Prefecture Apostolic of Kafiristan and Kashmir
Prefecture Apostolic of Kaiserwilhelmsland
Vicariate Apostolic of Kamerun
Prefecture Apostolic of Southern Kan-su
Vicariate Apostolic of Northern Kan-su
Prefecture Apostolic of Upper Kassai
Francis Patrick and Peter Richard Kenrick
Joseph-Marie-Bruno-Constantin Kervyn de Lettenhove
Wilhelm Emmanuel, Baron von Ketteler
Vicariate Apostolic of Kiang-nan
Vicariate Apostolic of Eastern Kiang-si
Vicariate Apostolic of Northern Kiang-si
Vicariate Apostolic of Southern Kiang-si
Diocese of Kildare and Leighlin
Benedictine Abbey of Kilwinning
Vicariate Apostolic of Kimberley
Vicariate of Kimberley in Orange
First and Second Books of Kings
Third and Fourth Books of Kings
Prefecture Apostolic of Kwango
Prefecture Apostolic of Kwang-si
Prefecture Apostolic of Kwang-tung
(GIOVANNI DA CALCAR and JOANNES STEPHANUS CALCARENSIS.)
Flemish painter, native of the Duchy of Cleves; b. between 1499 and 1510; d. at Naples, 1546. Vasari refers to this painter several times, mainly with respect to his having been a pupil of Titian, entering his school in 1536, and to his faculty for copying the works of that master with extraordinary accuracy. Kalcker appears to have worked first at Dordrecht, but the greater part of his life was spent at Naples, and there, as Vasari tells us, "the fairest hopes had been conceived respecting his future progress." He was responsible for the eleven large plates of anatomical studies which were engraved for Andrea Vesalio as illustrations for his work on anatomy, and Vasari praises them very highly. Kalcker is also said to have drawn the portraits of the artists in the early edition of Vasari's "Lives". By some writers he has been declared to have been a close imitator of Giorgione; all who write about him unite in stating that his imitations of the works of the great Venetian artists, and also of Raphael, were so extraordinary that they deceived many critics of the day. His pictures are to be seen in Berlin, Paris, Florence, Vienna, and Prague, and his original works are, as a rule, portraits, although at Prague there is a remarkable "Nativity" by him, which was once the property of Rubens.
LOMAZZO, Trattato dell' Arte della Pittura, etc. (Milan, 1584); VAN MANDER, Le Livre des Peintres (Paris, 1884), ed. HYMANS; VASARI, Vite de' piu eccelenti pittori (Florence, 1550); also ed. MILANESI (Florence, 1878-85).
GEORGE CHARLES WILLIAMSON