What advantage should I gain from him who is brought on the stage by Euripides raving mad, and acting the matricide of Alcmæon; who does not even retain his natural behaviour, but with his mouth wide open goes about sword in hand, and, screaming aloud, is burned to death, habited in a robe unfit for man? Away, too, with the mythical tales of Acusilaus, and Menander, a versifier of the same class! And why should I admire the mythic piper? Why should I busy myself about the Theban Antigenides,67 Antigenides was a flute-player, and Aristoxenus a writer on music and musical instruments. like Aristoxenus? We leave you to these worthless things; and do you either believe our doctrines, or, like us, give up yours.
24.1 Τί μοι συμβάλλεται πρὸς ὠφέλειαν ὁ κατὰ τὸν Εὐριπίδην μαινόμενος καὶ τὴν Ἀλκμαίωνος μητροκτονίαν ἀπαγγέλλων, ᾧ μηδὲ τὸ οἰκεῖον πρόσεστι σχῆμα, κέχηνεν δὲ μέγα καὶ ξίφος περιφέρει καὶ κεκραγὼς πίμπραται καὶ φορεῖ στολὴν ἀπάνθρωπον; ἐρρέτω καὶ τὰ Ἡγησίου μυθολογήματα καὶ Μένανδρος τῆς ἐκείνου γλώττης ὁ στιχοποιός. τί μοι καὶ τεθηπέναι τὸν Πυθικὸν αὐλητήν; τί δέ μοι καὶ κατὰ Ἀριστόξενον τὸν Θηβαῖον Ἀντιγενίδην πολυπραγμονεῖν; παραχωροῦμεν ὑμῖν τὰ μὴ ὠφέλιμα· καὶ ὑμεῖς ἢ πείσθητε τοῖς δόγμασιν ὑμῶν ἢ κατὰ τὸ ὅμοιον τῶν ὑμετέρων ἡμῖν ἐκχωρήσατε.