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it imitates the power of painting and marks on the robes the forms of all animals, they craft with art flowery clothing adorned with countless images for themselves and for their wives and children; playing then, not being serious; misusing life according to the excess of their wealth, not using it, legislating against Paul and fighting the divinely inspired words, not with letters but with deeds. 1.3.2 For what he renounced in word, these people hold fast to and ratify by their works. Whenever then they appear dressed, they are seen by those who meet them as painted walls. And the children too stand around them, smiling at each other and pointing with their fingers at the picture on their garments; and they follow them as they walk, not departing for a long time. 1.3.3 There are lions and leopards, bears and bulls and dogs; woods and rocks, and men hunting wild beasts and all the artifice of painting imitating nature. For it was necessary, as it seems, that not only their walls and their houses be decorated, but now also their tunics and the cloaks over them. 1.4.1 But as many of the wealthy men and women who are more devout, having selected the gospel story, have handed it over to the weavers; I mean our Christ himself with all his disciples, and each of the miracles as the narrative has it. You will see the wedding of Galilee and the water jars; the paralytic carrying his bed on his shoulders; the blind man being healed with the clay; the woman with the issue of blood taking hold of the hem of his garment; the sinful woman falling at the feet of Jesus; Lazarus returning from the tomb to life. 1.4.2 And doing these things they think they are pious and are clothed in garments acceptable to God. But if they accept my counsel, having sold those things, let them honor the living images of God. Do not paint Christ; for sufficient for him is the one humiliation of his incarnation, which he willingly accepted for our sakes; but carrying the bodiless Word intellectually in your soul, carry him about. Do not have the paralytic on your garments, but seek out the one who lies sick. Do not continually depict the woman with the issue of blood, but have mercy on an afflicted widow. 1.4.3 Do not carefully gaze at the sinful woman kneeling before the Lord, but being contrite for your own sins, pour forth frequent tears. Do not sketch Lazarus being raised from the dead, but prepare a good defense for your own resurrection. Do not carry about the blind man on your clothing, but console with good deeds the living man who has been deprived of his sight. Do not paint the baskets of the leftovers, but feed the hungry. Do not carry the water jars on your garments, which he filled in Cana of Galilee, but give drink to the thirsty. 1.4.4 To this end the proud clothing of the rich man has profited us, but neither must what follows be overlooked. For he added to the purple and fine linen feasting sumptuously every day; and in every way both are of one mind, both to be beautified with the useless ostentation of clothing and to serve the stomach and the throat with self-indulgence. 1.5.1 Luxury, then, is a thing hostile to a life that loves virtue, and indicative of sloth and dissipation, of immoderate enjoyment and of a slavish habit. And when spoken of, indeed, the thing seems to be one thing; but when examined in part and categorized, it has its constitution from a varied and manifold and many-headed evil. For luxury would not exist unless it were increased by many materials. But to heap up materials of wealth without sin is impossible, except if for someone in a rare case, as for Job, it happens both to be abundantly wealthy and to live exactly according to what is just. 1.5.2 It is necessary then for the one who lives in luxury 1.5.2 first, a costly house, adorned like a bride with mosaic and stones and gold; and being suitable for the changes of the seasons of the year. For sought is [warm,] a warm one for the winter and turned toward the ray of noon, but one opened up toward the north

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τῆς γραφικῆς μιμεῖται τὴν δύναμιν καὶ πάντων ζῴων τοῖς πέπλοις τὰς μορφὰς ἐνσημαίνεται, τὴν ἀνθίνην καὶ μυρίοις εἰδώλοις πεποικιλμένην φιλοτεχνοῦσιν ἐσθῆτα ἑαυτοῖς τε καὶ γυναιξὶ καὶ παισίν· παίζοντες λοιπόν, οὐ σπουδάζοντες· κατὰ τῆς ἀμετρίας τοῦ πλούτου παραχρώμενοι τῷ βίῳ, οὐ χρώμενοι, ἀντινομοθετοῦντες τῷ Παύλῳ καὶ μαχόμενοι ταῖς θεοπνεύστοις φωναῖς, οὐ γράμμασιν ἀλλὰ πράγμασιν. 1.3.2 Ἃ γὰρ ἐκεῖνος ἀπεκήρυξε λόγῳ, ταῦθ' οὗτοι κρατοῦσι καὶ κυροῦσι τοῖς ἔργοις. Ὅταν οὖν ἐνδυσάμενοι φανῶσιν, ὡς τοῖχοι γεγραμμένοι παρὰ τῶν συντυγχα νόντων ὁρῶνται. Καί που καὶ τὰ παιδία αὐτοὺς περιίστανται μειδιῶντα πρὸς ἄλληλα καὶ δακτυλοδεικτοῦντα τὴν ἐν τοῖς ἱματίοις γραφήν· βαδίζουσι δὲ παρεπόμενα, οὐκ ἀναχωροῦντα μέχρι πολλοῦ. 1.3.3 Ἐκεῖ λέοντες καὶ παρδάλεις, ἄρκτοι καὶ ταῦροι καὶ κύνες· ὕλαι καὶ πέτραι, καὶ ἄνδρες θηροκτόνοι καὶ πᾶσα ἡ τῆς γραφικῆς ἐπιτήδευσις μιμουμένη τὴν φύσιν. Ἔδει γὰρ μὴ τοὺς τοίχους αὐτῶν μόνον, ὡς ἔοικεν, καὶ τὰς οἰκίας κοσμεῖσθαι, ἀλλ' ἤδη καὶ τοὺς χιτῶνας καὶ τὰ ἐπ' ἐκείνοις ἱμάτια. 1.4.1 Ὅσοι δὲ καὶ ὅσαι τῶν πλουτούντων εὐλαβέστεροι, ἀναλεξάμενοι τὴν εὐαγγελικὴν ἱστορίαν τοῖς ὑφανταῖς παρέδωκαν· αὐτὸν λέγω τὸν Χριστὸν ἡμῶν μετὰ τῶν μαθητῶν ἁπάντων, καὶ τῶν θαυμασίων ἕκαστον ὡς ἡ διήγησις ἔχει. Ὄψει τὸν γάμον τῆς Γαλιλαίας καὶ τὰς ὑδρίας· τὸν παραλυτικὸν τὴν κλίνην ἐπὶ τῶν ὤμων φέροντα· τὸν τυφλὸν τῷ πηλῷ θεραπευόμενον· τὴν αἱμορροοῦσαν τοῦ κρασπέδου λαμβανομένην· τὴν ἁμαρτωλὸν τοῖς ποσὶν τοῦ Ἰησοῦ προσπίπτουσαν· τὸν Λάζαρον ἐκ τοῦ τάφου πρὸς τὴν ζωὴν ὑποστρέφοντα. 1.4.2 Καὶ ταῦτα ποιοῦντες εὐσεβεῖν νομίζουσι καὶ ἱμάτια κεχαρισμένα τῷ Θεῷ ἀμφιέννυσθαι. Ἐμὴν δὲ εἰ δέχονται συμβουλήν, ἐκεῖνα πωλήσαντες τὰς ζώσας εἰκόνας τοῦ Θεοῦ τιμησάτωσαν. Μὴ γράφε τὸν Χριστόν ἀρκεῖ γὰρ αὐτῷ ἡ μία τῆς ἐνσωματώσεως ταπεινοφροσύνη, ἣν αὐθαιρέτως δι' ἡμᾶς κατεδέξατο, ἐπὶ δὲ τῆς ψυχῆς σου βαστάζων νοητῶς τὸν ἀσώματον Λόγον περίφερε. Μὴ τοῖς ἱματίοις ἔχε τὸν παραλυτικόν, ἀλλὰ τὸν κείμενον ἄρρωστον ἐπιζήτησον. Μὴ ἱστόρει συνεχῶς τὴν αἱμορροοῦσαν, ἀλλὰ χήραν θλιβομένην ἐλέησον. 1.4.3 Μὴ τὴν ἁμαρτωλὸν γυναῖκα ἐπιμελῶς ὅρα γονυπετοῦσαν τὸν Κύριον, ἀλλ' ἐπὶ τοῖς αὑτοῦ πλημμελήμασι συντριβόμενος πυκνὸν ἔκχει τὸ δάκρυον. Μὴ τὸν Λάζαρον ἐγειρόμενον ἐκ νεκρῶν σκιαγράφει, ἀλλὰ τῆς σῆς ἀναστάσεως ἀγαθὴν τὴν ἀπολογίαν εὐτρέπιζε. Μὴ τὸν τυφλὸν ἐπὶ τῆς ἐσθῆτος περίφερε, ἀλλὰ τὸν ζῶντα καὶ τῶν ὄψεων ἀφῃρημένον ταῖς εὐποιΐαις παραμυθοῦ. Μὴ τοὺς κοφίνους ζωγράφει τῶν λειψάνων, ἀλλὰ τρέφε τοὺς πεινῶντας. Μὴ τὰς ὑδρίας ἐπὶ τῶν ἱματίων βάσταζε, ἃς ἐν Κανᾷ τῆς Γαλιλαίας ἐπλήρωσεν, ἀλλὰ πότιζε τὸν διψῶντα. 1.4.4 Ἐπὶ ταῦτα ἡμᾶς ὠφέλησε τὸ ὑπερήφανον ἔνδυμα τοῦ πλουσίου, οὐ μὴν οὐδὲ τὰ ἑξῆς παροπτέον. Προσέθηκε γὰρ τῇ πορφύρᾳ καὶ τῇ βύσσῳ τὸ τρυφᾶν καθ' ἡμέραν λαμπρῶς· πάντως δὲ τῆς μιᾶς γνώμης ἀμφότερα, τὸ καὶ τῇ ἀχρήστῳ φιλοτιμίᾳ τῶν ἐσθημάτων ἐγκαλλωπίζεσθαι καὶ τῇ γαστρὶ καὶ τῇ φάρυγγι δουλεύειν ἡδυπαθῶς. 1.5.1 Τρυφὴ τοίνυν ἐστὶν πρᾶγμα πολέμιον φιλαρέτου ζωῆς, βλακείας δὲ καὶ διαχύσεως δηλούσης, ἀπολαύσεως ἀμέτρου καὶ ἀνδραποδώδους συνηθείας. Καὶ λεγόμενον μὲν τὸ πρᾶγμα ἕν τι φαίνεται· ἐξεταζόμενον δὲ κατὰ μέρος καὶ κατηγορούμενον, ἐκ ποικίλης καὶ πλείονος καὶ πολυ κεφάλου κακίας ἔχει τὴν σύστασιν. Τρυφὴ γὰρ οὐκ ἂν γένοιτο μὴ πολλαῖς αὐξηθεῖσα ταῖς ὕλαις. Ὕλας δὲ πλούτου σωρεῦσαι ἀναμαρτήτως ἀμή χανον, πλὴν εἰ μή τινι κατὰ τὸ σπάνιον, ὡς τῷ Ἰώβ, συμβαίη καὶ πλουτεῖν δαψιλῶς καὶ ζῆν κατὰ τὸ δίκαιον ἀκριβῶς. 1.5.2 ∆εῖ τοίνυν τῷ τρυφῶντι 1.5.2 πρῶτον μὲν οἰκίας πολυτελοῦς, ψήφῳ καὶ λίθοις καὶ χρυσῷ κατὰ τὰς νύμφας κεκοσμημένης· πρὸς δὲ τὰς ἐξαλλαγὰς τῶν ὡρῶν τοῦ ἐνιαυτοῦ ἐπιτηδείως ἐχούσης. Ζητεῖται γὰρ [θερμή,] ἀλεεινὴ μὲν ἡ τοῦ χειμῶνος καὶ τετραμμένη πρὸς τὴν ἀκτῖνα τῆς μεσημβρίας, ἀναπεπταμένη δὲ πρὸς τὴν ἄρκτον