The Satyricon of Petronius Arbiter
THE SATYRICON OF PETRONIUS ARBITER VOLUME I. ADVENTURES OF ENCOLPIUS AND HIS COMPANIONS
NO SLAVE TO LEAVE THE PREMISES
HERE RESTS G POMPEIUS TRIMALCHIO
CHAPTER THE ONE HUNDRED AND FIRST.
CHAPTER THE ONE HUNDRED AND SECOND.
CHAPTER THE ONE HUNDRED AND THIRD.
CHAPTER THE ONE HUNDRED AND FOURTH.
CHAPTER THE ONE HUNDRED AND FIFTH.
CHAPTER THE ONE HUNDRED AND SIXTH.
CHAPTER THE ONE HUNDRED AND SEVENTH.
CHAPTER THE ONE HUNDRED AND EIGHTH.
CHAPTER THE ONE HUNDRED AND NINTH.
CHAPTER THE ONE HUNDRED AND TENTH.
CHAPTER THE ONE HUNDRED AND ELEVENTH.
CHAPTER THE ONE HUNDRED AND TWELFTH.
CHAPTER THE ONE HUNDRED AND THIRTEENTH.
CHAPTER THE ONE HUNDRED AND FOURTEENTH.
CHAPTER THE ONE HUNDRED AND FIFTEENTH.
CHAPTER THE ONE HUNDRED AND SIXTEENTH.
CHAPTER THE ONE HUNDRED AND SEVENTEENTH.
CHAPTER THE ONE HUNDRED AND EIGHTEENTH.
CHAPTER THE ONE HUNDRED AND NINETEENTH.
CHAPTER THE ONE HUNDRED AND TWENTIETH.
CHAPTER THE ONE HUNDRED AND TWENTY-FIRST.
CHAPTER THE ONE HUNDRED AND TWENTY-SECOND.
CHAPTER THE ONE HUNDRED AND TWENTY-THIRD.
CHAPTER THE ONE HUNDRED AND TWENTY-FOURTH.
CHAPTER THE ONE HUNDRED AND TWENTY-FIFTH.
CHAPTER THE ONE HUNDRED AND TWENTY-SIXTH.
CHAPTER THE ONE HUNDRED AND TWENTY-SEVENTH.
CHAPTER THE ONE HUNDRED AND TWENTY-EIGHT.
CHAPTER THE ONE HUNDRED AND TWENTY-NINTH.
CHAPTER THE ONE HUNDRED AND THIRTIETH.
CHAPTER THE ONE HUNDRED AND THIRTY-FIRST.
CHAPTER THE ONE HUNDRED AND THIRTY-SECOND.
CHAPTER THE ONE HUNDRED AND THIRTY-THIRD.
CHAPTER THE ONE HUNDRED AND THIRTY-FOURTH.
CHAPTER THE ONE HUNDRED AND THIRTY-FIFTH.
CHAPTER THE ONE HUNDRED AND THIRTY-SIXTH.
CHAPTER THE ONE HUNDRED AND THIRTY SEVENTH.
CHAPTER THE ONE HUNDRED AND THIRTY-EIGHTH.
CHAPTER THE ONE HUNDRED AND THIRTY-NINTH.
CHAPTER THE ONE HUNDRED AND FORTIETH.
CHAPTER THE ONE HUNDRED AND FORTY-FIRST.
CHAPTER 9. Gladiator obscene:--
CHAPTER 34. Silver Skeleton, et seq.
ALIAE. RESTITVTAE. ANIMAE. DVLCISSIMAE.
CHAPTER 56. Contumelia--Contus and Melon (malum).
CHAPTER 119. The rite of the Persians:
Another exquisite and illuminating passage occurs in Catullus, 51, given in Marchena's fourth note.
CHAPTER 131. Medio sustulit digito:
While he was speaking, four dancers ran in to the time of the music, and removed the upper part of the tray. Beneath, on what seemed to be another tray, we caught sight of stuffed capons and sows' bellies, and in the middle, a hare equipped with wings to resemble Pegasus. At the corners of the tray we also noted four figures of Marsyas and from their bladders spouted a highly spiced sauce upon fish which were swimming about as if in a tide-race. All of us echoed the applause which was started by the servants, and fell to upon these exquisite delicacies, with a laugh. "Carver," cried Trimalchio, no less delighted with the artifice practised upon us, and the carver appeared immediately. Timing his strokes to the beat of the music he cut up the meat in such a fashion as to lead you to think that a gladiator was fighting from a chariot to the accompaniment of a water-organ. Every now and then Trimalchio would repeat "Carver, Carver," in a low voice, until I finally came to the conclusion that some joke was meant in repeating a word so frequently, so I did not scruple to question him who reclined above me. As he had often experienced byplay of this sort he explained, "You see that fellow who is carving the meat, don't you? Well, his name is Carver. Whenever Trimalchio says Carver, carve her, by the same word, he both calls and commands!"