107 {1FIFTH PSALM.} 1 Where does it come from? From pempō for it sends us to the tenth number.
1ELEVENTH PSALM.} another one and with the number ten, eleventh.
1PSALM 17.} from *stereō* this from *histēmi*, *stēsō*, second aorist
1PSALM 18.} omega, why? Because every simple Greek word with an acute accent on the last syllable
You have favored, Lord, your land. REDEEMER, from I redeem, this from ransom, this from I loose.
second. The first person plural eipaiēmen the third eipaiēsan, and by syncope eipaisan.
1[PSALM 110]}1 o in kratō, with the addition of S. For when the E adds two
PSALM 140.]} (INCENSE) this from `thuma` (sacrifice), for through the burning of sacrifices
̀Σ ΡΝʹ.]} IN POWERS, the nominative, power, from to rule, this from
ISIN, the nominative is mercy, it comes from helō, which means to take, elos e
1[PSALM 110.]} I have *kratô* [I hold], with the addition of S. For when the E is added
1 THEY WERE LIFTED UP, from `meteorizo`. Why were they not humble-minded as the
second aorist from ἐντέλλω, the future ἐντελῶ, the first aorist ἔτειλα, the middle ἐτειλάμην, the second ἐτείλω. BEHOLD, a deictic adverb, why is it oxytone? Noted is ἰδοὺ, ἰοὺ, οὐί. HE WILL GO DOWN, from βίβημι, the future βήσω, the middle future, βήσομαι, βήσῃ, βήσεται, and καταβήσεται.
{1PSALM 8.} 1 HOW, an adverb of wonder, instead of "very." IT WAS LIFTED UP, from ἐπαίρω ἐπαρῶ ἐπῇρκα, ἐπῇρμαι, ἐπῄρθην. MAGNIFICENCE, from μεγαλοπρεπής, this from μέγαλος and πρέπω. I WILL PERFECT, first future καταρτίσω, the future καταρτίσω. PRAISE, where does it come from? From ἰαίνω, to be gladdened, ἴαινος, and with the removal of the I, αἶνος. FINGER, from δράσω, δάκτυλος, this from δρῶ, to hold. MOON, where does it come from? From σέλας, this from having a new brightness. STAR, from ἵστημι, στήσω; στὴρ and ἀστὴρ, the one not standing still, or from steadfastly darting or leaping. I REMEMBER, from μνῶ μνήσω μνήσκω and μιμνήσκω. YOU HAVE MADE HIM LESS, from ἐλαττῶ. THAN THE ANGELS, from ἄγω, to bring, ἄγελος and ἄγγελος. FOOT, from παύω παύσω, παὺς and πούς. SHEEP, from having another step before the hind step, from βῶ, to feed. OX, from βῶ, to feed. 110 ALL, from πᾶς, and with the collective A, ἅπας, for the collective A is aspirated. For if it were a pleonasm, it ought to be unaspirated. CATTLE, from κτῶ, to kill; κτῶ κτήσω. BIRD, if it is written with the diphthong EI, from stretching the wing; but Herodian from πετῶ, πετήσω, πετηνὸν, πετεεινόν. FISH, from θύω, to rush. PATH, from τρίβω, to tread down, the well-trodden road.
{1PSALM NINE.} 1 Ninth with one N; and where does it come from? From ἐννέα, with two N's. The E is unaspirated, why? The E of numerals is aspirated, ἕξ, ἑπτὰ, ἑβδομήκοντα; noted is ἐννέα and ἐνενήκοντα. Why is it noted? Because if it were aspirated, it would be changed for an unutterable reason (sic). For the simple thematic words of numerals do not admit the concept of another numeral, just as compounds undertake such a thing, as it is in simple words, [the beta,] the δύο, the τρεῖς, but in composition δυοκαίδεκα, τρισκαίδεκα. If therefore the numeral ἐννέα were aspirated, it would have had from the beginning a compound meaning, similarly also to ἕνδεκα. It is proparoxytone; for nouns ending in -ΤΟΣ of more than two syllables, preceded by an A, are proparoxytone, such as ἔννατος, ἄκακος, ἄκρατος. WHOLE, from ὅλος, this from ἕω (ὀλῶ), to fill. Why is it aspirated? The O before an L is unaspirated, except for ὅλος; and this is shown from the crasis, "over the whole world." I WILL DECLARE, from [διηγήσομαι] διηγῶ, this from the preposition διά and ἄγω. The ∆ΙΗ with an Η, why? Those from ἄγω and ἡγοῦμαι are written with an H; the future διηγήσω, the middle future διηγήσομαι. ALL of the plurals, the nominative of the singulars, τὸ πᾶν; the rule: every masculine isorythmically declined, when it makes a neuter, it makes it homophonous with its own accusative. The πᾶν, 111 long, why? Every neuter formed from a masculine, if it were declined isorythmically.... WONDERS from θαυμάσιον, this from θαυμαστῶ, this from θεῶ θεάσω, τεθέακα, τεθέαμαι, τέθαυμα and θαῦμα. TO BE TURNED BACK, the theme, στρέφω, the future στρέψω, the second aorist ἔστραφον, the passive ἐστράφην, and the infinitive ἀποστραφῆναι. BACK, a local adverb. How many relations of place are there? Six; above, below, behind, before, right, left. The ΣΩ is long, why? Adverbs ending in -Ω are written with a long Ω, except for δεῦρο and ἄπο. Where does it come from?
ἀόριστος δεύτερος ε᾿κ τοῦ ἐντέλλω, ὁ μέλλων ε᾿ντελῶ, ὁ ἀόριστος πρῶτος ε᾿´τειλα, ὁ μέσος ε᾿τει λάμην, τὸ δεύτερον ε᾿τείλω. Ἰ∆ΟῪ, ε᾿πι´ρρημα δεικτικὸν, διατί ὀξύνεται; Σεσημείωται τὸ ἰδοὺ, ι᾿ου`, ου᾿´. ΚΑΤΑΒΉΣΕΤΑΙ, ε᾿κ τοῦ βίβημι, ὁ μέλλων βήσω, ὁ μέσος μέλλων, βήσομαι, βήσῃ, βήσεται, καὶ καταβήσεται.
{1ΨΑΛΜῸΣ Ηʹ.} 1 ὩΣ ε᾿πι´ρρημα θαυμαστὸν, α᾿ντὶ λίαν. ἘΠΉΡΘΗ ε᾿κ τοῦ ἐπαίρω ε᾿παρῶ
ἐπῇρκα, ε᾿πῇρμαι, ε᾿πῄρθην. ΜΕΓΑΛΟΠΡΈΠΕΙΑ, ε᾿κ τοῦ μεγαλοπρεπὴς, τοῦτο ε᾿κ τοῦ μεγάλος καὶ τοῦ πρέπω. ΚΑΤΑΡΤΊΣΩ, μέλλων πρῶτος καταρτίσω, ὁ μέλλων καταρτίσω. ΑἾΝΟΣ πόθεν γίνεται; Παρὰ τὸ ἰαίνω τὸ ευ᾿φραίνομαι, ι᾿´αινος, καὶ ἀποβολῇ τοῦ Ι αι᾿῀νος. ∆ΆΚΤΥΛΟΣ, παρὰ τὸ δράσω, δάκτυλος, τοῦτο παρὰ τὸ δρῶ τὸ κρατῶ. ΣΕΛΉΝΗ, πόθεν γίνεται; Παρὰ τὸ σέλας, τοῦτο παρὰ τὸ νέον ε᾿´χειν τὴν λαμπηδόνα. ἈΣΤῊΡ, παρὰ τὸ ι῾´στημι, στήσω· στὴρ καὶ ἀστὴρ, ὁ μὴ ἱστάμενος, η᾿` παρὰ τὸ στερρῶς α᾿´ττειν η᾿` πηδᾶν. ΜΙΜΝΉΣΚΩ ε᾿κ τοῦ μνῶ μνήσω μνήσκω καὶ μιμνήσκω. ἘΛΆΤΤΩΣΑΣ, παρὰ τὸ ἐλαττῶ. ΠΑΡ'ἈΓΓΈΛΟΥΣ, παρὰ τὸ α᾿´γω τὸ φέρω, α᾿´γελος καὶ α᾿´γγελος. ΠΟῪΣ παρὰ τὸ παύω παύσω, παὺς καὶ πούς. ΠΡΌΒΑΤΟΝ παρὰ τὸ πρὸ τῆς ο᾿πισθίου βάσεως ἑτέραν βάσιν ε᾿´χειν, παρὰ τὸ βῶ τὸ τρέφω. ΒΟΥ͂Σ παρὰ τὸ βῶ τὸ τρέφω. 110 ἉΠΆΣΑΣ παρὰ τὸ πᾶς, καὶ μετὰ τοῦ ἀθροιστικοῦ Α α῾´πας, τὸ γὰρ α᾿θροιστικὸν Α δασύνεται. Ει᾿ γὰρ η᾿῀ν πλεονασμὸς, ψιλοῦσθαι ω᾿´φειλε. ΚΤΗ͂ΝΟΣ, παρὰ τὸ κτῶ τὸ φονεύω· κτῶ κτήσω. ΠΕΤΕΙΝῸΝ, ει᾿ μὲν διὰ τῆς ΕΙ διφθόγγου γράφεται, παρὰ τὸ τὴν πτέρυγα τείνειν· ὁ δὲἩρωδιανὸς ε᾿κ τοῦ πετῶ, πετήσω, πετηνὸν, πετεεινόν. ἸΧΘῪΣ, παρὰ τὸ θύω τὸ ὁρμῶ. ΤΡΊΒΟΣ παρὰ τὸ τρίβω τὸ καταπατῶ, ἡ καταπεπατημένη ὁδός.
{1ΨΑΛΜΟΣἜΝΝΑΤΟΣ.} 1 Ἔνατος δι' ἑνὸς Ν· καὶ πόθεν γίνεται; Παρὰ τὸ ἐννέα, διὰ δύο Ν. Ει᾿ς τὸ Ε
ψιλὸν διατί; Τὸ Ε τῶν α᾿ριθμῶν δασύ νεται, ε῾`ξ, ἑπτὰ, ἑβδομήκοντα· σεσημείωται τὸ ἐννέα καὶ ε᾿νενήκοντα. ∆ιὰ τί σεσημείωται;Ἐπειδὴ ει᾿ ε᾿δασύνετο, [α᾿]λόγῳ α᾿νεφίκτῳ μεθίστατο sic). Αἱ γὰρ ἁπλαῖ φωναὶ τῶν α᾿ριθμῶν θεματικαὶ ου᾿῀σαι ου᾿ παραδέχονται ἑτέρου α᾿ριθμοῦ ε᾿´ννοιαν, καθὼς αἱ συνθέσεις τὸ τοιοῦτον α᾿ναδέχονται, ὡς ε᾿´χει ε᾿ν ἁπλαῖς φωναῖς, [τὸ βῆτα,] τὸ δύο, τὸ τρεῖς, ε᾿ν δὲ συνδέσει δυοκαίδεκα, τρισκαίδεκα. Ει᾿´περ ου᾿῀ν ὁ ἐννέα α᾿ριθμὸς ε᾿δα σύνετο, ε᾿´ννοιαν ει᾿῀χεν α᾿`ν καταρχὰς σύνθετον(έτου) ὁμοίως καὶ τὸ ε῾´νδεκα. Προπαροξύνεται· τὰ γὰρ ει᾿ς ΤΟΣ λήγοντα ο᾿νο´ματα ὑπὲρ δύο συλλαβὰς τῷ Α παραληγόμενα προπαροξύνονται, οι῾῀ον ε᾿´ννατος, α᾿´κακος, α᾿´κρατος. ὍΛΗ, παρὰ τὸ ο῾´λος, τοῦτο παρὰ τὸ ε῾´ω (ο᾿λω῀) τὸ πληρῶ. ∆ιατί δασύνεται; Τὸ Ο πρὸ τοῦ Λ ψιλοῦται, πλὴν τοῦ ο῾´λος· τοῦτο δὲ δείκνυται ε᾿κ τῆς συναλοιφῆς, "ε᾿φ' ο῾´λην τὴν οι᾿κουμένην." ∆ΙΗΓΉΣΟΜΑΙ, ε᾿κ τοῦ [διηγήσομαι] διηγῶ, τοῦτο παρὰ τὴν διὰ πρόθεσιν καὶ τὸ α᾿´γω. Τὸ ∆ΙΗ Η διατί; Τὰ παρὰ τὸ α᾿´γω καὶ ἡγοῦμαι διὰ τοῦ Η γράφεται· ὁ μέλλων διηγήσω, ὁ μέσος μέλλων διηγήσομαι. ΠΆΝΤΑ τῶν πληθυντικῶν, ἡ ευ᾿θεῖα τῶν ἑνικῶν, τὸ πᾶν· ὁ κανών· πᾶν α᾿ρσενικὸν ι᾿σοσυλλάβως κλινόμενον, ἡνίκα ποιεῖ ου᾿δε´τερον, ὁμόφωνον αυ᾿το` ποιεῖ τῇ ἰδίᾳ αι᾿τιατικῇ. Τὸ πᾶν, 111 μακρὸν, διατί; Πᾶν ου᾿δε´τερον α᾿ρσενικῷ παρεσχηματισμένον, ει᾿ μὲν ι᾿σοσυλλάβως κλίνοιτο .... ΘΑΥΜΆΣΙΑ ε᾿κ τοῦ θαυμάσιον, τοῦτο παρὰ τὸ θαυμαστῶ, τοῦτο παρὰ τὸ θεῶ θεάσω, τεθέακα, τεθέαμαι, τέθαυμα καὶ θαῦμα. ἈΠΟΣΤΡΑΦΗ͂ΝΑΙ, τὸ θέμα, στρέφω, ὁ μέλλων στρέψω, ὁ δεύτερος ἀόριστος ε᾿´στραφον, ὁ παθητικὸς ε᾿στράφην, καὶ τὸ ἀπαρέμφατον α᾿ποστραφῆναι. ὈΠΊΣΩ, ε᾿πι´ρρημα τοπικόν. Πόσαι σχέσεις τῶν τοπικῶν; Ἕξ· α᾿´νω, κάτω, ο᾿´πισθεν, ε᾿´μπροσθεν, δεξιὰ, α᾿ριστερά. Τὸ ΣΩ μέγα, διατί; Τὰ ει᾿ς Ω λήγοντα ε᾿πιρρήματα διὰ τοῦ Ω μεγάλου γράφονται, πλὴν τοῦ δεῦρο καὶ α᾿´πο. Πόθεν γίνεται;