Contra Gentes. (Against the Heathen.)
§3. The decline of man from the above condition, owing to his absorption in material things.
§4. The gradual abasement of the Soul from Truth to Falsehood by the abuse of her freedom of Choice.
§5. Evil, then consists essentially in the choice of what is lower in preference to what is higher.
§11. The deeds of heathen deities, and particularly of Zeus.
§13. The folly of image worship and its dishonour to art.
§14. Image worship condemned by Scripture.
§22. The image cannot represent the true form of God, else God would be corruptible.
§23. The variety of idolatrous cults proves that they are false.
§24. The so-called gods of one place are used as victims in another.
§25. Human sacrifice. Its absurdity. Its prevalence. Its calamitous results.
§26. The moral corruptions of Paganism all admittedly originated with the gods.
§29. The balance of powers in Nature shews that it is not God, either collectively, or in parts .
§37. The same subject continued .
§38. The Unity of God shewn by the Harmony of the order of Nature .
§39. Impossibility of a plurality of Gods .
§42. This function of the Word described at length .
§43. Three similes to illustrate the Word’s relation to the Universe .
§44. The similes applied to the whole Universe, seen and unseen .
§45. Conclusion. Doctrine of Scripture on the subject of Part I .
§46. Doctrine of Scripture on the subject of Part 3 .
§47. Necessity of a return to the Word if our corrupt nature is to be restored .
§15. The details about the gods conveyed in the representations of them by poets and artists shew that they are without life, and that they are not gods, nor even decent men and women.
For would that the artist would fashion the gods even without shape, so that they might not be open to so manifest an exposure of their lack of sense. For they might have cajoled the perception of simple folk to think the idols had senses, were it not that they possess the symbols of the senses, eyes for example and noses and ears and hands and mouth, without any gesture of actual perception and grasp of the objects of sense. But as a matter of fact they have these things and have them not, stand and stand not, sit and sit not. For they have not the real action of these things, but as their fashioner pleased, so they remain stationary, giving no sign of a god, but evidently mere inanimate objects, set there by man’s art. 2. Or would that the heralds and prophets of these false gods, poets I mean and writers, had simply written that they were gods, and not also recounted their actions as an exposure of their godlessness and scandalous life. For by the mere name of godhead they might have filched away the truth, or rather have caused the mass of men to err from the truth. But as it is, by narrating the loves and immoralities of Zeus, and the corruptions of youths by the other gods, and the voluptuous jealousies of the females, and the fears and acts of cowardice and other wickednesses, they merely convict themselves of narrating not merely about no gods, but not even about respectable men, but on the contrary, of telling tales about shameful persons far removed from what is honourable.
15 Εἴθε γάρ, εἴθε κἂν χωρὶς σχήματος αὐτοῖς τοὺς θεοὺς ἔπλαττεν ὁ τεχνίτης, ἵνα μὴ τῆς ἀναισθησίας φανερὸν ἔχωσι τὸν ἔλεγχον. ὑπέκλεψαν γὰρ ἂν τὴν ὑπόνοιαν τῶν ἀκεραίων, ὡς αἰσθομένων τῶν εἰδώλων, εἰ μὴ τὰ σύμβολα τῶν αἰσθήσεων, οἷον ὀφθαλμοὺς καὶ ῥῖνας καὶ ὦτα καὶ χεῖρας καὶ στόμα εἶχον ἀκινήτως κείμενα πρὸς τὴν τῆς αἰσθήσεως χρῆσιν καὶ τὴν τῶν αἰσθητῶν ἀντίληψιν. νῦν δὲ ἔχοντες οὐκ ἔχουσι καὶ στήκοντες οὐ στήκουσι, καὶ καθεζόμενοι οὐ καθέζονται. οὐ γὰρ ἔχουσι τούτων τὴν ἐνέργειαν, ἀλλ' ὡς ὁ πλάσας ἠθέλησεν, οὕτω καὶ μένουσι κείμενοι, Θεοῦ μὲν γνώρισμα μηδὲν παρέχοντες, ἄψυχοι δὲ καθόλου μόνον ἀνθρώπου τέχνῃ φαινόμενοι τεθέντες. Εἴθε δὲ καὶ οἱ τῶν τοιούτων ψευδοθέων κήρυκες καὶ μάντεις, ποιηταὶ λέγω καὶ συγγραφεῖς, ἁπλῶς θεοὺς αὐτοὺς εἶναι γεγραφή κεισαν· ἀλλὰ μὴ καὶ τὰς πράξεις αὐτῶν πρὸς ἔλεγχον ἀθεότητος καὶ αἰσχροποιοῦ πολιτείας ἀναγεγραφήκεισαν. ἠδύναντο γὰρ καὶ μόνῳ τῷ τῆς θεότητος ὀνόματι τὴν ἀλήθειαν ὑφαρπάσαι, μᾶλλον δὲ τοὺς πολλοὺς ἀπὸ τῆς ἀληθείας πλανῆσαι. νῦν δὲ ἔρωτας καὶ ἀσελγείας διηγούμενοι τοῦ ∆ιός, καὶ παιδοφθορίας τῶν ἄλλων, καὶ ζηλοτυπίας πρὸς ἡδονὴν τῶν θηλειῶν, καὶ φόβους καὶ δειλίας, καὶ τὰς ἄλλας κακίας, οὐδὲν ἄλλο ἢ ἑαυτοὺς ἐλέγχουσιν, ὅτι οὐ μόνον οὐ περὶ θεῶν διηγοῦνται, ἀλλ' οὐδὲ περὶ ἀνθρώπων σεμνῶν, περὶ δὲ αἰσχρῶν καὶ τοῦ καλοῦ μακρὰν ὄντων μυθολογοῦσιν.