Vicariate Apostolic of Bagamoyo
Mother Frances Mary Teresa Ball
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Antoine-Lefebvre, Sieur de la Barre
Francesco della Rossa Bartholi
Prefecture Apostolic of Basutoland
Vicariate Apostolic of Batavia
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Pierre Gustave Toutant Beauregard
Jean-Baptiste-Charles-Marie de Beauvais
Georg Philipp Ludolf von Beckedorff
Francesco Antonio Begnudelli-Basso
Ven. Robert Francis Romulus Bellarmine
Henri François Xavier de Belsunce de Castelmoron
Prefecture Apostolic of Benadir
Benediction of the Blessed Sacrament
St. Benedict of San Philadelphio
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Archdiocese of Benevento (Beneventana)
Antoine Henri de Bérault-Bercastel
José Mariano Beristain y Martin de Souza
François-Joachim-Pierre de Bernis
Archdiocese of Besançon (Vesontio)
Bethlehem (as used in architecture)
Prefecture Apostolic of Bettiah
Jean-Baptiste Le Moyne, Sieur de Bienville
Bigamy (in Civil Jurisprudence)
Congregation of the Blessed Sacrament
Sisters of the Blessed Sacrament
Anicius Manlius Severinus Boethius
Archdiocese of Santa Fé de Bogotá
Bohemians of the United States
Jean de Dieu-Raymond de Cucé de Boisgelin
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Louis-Jacques-Maurice de Bonald
Charles-Lucien-Jules-Laurent Bonaparte
Henri-Marie-Gaston Boisnormand de Bonnechose
Institute of Bon Secours (de Paris)
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Pierre-Rose-Ursule-Dumoulin Borie
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Francesco Lorenzo Brancati di Lauria
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Auguste-Théodore-Paul de Broglie
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Brothers Hospitallers of St. John of God
Vicariate Apostolic of Brownsville
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Simon William Gabriel Bruté de Rémur
Born in Rome, 21 October, 1775; died there 21 May, 1844. Baini made his first musical studies under the direction of his uncle Lorenzo Baini, a distinguished disciple of the Roman School, who introduced him into the spirit and traditions of the Palestrina style. Later Baini became the pupil and friend of Jannaconi, choirmaster of the Vatican Basilica, through whom he was admitted into the choir of the Sistine Chapel as a bass singer. In 1818 Baini was unanimously elected director of the famous choir, a position which he held till his death.
While Baini has left a considerable number of compositions (notably a ten-voiced "Miserere" which is still performed, alternately with those of Allegri and Bai, during Holy Week, by the Sistine Chapel choir), all of which are written in the style of the great period of classic polyphony, his great lifework was his "Memorie storico-critiche della, vita e delle opere di Giovanni Pierluigi da Palestrina" (1828). Through the translation into German of this work by Francis de Sales Kandler (Vienna, 1834), the life and labours of Palestrina's school and period became more accessible and were a powerful influence in the revival and restoration of liturgical music which was about to take its beginning. The publication of Palestrina's complete works was one of the results of Baini's biography of the master. Baini lived so completely in the great musical past that he had but scant sympathy with, or understanding for, modern developments of the art. Besides the biography of Palestrina he has left a study on the theory of rhythm of the ancients under the title: "Saggio sopra l'identit à di ritmi musicali e poetici"; an unfinished history of the Sistine Chapel choir; and other essays of a critical or theoretic character.
AMBROS, Geschichte der Musik (Leipzig, 1881); REIMANN, Musik Lex. (Leipzig, 1905).
JOSEPH OTTEN