ μὲν ε᾿´νθα πολὺν βίοτον καὶ χρυσὸν α᾿γείρων· τὸ ου῾´τως, ω῾´ς ποτ' ε᾿´ην νῦν αυ᾿῀τε νεώτεροι α᾿ντιοώντων· τὸ ου᾿κε´τι, ω῾`ς ου᾿κ ε᾿´στι χάρις μετ' ο᾿´πισθ' ευ᾿εργέων. διηγηματικὸν κεφάλαιον· ω῾`ς η᾿῀λθ' ὡς Αι᾿´γισθος ε᾿μη´σατο λυγρὸν ο᾿´λεθρον· τὸ λίαν· ὡς ε᾿μεγαλύνθη τὰ ε᾿´ργα σου, Κύριε· τὸ τοσοῦτον, ω῾`ς