I was making prosper; but verbs beginning from the particle EU and DYS do not augment the beginning of the imperfect 54 externally, but have the inflection internally, for example, ευ᾿ορκῶ εὐώρκουν, ευ᾿αγγελίζομαι ευ᾿ηγγελιζόμην, δυσαπιστῶ δυσηπίστουν. And otherwise: verbs beginning with a preposition keep the preposition unchanged externally, but are inflected internally; διάγω διῆγον. And how does ἐκαθεζόμην augment the beginning, unless it be by pleonasm, as in the case of καθέζομαι ε᾿καθεζόμην, and how did ἀντιβολῶ ἠντιβόλουν change the preposition, unless it were inflected in the Attic manner, as ἀντιβολῶ ἠντιβόλουν. Κατευοδῶ, the future κατευοδώσω. Why the big OMEGA? For the third conjugation of the perispomena in the future has the O or the OMEGA. And it ought to have the small O and not the big OMEGA; but when it has a preceding noun, then it is written with the big OMEGA, for example χρυσὸς χρυσῶ χρυσώσω; but when it does not, then with the small O. And always with the big OMEGA, except for α᾿ρω῀ ἀρόσω, which means ἀροτριῶ, ο᾿μω῀ ὀμόσω, which means ὀμνύω, ο᾿νω῀ ὀνόσω, which means μέμφομαι, and βῶ βόσω, which means τρέφω. And why except for these? Because they do not have a preceding noun. The perfect κατευώδωκα; the passive κατευώδωμαι; the first aorist κατευωδώθην, the second κατευωδώθη, the third, κατευω δώθη, and the first future κατευοδωθήσομαι, κατευοδωθήσῃ, κατευοδωθήσεται. ΟΥ᾿Χ ΟΥ῾´ΤΩΣ, how many parts of speech are there? One. Why? For the two adverbs are arranged as one part of speech. The ου᾿χ, of which of the adverbs? Of negation. But the ου῾´τως .... of quality, because they are placed with masculine and feminine and neuter. And in how many ways are the adverbs of quality taken? In five ways: For praise, as καλῶς, σοφῶς; for blame, as πονηρῶς, α᾿θε´ως; for practice, as γραμματικῶς, ῥητορικῶς; for participation, as σαρκικῶς, α᾿νθρωπικῶς; for change, as α᾿´λλως, ου῾´τως, ε᾿κείνως, and the like. The -ΩΣ big, why? The adverbs in -ΩΣ are written with a big 55 OMEGA, except for πάρος, η᾿῀μος, τῆμος, τημοῦτος, ε᾿´ναγχος, ε᾿το`ς, ε᾿ντὸς, ε᾿κτὸς, κῆχος, and except for διαβραχέος, διαταχέος, and καταχρέος. With which moods are the adverbs of quality constructed? With the indicative; but those of negation, for the most part with the imperative, and those of prohibition, inasmuch as with the imperative. In ου῾´τως a rough breathing, why? From the pronoun ου῾῀τος. And that, why? Every pronoun beginning with a long [vowel] is aspirated, except for αυ᾿το´ς. And why except for αυ᾿το´ς? Because the diphthong ΑΥ is unaspirated. And with the negation ΟΥ, ου᾿χ ου῾´τως. And how does it become ου᾿χ ου῾´τως? By pleonasm of the CHI. Why is the CHI pleonastic? Because of hiatus. And what is hiatus? Successive vowels. And why did the KAPPA not become pleonastic, but the CHI? Because the negation ΟΥ, when combined with another word beginning with an unaspirated vowel, becomes pleonastic in itself, ου᾿κ ε᾿´ρχομαι, ου᾿κ ε᾿´στιν, ου᾿κ ἐπορεύθη, ου᾿κ ἐμὸν τὸ ἀργύριον. ὩΣΕῚ an adverb of comparison and of composite form. And from what was it composed? From the ὡς of comparison and the conjunction ει᾿, whence also it is written with the diphthong ΕΙ, just as also οἱονεί; but some say it is a redundant adverb, for the conjunction ει᾿ is redundant. The ΕΙ, of which conjunction? Copulative. Define. Copulatives are those which do not indeed declare existence, but signify sequence; and they are these, ει᾿, ει᾿´περ. The -ΣΕΙ a diphthong, why? The extension through I does not have a diphthong, ὡδὶ, δευρὶ, νυνὶ, ε᾿νθαδὶ, οὑτοσὶ, ε᾿κεινοσὶ, except for ὡσπερεὶ, and ὡσανεὶ, and οἱονεὶ, and ὡσεί. With these followed also καθαπερεί. ΧΝΟΥ͂Σ a noun, simple, derivative, verbal. And whence does it come? From χέω, χόος χοῦς, and by pleonasm of N, χνοῦς. In χέω the ΧΕ is unaspirated, why? The disyllabic verbs in ΕΩ that are able to receive contraction in the second and third person, are written with a simple E, for example χέω χέεις χεῖς, ῥέω ῥέεις ῥεῖς. Χέω, and the future χεύσω. Why 56 is the Y pleonastic? For the pure disyllabic verbs ending in Ω with an E

ε᾿κα τευόδουν· α᾿λλὰ τὰ ἀπὸ τοῦ ΕΥ μορίου καὶ τοῦ ∆ΥΣ α᾿ρχό μενα ῥήματα ου᾿κ αυ᾿´ξει τὴν α᾿´ρχουσαν τοῦ παρατατικοῦ 54 ε᾿´ξωθεν, α᾿λλ' ε᾿´σωθεν ε᾿´χει τὴν κλίσιν, οι῾῀ον, ευ᾿ορκῶ εὐώρκουν, ευ᾿αγγελίζομαι ευ᾿ηγγελιζόμην, δυσαπιστῶ δυσηπίστουν. Καὶ α᾿´λλως· τὰ ἀπὸ προθέσεως α᾿ρχόμενα ῥήματα α᾿´τρεπτον τηρεῖ τὴν πρόθεσιν ε᾿´ξωθεν, ε᾿´σω δὲ κλίνεται· διάγω διῆγον. Καὶ πῶς τὸ ἐκαθεζόμην αυ᾿´ξει τὴν α᾿´ρχουσαν, χωρὶς ει᾿ μὴ κατὰ πλεονασμὸν ει᾿´η, ὡς ε᾿πι` τοῦ καθέζομαι ε᾿καθεζόμην, καὶ πῶς τὸ ἀντιβολῶ ἠντιβόλουν ε᾿´τρεψε τὴν πρόθεσιν, η᾿`Ἀττικῶς κλιθείη, ὡς α᾿ντιβολῶ ἠντιβόλουν. Κατευοδῶ, ὁ μέλλων κατευοδώσω. Τὸ ∆Ω μέγα διατί;Ἡ γὰρ τρίτη συζυγία τῶν περισπω μένων ε᾿πι` τοῦ μέλλοντος ε᾿´χει τὸ Ο η᾿` τὸ Ω. Καὶ ω᾿´φειλεν ε᾿´χειν τὸ Ο μικρὸν καὶ μὴ τὸ Ω μέγα· α᾿λλ' ἡνίκα ε᾿´χει πρου¨ποκείμενον ο᾿´νομα, τότε διὰ τοῦ Ω μεγάλου γράφεται, οι῾῀ον χρυσὸς χρυσῶ χρυσώσω· ἡνίκα δὲ ου᾿κ ε᾿´χει, τότε διὰ τοῦ Ο μικροῦ. Καὶ πάντοτε δὲ διὰ τοῦ Ω μεγάλου, πλὴν τοῦ α᾿ρω῀ ἀρόσω, ο῾` σημαίνει τὸ ἀροτριῶ, ο᾿μω῀ ὀμόσω, ο῾` σημαίνει τὸ ὀμνύω, ο᾿νω῀ ὀνόσω, ο῾` σημαίνει τὸ μέμφομαι, καὶ βῶ βόσω, ο῾` σημαίνει τὸ τρέφω. Καὶ διατί πλὴν τούτων; ∆ιότι ου᾿κ ε᾿´χουσιν ο᾿´νομα πρου¨ποκείμενον.Ὁ παρακείμενος κατευώδωκα· ὁ παθητικὸς κατευώδωμαι· ὁ ἀόριστος πρῶτος κατευωδώθην, τὸ δεύτερον κατευωδώθη, τὸ τρίτον, κατευω δώθη, καὶ ὁ μέλλων πρῶτος κατευοδωθήσομαι, κατευοδωθήσῃ, κατευοδωθήσεται. ΟΥ᾿Χ ΟΥ῾´ΤΩΣ, πόσα μέρη λόγου ει᾿σι´ν;Ἕν. ∆ιατί; Τὰ γὰρ δύο ε᾿πιρρήματα α᾿ντὶ ἑνὸς μέρους λόγου τάττονται. Τὸ ου᾿χ ποίου τῶν ε᾿πιρρημάτων;Ἀρνήσεως. Τὸ δὲ ου῾´τως .... μεσότητος, διότι μετὰ ἀρσενικοῦ καὶ θηλυκοῦ καὶ ου᾿δετέρου κεῖνται. Καὶ ποσαχῶς λαμβάνονται τὰ τῆς μεσότητος ε᾿πιρρή ματα; Πενταχῶς· Κατὰ ε᾿´παινον, ὡς τὸ καλῶς, σοφῶς· κατὰ ψόγον, ὡς τὸ πονηρῶς, α᾿θε´ως· κατὰ ἐπιτήδευμα, ὡς τὸ γραμματικῶς, ῥητορικῶς· κατὰ μετουσίαν, ὡς τὸ σαρκικῶς, α᾿νθρωπικῶς· κατὰ ἐναλλαγὴν, ὡς τὸ α᾿´λλως, ου῾´τως, ε᾿κείνως, καὶ τὰ παραπλήσια. Τὸ ΤΩΣ μέγα διατί; Τὰ ει᾿ς ΩΣ ε᾿πιρρήματα διὰ τοῦ Ω 55 μεγάλου γράφεται, πλὴν τοῦ πάρος, η᾿῀μος, τῆμος, τημοῦτος, ε᾿´ναγχος, ε᾿το`ς, ε᾿ντὸς, ε᾿κτὸς, κῆχος, καὶ πλὴν τοῦ διαβραχέος, διαταχέος, καὶ καταχρέος. Ποίαις ε᾿γκλίσεσι συντάσσονται τὰ τῆς μεσότητος ε᾿πιρρή ματα; Ταῖς ὁριστικαῖς· τὰ δὲ τῆς α᾿ρνήσεως, ὡς ε᾿πι` τὸ πλεῖστον ταῖς προστακτικαῖς, τὰ δὲ τῆς α᾿παγορεύσεως καθὸ ταῖς προστακτικαῖς. Ει᾿ς τὸ ου῾´τως δασεῖαν, διατί;Ἐκ τῆς ου῾῀τος α᾿ντωνυμίας. Καὶ ἐκεῖνο διὰ τί; Πᾶσα α᾿ντωνυμία α᾿πο` μακρᾶς α᾿ρχομένη δασύνεται, πλὴν τῆς αυ᾿το´ς. Καὶ διατί πλὴν τῆς αυ᾿το´ς; ∆ιότι ἡ ΑΥ δίφθογγος ψιλοῦται. Καὶ μετὰ τῆς ΟΥ α᾿ρνή σεως, ου᾿χ ου῾´τως. Καὶ πῶς γίνεται ου᾿χ ου῾´τως; Κατὰ πλεο νασμὸν τοῦ Χ. ∆ιατί πλεονάζει τὸ Χ; ∆ιὰ τὴν χασμω δίαν. Καὶ τί ἐστι χασμωδία;Ἀλλεπάλληλα φωνήεντα. Καὶ διατί ου᾿κ ἐπλεόνασε τὸ Κ α᾿λλὰ τὸ Χ; ∆ιότι ἡ ΟΥ α᾿´ρνησις συντιθεμένη μεθ' ἑτέρας λέξεως τῆς α᾿πο` φωνήεντος α᾿ρχομένης ψιλ αυ᾿τῇ πλεονάζει, ου᾿κ ε᾿´ρχομαι, ου᾿κ ε᾿´στιν, ου᾿κ ἐπορεύθη, ου᾿κ ἐμὸν τὸ ἀργύριον. ὩΣΕῚ ἐπίρρημα παραβολῆς καὶ σχήματος συνθέτου. Καὶ πόθεν συνετέθη;Ἐκ τῆς ὡς παραβολῆς καὶ τοῦ ει᾿ συν δέσμου, ε᾿ξ ου῾῀ καὶ γράφεται διὰ τῆς ΕΙ διφθόγγου, ω῾´σπερ καὶ τὸ οἱονεί· οἱ δὲ λέγουσιν ε᾿πι´ρρημα παρέλκον, ὁ γὰρ ει᾿ σύνδεσμος παρέλκει. Τὸ ΕΙ ποίου συνδέσμου; Συναπτικοῦ. ∆ιόρισον. Συναπτικοί ει᾿σιν, οἱ υ῾´παρξιν μὲν ου᾿ δηλοῦσι, σημαίνουσι δὲ ἀκολουθίαν· ει᾿σι δὲ οι῾´δε, ει᾿, ει᾿´περ. Τὸ ΣΕΙ δίφθογγος, διατί;Ἡ διὰ τοῦ Ι ε᾿πε´κτασις δίφθογγον ου᾿κ ε᾿´χει, ὡδὶ, δευρὶ, νυνὶ, ε᾿νθαδὶ, οὑτοσὶ, ε᾿κεινοσὶ, πλὴν τοῦ ὡσπερεὶ, καὶ ὡσανεὶ, καὶ οἱονεὶ, καὶ ὡσεί. Τούτοις συνεξηκο λούθησε καὶ τὸ καθαπερεί. ΧΝΟΥ͂Σ ο᾿´νομα ἁπλοῦν, παράγωγον, ῥηματικόν. Καὶ πόθεν γίνεται; Παρὰ τὸ χέω, χόος χοῦς, καὶ πλεονασμῷ τοῦ Ν χνοῦς. Χέω τὸ ΧΕ ψιλὸν, διατί; Τὰ διὰ τοῦ ΕΩ ῥήματα δισύλλαβα δυνάμενα ε᾿πι` δευτέρου καὶ τρίτου προσώπου συναίρεσιν δέξασθαι, διὰ τοῦ Ε ψιλοῦ γράφονται, οι῾῀ον χέω χέεις χεῖς, ῥέω ῥέεις ῥεῖς. Χέω, καὶ ὁ μέλλων χεύσω. ∆ιατί 56 πλεονάζει τὸ Υ; Τὰ γὰρ ει᾿ς Ω καθαρὰ λήγοντα ῥήματα δισύλλαβα τῷ Ε