CHAP. VI. ----The whole Divine Scripture is one instrument of God, perfect and fitted for its work. From Volume II. of the Commentaries on the Gospel according to Matthew: "Blessed are the peacemakers" 171

1. To the man who is both ways a peacemaker, there is no longer anything in the Divine oracles crooked or perverse,172 for all things are plain to those who understand; and since to such an one there is nothing crooked or perverse, he sees abundance of peace173 everywhere in Scripture, even in those parts which appear not to agree and to be contradictory to one another. But there is also a third peacemaker, he, viz. who shows that what to the eyes of others seems like disagreement in the Scriptures is not really so, and who proves that harmony and concord exist, whether between the Old and the New, or the Law and the Prophets, or Gospel and Gospel, or Evangelists and Apostles, or Apostles and other Apostles. For,174 according to the Preacher,175 all the Scriptures, words of the wise, are as goads, and as nails well fastened, words which were given from collections from one shepherd, and there is nothing superfluous in them. And the Word is "one shepherd" of things relating to the Word, which do indeed sound discordant to those who have not ears to hear,176 but are in truth most harmonious.

2. For as the different strings of the psaltery or the lyre, each of which gives forth a note of its own seemingly unlike that of any other, are thought by an unmusical man who does not understand the theory of harmony to be discordant, because of the difference in the notes: so they who have not ears to detect the harmony of God in the sacred Scriptures suppose that the Old Testament is not in harmony with the New, or the Prophets with the Law, or the Gospels with one another, or an Apostle with the Gospel, or with himself, or with the other Apostles. But if a reader comes who has been instructed in God's music, a man who happens to be wise in word and deed, and on that account, it may be, called David, which being interpreted is "a cunning player," he will produce a note of God's music, for he will have learned from God's music to keep good time, playing now upon the strings of the Law, now upon those of the Gospel in harmony with them, now upon those of the Prophets; and when the harmony of good sense is required he strikes the apostolic strings tuned to suit the foregoing, and, similarly, apostolic strings in harmony with those of Evangelists. For he knows that the whole Scripture is the one, perfect, harmonious instrument of God, blending the different notes, for those who wish to learn, into one song of salvation, which stops and hinders all the working of an evil spirit, as the music of David laid to rest the evil spirit in Saul which was vexing him.177 You observe, then, that there is a third kind of peacemaker, he who keeping close to the Scripture both sees the peace which pervades it everywhere, and bestows it on those who rightly seek the truth and are really eager to learn.

[1] Ὅτι ἓν ὄργανον θεοῦ τέλειον καὶ ἡρμοσμένον πᾶσα ἡ θεία γραφή. ἐκ τοῦ βʹ τόμου τῶν εἰς τὸ κατὰ Ματθαῖον, εἰς τό: Μακάριοι οἱ εἰρηνοποιοί. Τούτῳ δὲ τῷ ἑκατέρως εἰρηνοποιῷ οὐδὲν ἐν τοῖς θείοις λογίοις ἔτι ἐστὶ σκολιὸν οὐδὲ στραγγαλῶδες, πάντα γὰρ ἐνώπια τοῖς νοοῦσι: καὶ ἐπεὶ μηδέν ἐστι τοιούτῳ σκολιὸν μηδὲ στραγγαλῶδες, διὰ τοῦτο πλῆθος εἰρήνης βλέπει ἐν ὅλαις ταῖς γραφαῖς, καὶ ταῖς δοκούσαις περιέχειν μάχην καὶ ἐναντιώματα πρὸς ἀλλήλας. γίνεται δὲ καὶ τρίτος εἰρηνοποιὸς, ὁ τὴν ἄλλοις φαινομένην μάχην τῶν γραφῶν ἀποδεικνὺς εἶναι οὐ μάχην, καὶ παριστὰς τὴν συμφωνίαν καὶ τὴν εἰρήνην τούτων, ἤτοι παλαιῶν πρὸς καινὰς, ἢ νομικῶν πρὸς προφητικὰς, ἢ εὐαγγελικῶν πρὸς εὐαγγελικὰς, ἢ εὐαγγελικῶν πρὸς ἀποστολικὰς, ἢ ἀποστολικῶν πρὸς ἀποστολικάς. καὶ γὰρ πᾶσαί εἰσι κατὰ τὸν Ἐκκλησιαστὴν αἱ γραφαὶ λόγοι σοφῶν ὡς τὰ βούκεντρα, καὶ ὡς ἧλοι πεφυτευμένοι, οἳ παρὰ τῶν συνθεμάτων ἐδόθησαν ἐκ ποιμένος ἑνὸς, καὶ οὐδὲν περισσὸν ἐξ αὐτῶν. εἷς δὲ ποιμὴν τῶν λογικῶν ὁ λόγος, δόξαν μὲν ἐχόντων διαφωνίας τοῖς μὴ ἔχουσιν ὦτα εἰς τὸ ἀκούειν, τὸ δὲ ἀληθὲς συμφωνότητα.
[2] Ὡς γὰρ αἱ διάφοροι τοῦ ψαλτηρίου ἢ τῆς κιθάρας χορδαὶ, ὧν ἑκάστη ἴδιόν τινα φθόγγον καὶ δοκοῦντα μὴ ὅμοιον εἶναι τῷ τῆς ἑτέρας ἀποτελεῖ, νομίζονται τῷ ἀμούσῳ καὶ μὴ ἐπισταμένῳ λόγον μουσικῆς συμφωνίας διὰ τὴν ἀνομοιότητα τῶν φθόγγων ἀσύμφωνοι τυγχάνειν: οὕτως οἱ μὴ ἐπιστάμενοι ἀκούειν τῆς τοῦ θεοῦ ἐν ταῖς ἱεραῖς γραφαῖς ἁρμονίας οἴονται ἀνάρμοστον εἶναι τῇ καινῇ τὴν παλαιὰν, ἢ τῷ νόμῳ τοὺς προφήτας, ἢ τὰ εὐαγγέλια ἀλλήλοις, ἢ τὸν ἀπόστολον τῷ εὐαγγελίῳ ἢ ἑαυτῷ ἢ τοῖς ἀποστόλοις. ἀλλ' ἐλθὼν ὁ πεπαιδευμένος τὴν τοῦ θεοῦ μουσικὴν, σοφός τις ἐν ἔργοις καὶ λόγοις τυγχάνων, καὶ διὰ τοῦτο χρηματίζων ἂν Δαυεὶδ, ὃς ἑρμηνεύεται ἱκανὸς χειρὶ, ἀποτελέσει φθόγγον μουσικῆς θεοῦ, ἀπὸ ταύτης μαθὼν ἐν καιρῷ κρούειν χορδὰς νῦν μὲν νομικὰς νῦν δὲ συμφώνως αὐταῖς εὐαγγελικὰς, καὶ νυνὶ μὲν προφητικὰς, ὅτε δὲ τὸ εὔλογον ἀπαιτεῖ, τὰς ὁμοτονούσας ἀποστολικὰς αὐταῖς, οὕτω δὲ καὶ ἀποστολικὰς εὐαγγελικαῖς. ἓν γὰρ οἶδεν τὸ τέλειον καὶ ἡρμοσμένον ὄργανον τοῦ θεοῦ εἶναι πᾶσαν τὴν γραφὴν, μίαν ἀποτελοῦν ἐκ διαφόρων φθόγγων σωτήριον τοῖς μανθάνειν ἐθέλουσι φωνὴν, καταπαύουσαν καὶ κωλύουσαν ἐνέργειαν πᾶσαν πονηροῦ πνεύματος, ὡς κατέπαυσεν ἡ Δαυεὶδ μουσικὴ τὸ ἐν τῷ Σαοὺλ πονηρὸν πνεῦμα καὶ πνῖγον αὐτόν. ὁρᾷς οὖν καὶ τρίτως εἰρηνοποιὸν τὸν ἑπομένως τῇ γραφῇ καὶ βλέποντα τὴν εἰρήνην πάσης αὐτῆς καὶ ἐμποιοῦντα ταύτην τοῖς ὀρθῶς ζητοῦσι καὶ γνησίως φιλομαθοῦσιν.