from *agallō*, this from *aglaon*, this from *aiglē*, this from *aissō* which means *hormō*. Why is *LI* with an iota? Words with a circumflex on -IŌ are written with an I, for example *aniō, kopiō, erythriō*, *agalliaō* becomes *agalliō*, and the passive *agalliaomai* becomes *agalliōmai*, the imperfect *ēgalliaomēn* becomes *ēgalliōmēn*, and the imperative *agalliaou* becomes *agalliō*, *agalliaesthō* becomes *agalliasthō*, and the plural, *agalliaesthe* becomes *agalliasthe*. *TROMOS*, of what kind? Derivative. And whence does it come? From *tremō*, this from *thermō*, which means *thermainō*, and by metathesis and the change of TH to T it becomes *tremō*. Why is it barytone? Pure disyllabic words in -MOS that are not of three genders are barytone, for example, *tromos*, *bromos*; however, *nomos* and *bōmos* are oxytone for a different meaning. Of what kind? Of those falling under the noun, of the specific. Define it. The specific is that which is divided from a genus, for example, ox, horse, vine, olive tree. *DRAXASTHE*, an imperative from *drasō*, this from *drō*, which means *kratō*. *PAIDEIAS*, a common noun, simple, derivative. It comes from *paideuō*, this from *pais*, this from *baion*, which means *mikron*, *bais* and *pais*, and by synaeresis *pais*. *MĒPOTE*, *mē* is an adverb, why is *MĒ* with an eta? Every monosyllabic adverb with a long ending, when spoken by itself with a long ending, wants to be oxytone, and to be written with an eta, for example, *mē, dē, nē*. What do you subscribe? Nothing. Why? Adverbs ending in -Ē have the I subscript, for example, *allē, pantē*, except for *mē* and *dēladē*. *Pote*, an interrogative adverb, why is it barytone? Adverbs ending in -TE, being interrogative, or declarative, or relative, are barytone, for example, *pote, tote, hote*. Why is it proparoxytone? - 97 *EXODOU* there are two parts of speech, *ex* a preposition, *hodou* a noun. *EX* is long, why? Every preposition ends in a short vowel, except for EIS and EX, which are also called ES and EK. The O is short, why? The D before it at the beginning of a word in a simple and uninflected word rejects being written with a large Ōmega, but prefers being written with a small Omicron, for example, *hodos*, *hodan* (sic) the fragrant myrrh, *odontomachos*, the ear (sic): the adverb *hōde* has been noted. *DIKAIA* from *dikaios*, *dikaia*. Why does it lower the accent? Because feminines in -A and in -Ē derived from masculine oxytone words in -SOS keep the same accent, for example *phoberos phobera*, *ischyros ischyra*; thus, therefore, also from *dikaios* it ought to be *dikaia*; but because of the long final syllable, it lowered the accent. *EKKAUTHĒI*, of what mood? Subjunctive; the theme is *ekkaiō*. Of what form? Compound. And from what was it compounded? From the preposition *ex*, and *kaiō*. *EN TACHEI*, of what gender? Neuter. Of what case? Dative, the nominative is *to tachos*. *PEPOITHOTES*, a participle, from *peithō*, the middle perfect is *pepoitha*.

{1PSALM THE THIRD}

1. What part of speech is it? A noun. Of what gender? Masculine. Of what kind among those falling under the noun? Ordinal. *TRI* with an I, why? Every word beginning with the syllable TRI is written with an I, except for *treis* the number, and *treis* the verb. O LORD, WHY? *ti* is an interrogative pronoun, but here an adverb of emphasis, instead of *lian*. *EPLĒTHYNTHĒSAN*, first aorist passive, third person plural; the theme is *plēthynō*. Of what conjugation? Sixth of the barytones. And whence does it come? From *plō*, *plēthō*, by derivation *plēthynō*, and by pleonasm of the N, *plēthynō*. 98 *THLIBONTES*, a participle, the theme, *thlibō*. Whence does it come? From *thlō*, which means *thlibō*, or from *thrō*, *thrybō*, and *thlibō*, by a change of the consonant to a consonant, and of Y to I, as *Aphrodytēs* to *Aphroditē*. *THLI* with an I, why? Verbs ending in -BŌ are preceded by a single vowel, except for *ameibō*,

παρὰ τὸ ἀγάλλω, τοῦτο παρὰ τὸ ἀγλαὸν, τοῦτο παρὰ τὸ αι᾿´γλη, τοῦτο παρὰ τὸ ἀΐσσω τὸ ὁρμῶ. Τὸ ΛΙ Ι διατί; Τὰ διὰ τοῦ ΙΩ περισπώμενα διὰ τοῦ Ι γράφεται, οι῾῀ον α᾿νιῶ, κοπιῶ, ε᾿ρυθριῶ, α᾿γαλλιάω α᾿γαλλιῶ, καὶ τὸ παθη τικὸν α᾿γαλλιάομαι α᾿γαλλιῶμαι, ὁ παρατατικὸς η᾿γαλλια όμην η᾿γαλλιώμην, καὶ τὸ προστακτικὸν α᾿γαλλιάου α᾿γαλλιῶ α᾿γαλλιαέσθω α᾿γαλλιάσθω, καὶ τὸ πληθυντικὸν, α᾿γαλλιάεσθε α᾿γαλλιᾶσθε. ΤΡΌΜΟΣ, ποίου ει᾿´δους; Παραγώγου. Καὶ πόθεν γίνεται; Παρὰ τὸ τρέμω, τοῦτο παρὰ τὸ θέρμω, ο῾` σημαίνει τὸ θερ μαίνω, καὶ ἐν ὑπερθέσει καὶ τροπῇ τοῦ Θ ει᾿ς Τ γίνεται τρέμω. ∆ιατί βαρύνεται; Τὰ ει᾿ς ΜΟΣ καθαρὰ δισύλλαβα μὴ ο᾿´ντα τριγενῆ βαρύνεται, οι῾῀ον τρόμος, βρόμος· τὸ μέντοι νομὸς καὶ βωμὸς πρὸς διάφορον σημαινόμενον ο᾿ξυ´ νεται. Ποίου ει᾿´δους; Τῶν ὑποπεπτωκότων τῷ ὀνόματι, ει᾿δικοῦ. ∆ιόρισον. Ει᾿δικὸν δέ ἐστι τὸ ἐκ γένους διαιρεθὲν, οι῾῀ον βοῦς, ι῾´ππος, α᾿´μπελος, ε᾿λαία. ∆ΡΆΞΑΣΘΕ, προστακτικὸν ε᾿κ τοῦ δράσω, τοῦτο παρὰ τὸ δρῶ τὸ κρατῶ. ΠΑΙ∆ΕΊΑΣ, ο᾿νο´ματος προσηγορικοῦ, ἁπλοῦν, παράγωγον. Γίνεται δὲ παρὰ τὸ παιδεύω, τοῦτο παρὰ τὸ παῖς, τοῦτο παρὰ τὸ βαιὸν, ο῾` σημαίνει τὸ μικρὸν, βάι¨ς καὶ πάι¨ς, καὶ ἐν συναιρέσει παῖς. ΜΉΠΟΤΕ, μὴ ἐπίρρημα, τὸ ΜΗ Η, διατί; Πᾶν ε᾿πι´ρρημα μονοσύλλαβον μακροκατάληκτον κατ' ι᾿δι´αν ῥητὸν μακρο κατάληκτον ο᾿ξυ´νεσθαι θέλει, καὶ διὰ τοῦ Η γράφεσθαι, οι῾῀ον μὴ, δὴ, νή. Τί προσγράφεις; Ου᾿δε´ν. ∆ιατί; Τὰ ει᾿ς Η λήγοντα ε᾿πιρρήματα ε᾿´χουσι τὸ Ι προσγεγραμμένον, οι῾῀ον α᾿´λλῃ, πάντῃ, πλὴν τοῦ μὴ καὶ δηλαδή. Πότε, ε᾿πι´ρρημα ε᾿ρωτήσεως, διατί βαρύνεται; Τὰ ει᾿ς ΤΕ λήγοντα ε᾿πιρρήματα πυσματικὰ ο᾿´ντα, η᾿` α᾿ποδοτικὰ, η᾿` α᾿ναφορικὰ, βαρύνονται, οι῾῀ον, ποτὲ, τοτὲ, ὁτέ. ∆ιατί προπαροξύνεται; - 97 ἘΞὉ∆ΟΥ͂ δύο μέρη λόγου ει᾿σι`ν, ε᾿ξ πρόθεσις, ὁδοῦ ὀνό-ματος. ΤὸἘΞ μακρὸν, διατί; Πᾶσα πρόθεσις βραχυκατα ληκτεῖ, πλὴν τῆς ΕἸΣ καὶἘΞ, αι῾´τινες καὶἘΣ καὶἘΚ λέγονται Τὸ Ο μικρὸν, διατί; Τὸ ∆ πρὸ ἑαυτοῦ ἐν ἀρχῇ λέξεως ε᾿ν ἁπλῇ καὶ ἀκινήτῳ λέξει παραιτεῖται τὴν διὰ τοῦ Ω μεγάλου γραφὴν, χαίρει δὲ τῇ διὰ τοῦ Ο μικροῦ, οι῾῀ον, ὁδὸς, ὁδὰν sic τὸ εὐῶδες μῦρον, ο᾿δοντομάχος, ὁ ου῾῀ς :sic) σεσημείωται τὸ ω῾῀δε ε᾿πι´ρρημα. ∆ΙΚΑΊΑ ε᾿κ τοῦ δίκαιος, δικαία. ∆ιατί καταβιβάζει τὸν τόνον;Ἐπειδὴ τὰ ει᾿ς Α καὶ ει᾿ς Η θηλυκὰ ἀπὸ τῶν ει᾿ς ΣΟΣ ο᾿ξυτόνων α᾿ρσενικῶν παραγόμενα τὸν αυ᾿το`ν τόνον φυλάσσει, οι῾῀ον φοβερὸς φοβερὰ, ι᾿σχυρὸς ι᾿σχυρά· ου῾´τως ου᾿῀ν καὶ ἐκ τοῦ δίκαιος ω᾿´φειλεν ει᾿῀ναι δίκαια· α᾿λλὰ διὰ τὴν μακροκαταληξίαν κατήγαγε τὸν τόνον. ἘΚΚΑΥΘΗ͂Ι, ποίας ε᾿γκλίσεως;Ὑποτακτικῆς· τὸ θέμα ε᾿κκαίω. Ποίου σχήματος; Συνθέτου. Καὶ πόθεν συνετέθη; Ἐκ τῆς ε᾿ξ προθέσεως, καὶ τοῦ καίω. ἘΝ ΤΆΧΕΙ, ποίου γένους; Ου᾿δετέρου. Ποίας πτώσεως; ∆οτικῆς, ἡ ευ᾿θεῖα τὸ τάχος. ΠΕΠΟΙΘΌΤΕΣ, μετοχὴ, πείθω, ὁ μέσος παρακείμενος πέποιθα.

{1ΨΑΛΜῸΣ ΤΡΊΤΟΣ}

1. Ποίου μέρους λόγου ε᾿στίν;Ὀνόματος. Ποίου γένους; Ἀρσενικοῦ. Ποίου ει᾿´δους τῶν ὑποπεπτωκότων τῷ ὀνό ματι; Τακτικοῦ. Τὸ ΤΡΙ Ι, διατί; Πᾶσα λέξις α᾿πο` τῆς ΤΡΙ συλλαβῆς α᾿ρχομένη διὰ τοῦ Ι γράφεται, πλὴν τοῦ τρεῖς ε᾿πι` α᾿ριθμοῦ, καὶ τρεῖς ῥήματος. ΚΎΡΙΕ ΤΊ;Ὄνομα ε᾿ρωτηματικὸν τὸ τὶ, ε᾿νταῦθα δὲ ἐπίρ ρημα ε᾿πιτάσεως, α᾿ντὶ τοῦ λίαν. ἘΠΛΗΘΎΝΘΗΣΑΝ, α᾿ορίστου πρώτου παθητικοῦ τρίτου προσώπου τῶν πληθυντικῶν· τὸ θέμα πληθύνω. Ποίας συζυγίας;Ἕκτης τῶν βαρυτόνων. Καὶ πόθεν γίνεται; Ἐκ τοῦ πλῶ, πλήθω, κατὰ παραγωγὴν πληθύνω, καὶ ἐν πλεο νασμῷ τοῦ Ν πληθύνω. 98 ΘΛΊΒΟΝΤΕΣ, μετοχὴ, τὸ θέμα, θλίβω. Πόθεν γίνεται; Παρὰ τὸ θλῶ τὸ θλίβω, η᾿` παρὰ τὸ θρῶ θρύβω, καὶ θλίβω, τροπῇ τοῦ ἀμεταβόλου ει᾿ς ἀμετάβολον, καὶ τοῦ Υ ει᾿ς Ι, ὡς τὸἈφροδύτηςἈφροδίτη. Τὸ ΘΛΙ Ι, διατί; Τὰ ει᾿ς ΒΩ λήγοντα ῥήματα ἑνὶ φωνήεντι παραλήγονται, πλὴν τοῦ α᾿μείβω,