on the same day a derivative, which is a participle. I HAVE BEGOTTEN YOU, a verb, indicative, simple, derivative, of the second conjugation of the perispomena, of the perfect tense. From where does it come? From 'gennō, gennas'. How many N's do you write? Two. Why? Because in the case of begetting, it is written with two N's, but in the case of making and creating with one N, from which also comes 'genētos', the 90 created, while 'gennētos' is the one who has been begotten; but the nouns derived from them are spelled with one N, for example 'genesis', 'genethlion'. ASK an imperative verb, simple; it comes from 'aitō' 'aitēsō', the aorist 'ētēsa', and the imperative 'aitēsai', (from 'tō') and with the intensive A, 'atō', meaning 'I seek very much', and with the addition of I, 'aitō'. Why does the infinitive sound the same as the middle aorist imperative? Because for those with more than two syllables it coincides only in sound, but not also in accent; the imperative is proparoxytone, while the infinitive has the accent on the penultimate; but in the case of monosyllables (disyllables) it is both homophonous and has the same accent, for example 'ktizō' 'ktisō', 'ektisa', and the imperative 'ktisai', and the infinitive likewise. WITH ME, 'para' is a disyllabic preposition, 'emoi' is a primary pronoun, of the dative case, it is oxytone, but 'hoi' is perispomenon, and not all should be perispomenon as datives, but 'emoi' and 'soi' and 'sphin', pronouns, are noted. One must know, that the declension of nouns and verbs proceeds according to a sequence of sound, and one is regulated by the other; but pronouns form their declension by meaning alone, not however by a sequence of sound; for which reason we also call them thematic; for each is its own theme, and never is one regulated by the other. And why was the pronoun invented? Because the verb for each tense requires persons for the completion of the noun, but it was not able according to the syntax of speech to be combined with the persons. For this reason the pronoun was invented, being indicative of persons, and being able to be combined with verbs in every person, for example I say, you say, he says. INHERITANCE a feminine noun, derivative and paronymous. And from where does it come? From 'klēros' and 'nomos'. Of what form? Compound. Of which type of compound nouns? From an incomplete and a complete. How many types of compound nouns are there? Four. And why are there four? Since every two-natured thing joined 91 with another two-natured thing produces four forms, for example in the case of the hand the outside of it is black, and the inside white, which when joined with the other hand produces four forms. From where does 'klēros' come? From 'kalesō', 'kalēros', and in syncope, 'klēros'. How many things does it mean? Two; that which is cast to obtain by lot, as in 'and taking the lots they shook them in a bronze helmet' and possessions, as in [ ∴Il. .♣ο 498.] 'both your wife safe and children behind, ...... and an unharmed inheritance'. In how many ways are words in -OS compounded? In eight ways, for either it keeps the S, as in 'laos soos', 'laosoos', and 'theos dotos' ('theosdotos'); or it drops the S and adds an I, as in 'Pylos', 'Pylogenēs' and 'Pyloigenēs'; or it drops the S, and changes the O to an E, as in 'menos', 'menoptolemos' and 'meneptolemos'; or it drops the S, and changes the O to an I, as in 'oros', 'orobasios' and 'oribasios'; or it drops the S and changes the O to an E and adds an I, as in 'oros', 'orephoitēs', and 'oreiphoitēs'; or it drops the S, and changes the O to an H, as in 'theos', 'theotokos' and 'thētokos'; or it drops the S, and changes the O to an A and adds an I, as in 'klytos', 'Klytamnēstra' and 'Klytaimnēstra'. The MIA with an I, why? Feminines formed from masculine nouns in -OS by means of -IA are written with an I, for example 'kakos' 'kakia', 'argos' 'argia', 'rhathymos' 'rhathymia'. And otherwise: feminines formed from perispomenon verbs in -Ō by means of -IA are written with an I, for example 'martyrō', 'martyria', 'eudokō', 'eudokia'; however 'boēthō', 'boētheia', and 'ōphelō', 'ōpheleia', having changed according to the accent, also differ in spelling. But 'ōphelia' is also found as paroxytone with an I. And otherwise: feminine paroxytones in -IA

Τὸ αυ᾿θημερὸν παρώνυμον, τὸ ἐξὸν μετοχή. ΓΕΓΈΝΝΗΚΆ ΣΕ, ῥῆμα ὁριστικὸν, ἁπλοῦν, παράγωγον, συζυγίας δευτέρας τῶν περισπωμένων, χρόνου παρακειμένου. Πόθεν γίνεται; Παρὰ τὸ γεννῶ, γεννᾷς. Πόσα Ν γράφεις; ∆ύο. ∆ιατί; ∆ιότι ε᾿πι` μὲν τῆς γεννήσεως δύο Ν γράφεται, ε᾿πι` δὲ τῆς ποιήσεως καὶ κτίσεως ε῾`ν Ν, ε᾿ξ ου῾῀ καὶ γενητὸς, ὁ 90 κτιστὸς, γεννητὸς δὲ ὁ γεγενημένος· τὰ δὲ παρ' αυ᾿τω῀ν γιγνό μενα ο᾿νο´ματα δι' ἑνὸς Ν ε᾿κφέρονται, οι῾῀ον γένεσις, γενέθλιον. ΑἼΤΗΣΑΙ ῥῆμα προστακτικὸν, ἁπλοῦν· γίνεται δὲ ἐκ τοῦ αι᾿τω῀ αι᾿τη´σω, ὁ ἀόριστος ᾔτησα, καὶ τὸ προστακτικὸν αι᾿´ τησαι, (ε᾿κ τοῦ τῶ) καὶ μετὰ τοῦ ἐπιτα[κ]τικοῦ Α, α᾿τω῀, τὸ πάνυ ζητῶ, καὶ πλεονασμῷ τοῦ Ι αι᾿τω῀. ∆ιατί ὁμοφωνεῖ τὸ ἀπαρέμφατον τῷ μέσῳ α᾿ορίστῳ προστακτικῷ; ∆ιότι ε᾿πι` τῶν ὑπὲρ δύο συλλαβὰς φωνῇ μόνῃ συνεμπίπτει, ου᾿κ ε᾿´στι (ε᾿´τι) δὲ καὶ τόνῳ· τὸ μὲν προστακτικὸν προπαροξύνεται, τὸ δὲ ἀπαρέμφατον πρὸ μιᾶς ε᾿´χει τὸν τόνον· ε᾿πι` δὲ τῶν μονο συλλάβων (δισυλ.) καὶ ὁμοφωνεῖ καὶ ὁμοτονεῖ, οι῾῀ον κτίζω κτίσω, ε᾿´κτισα, καὶ τὸ προστακτικὸν κτίσαι, καὶ τὸ ἀπαρέμ φατον ὁμοίως. ΠΑΡ'ἘΜΟῚ, παρὰ πρόθεσις δισύλλαβος, ε᾿μοὶ ἀντωνυμία πρωτότυπος, πτώσεως δοτικῆς, ο᾿ξυ´νεται, ἡ δὲ οι῾῀ περισπᾶται, καὶ ου᾿κ ε᾿´δει πάσας περισπᾶσθαι ὡς δοτικὰς, α᾿λλὰ σεση μείωται ἡ ἐμοὶ καὶ σοὶ καὶ σφὶν, α᾿ντωνυμίαι. ∆εῖ δὲ γιγνώσκειν, ο῾´τι τῶν μὲν ο᾿νομάτων καὶ τῶν ῥημάτων ἡ κλίσις κατὰ ἀκολουθίαν φωνῆς προέρχεται, καὶ ἑτέρα ὑπὸ τῆς ἑτέρας κανονίζεται· αἱ δὲ ἀντωνυμίαι σημασίᾳ μόνῃ ποιοῦνται τὴν κλίσιν, ου᾿ μέντοι φωνῆς α᾿κολουθίᾳ· διὸ καὶ θεματικὰς αυ᾿τα`ς καλοῦμεν· ἑκάστη γὰρ ἑαυτῆς ε᾿´στι θέμα, καὶ ου᾿δε´ποτε ἑτέρα ὑπὸ τῆς ἑτέρας κανονίζεται. Καὶ διατί ε᾿πενοήθη ἡ ἀντωνυμία; ∆ιότι τὸ ῥῆμα καθέκαστον χρόνου δεῖται, προσώπων πρὸς α᾿παρτισμὸν τοῦ ὀνόματος, ου᾿κ ε᾿δυ´νατο δὲ κατὰ σύνταξιν λόγου συντάττεσθαι τοῖς προσ ώποις. ∆ιὰ τοῦτο ε᾿πενοήθη ἡ ἀντωνυμία, πρωσώπων δεικτικὴ ου᾿῀σα, καὶ δυναμένη συντάσσεσθαι τοῖς ῥήμασιν ε᾿πι` παντὸς προσώπου, οι῾῀ον λέγω ε᾿γω`, λέγεις σὺ, λέγει ε᾿κεῖνος. ΚΛΗΡΟΝΟΜΊΑ ο᾿´νομα θηλυκὸν, παράγωγον καὶ παρώνυμον. Καὶ πόθεν γίνεται;Ἀπὸ τοῦ κλῆρος καὶ τοῦ νόμος. Ποίου σχήματος; Συνθέτου. Ποίας διαφορᾶς τῶν συνθέτων ο᾿νο μάτων;Ἐξ α᾿πολείποντος καὶ τελείου. Πόσαι διαφοραὶ τῶν συνθέτων ο᾿νομάτων; Τέσσαρες. Καὶ διατί ει᾿σι` τέσσαρες;Ἐπεὶ πᾶν διφυὲς συμπλεκόμενον 91 ἑτέρῳ διφυεῖ τέτταρα σχήματα α᾿ποτελεῖ, οι῾῀ον ε᾿πι` τῆς χειρὸς τὸ μὲν ε᾿´ξωθεν αυ᾿τη῀ς ε᾿´στι μέλαν, τὸ δὲ ε᾿´σωθεν λευκὸν, η῾´τις συμπλεκομένη τῇ ἑτέρᾳ χειρὶ τέσσαρα σχήματα α᾿ποτελεῖ. Τὸ κλῆρος πόθεν γίνεται; Παρὰ τὸ καλέσω, καλῆρος, καὶ ε᾿ν συγκοπῇ κλῆρος. Πόσα σημαίνει; ∆ύο· τὸν βαλλόμενον ει᾿ς τὸ λαχεῖν, ὡς τὸ κλήρους δ' ε᾿ν κυνέῃ χαλκήρει¨ πάλλον ἑλόντες καὶ τὰ κτήματα, ὡς το[ ∴Il. .♣ο 498.] α᾿´λοχός τε σόη καὶ παῖδες ο᾿πι´σω, ...... καὶ κλῆρος α᾿κη´ρατος. Ποσαχῶς συντίθενται τὰ ει᾿ς ΟΣ;Ὀκταχῶς, η᾿` γὰρ φυ λάσσει τὸ Σ, ὡς τὸ λαὸς σόος, λαοσόος, καὶ θεὸς δοτὸς (θεόσδοτος)· η᾿` α᾿ποβάλλει τὸ Σ καὶ προσλαμβάνει τὸ Ι, ὡς τὸ Πύλος Πυλογενὴς καὶ Πυλοιγενής· η᾿` α᾿ποβάλλει τὸ Σ, καὶ τρέπει τὸ Ο ει᾿ς Ε, ὡς τὸ μένος, μενοπτόλεμος καὶ μενεπτό λεμος· η᾿` α᾿ποβάλλει τὸ Σ, καὶ τρέπει τὸ Ο ει᾿ς Ι, ὡς τὸ ο᾿´ρος, ο᾿ροβάσιος καὶ ὀριβάσιος· η᾿` α᾿ποβάλλει τὸ Σ καὶ τρέπει τὸ Ο ει᾿ς Ε καὶ προσλαμβάνει τὸ Ι, ὡς τὸ ο᾿´ρος, ο᾿ρεφοίτης, καὶ ο᾿ρειφοίτης· η᾿` α᾿ποβάλλει τὸ Σ, καὶ τρέπει τὸ Ο ει᾿ς Η, ὡς τὸ θεὸς, θεοτόκος καὶ θεητόκος· η᾿` α᾿ποβάλλει τὸ Σ, καὶ τρέπει τὸ Ο ει᾿ς Α καὶ προσλαμβάνει τὸ Ι, ὡς τὸ κλυτὸς Κλυταμνή στρα καὶ Κλυταιμνήστρα. Τὸ ΜΙ Ι, διατί; Τὰ ἀπὸ τῶν ει᾿ς ΟΣ α᾿ρσενικῶν διὰ τοῦ ΙΑ γινόμενα, θηλυκὰ, διὰ τοῦ Ι γράφονται, οι῾῀ον κακὸς κακία, α᾿ργὸς α᾿ργία, ῥᾴθυμος ῥᾳθυμία. Καὶ α᾿´λλως· τὰ ἀπὸ τῶν ει᾿ς Ω περισπωμένων διὰ τοῦ ΙΑ γινόμενα θηλυκὰ διὰ τοῦ Ι γράφονται, οι῾῀ον μαρτυρῶ μαρ τυρία, ευ᾿δοκῶ ευ᾿δοκία· τὸ μέντοι βοηθῶ βοήθεια, καὶ ω᾿φελῶ ὠφέλεια, ε᾿ναλλάξαντα κατὰ τὸν τόνον, διήλλαξαν καὶ κατὰ τὴν γραφήν. Ευ῾´ρηται δὲ καὶ ὠφελία παροξυτόνως διὰ τοῦ Ι. Καὶ α᾿´λλως· τὰ διὰ τοῦ ΙΑ παροξύτονα θηλυκὰ