Chapter XXVI.—The Demons Allure Men to the Worship of Images.

They who draw men to idols, then, are the aforesaid demons, who are eager for the blood of the sacrifices, and lick them; but the gods that please the multitude, and whose names are given to the images, were men, as may be learned from their history. And that it is the demons who act under their names, is proved by the nature of their operations. For some castrate, as Rhea; others wound and slaughter, as Artemis; the Tauric goddess puts all strangers to death. I pass over those who lacerate with knives and scourges of bones, and shall not attempt to describe all the kinds of demons; for it is not the part of a god to incite to things against nature.

But God, being perfectly good, is eternally doing good. That, moreover, those who exert the power are not the same as those to whom the statues are erected, very strong evidence is afforded by Troas and Parium. The one has statues of Neryllinus, a man of our own times; and Parium of Alexander and Proteus: both the sepulchre and the statue of Alexander are still in the forum. The other statues of Neryllinus, then, are a public ornament, if indeed a city can be adorned by such objects as these; but one of them is supposed to utter oracles and to heal the sick, and on this account the people of the Troad offer sacrifices to this statue, and overlay it with gold, and hang chaplets upon it. But of the statues of Alexander and Proteus (the latter, you are aware, threw himself into the fire near Olympia), that of Proteus is likewise said to utter oracles; and to that of Alexander—

sacrifices are offered and festivals are held at the public cost, as to a god who can hear. Is it, then, Neryllinus, and Proteus, and Alexander who exert these energies in connection with the statues, or is it the nature of the matter itself? But the matter is brass. And what can brass do of itself, which may be made again into a different form, as Amasis treated the footpan,100    [see note to Theophilus, cap. x., supra, p. 92.] as told by Herodotus? And Neryllinus, and Proteus, and Alexander, what good are they to the sick? For what the image is said now to effect, it effected when Neryllinus was alive and sick.

Καὶ οἱ μὲν περὶ τὰ εἴδωλα αὐτοὺς ἕλκοντες οἱ δαίμονές εἰσιν οἱ προειρημένοι, οἱ προστετηκότες τῷ ἀπὸ τῶν ἱερείων αἵματι καὶ ταῦτα περιλιχμώμενοι· οἱ δὲ τοῖς πολλοῖς ἀρέσκοντες θεοὶ καὶ ταῖς εἰκόσιν ἐπονομαζόμενοι, ὡς ἔστιν ἐκ τῆς κατ' αὐτοὺς ἱστορίας εἰδέναι, ἄνθρωποι γεγόνασιν. καὶ τοὺς μὲν δαίμονας εἶναι τοὺς ἐπιβατεύοντας τοῖς ὀνόμασιν πίστις ἡ ἑκάστου αὐτῶν ἐνέργεια. οἱ μὲν γὰρ ἀποτέμνουσι τὰ αἰδοῖα, οἱ περὶ τὴν Ῥέαν, οἱ δὲ ἐγ κόπτουσιν ἢ ἐντέμνουσιν, οἱ περὶ τὴν Ἄρτεμιν. (καὶ ἡ μὲν ἐν Ταύροις φονεύει τοὺς ξένους.) ἐῶ γὰρ τοὺς ταῖς μαχαίραις καὶ τοῖς ἀστρα γάλοις αἰκιζομένους αὑτοὺς λέγειν ... καὶ ὅσα εἴδη δαιμόνων. οὐ γὰρ θεοῦ κινεῖν ἐπὶ τὰ παρὰ φύσιν· “ὅταν ὁ δαίμων ἀνδρὶ πορσύνῃ κακά, τὸν νοῦν ἔβλαψε πρῶτον”, ὁ δὲ θεὸς τελείως ἀγαθὸς ὢν ἀϊδίως ἀγαθοποιός ἐστιν. τοῦ τοίνυν ἄλλους μὲν εἶναι τοὺς ἐνεργοῦντας, ἐφ' ἑτέρων δὲ ἀνίστασθαι τὰς εἰκόνας, ἐκεῖνο μέγιστον τεκμήριον, Τρωὰς καὶ Πάριον· ἡ μὲν Νερυλλίνου εἰκόνας ἔχει–ὁ ἀνὴρ τῶν καθ' ἡμᾶς–τὸ δὲ Πάριον Ἀλεξάνδρου καὶ Πρωτέως· τοῦ Ἀλεξάνδρου ἔτι ἐπὶ τῆς ἀγορᾶς καὶ ὁ τάφος καὶ ἡ εἰκών. οἱ μὲν οὖν ἄλλοι ἀνδριάντες τοῦ Νερυλλίνου κόσμημά εἰσι δημόσιον, εἴπερ καὶ τούτοις κοσμεῖται πόλις, εἷς δὲ αὐτῶν καὶ χρηματίζειν καὶ ἰᾶσθαι νοσοῦντας νομίζεται, καὶ θύουσί τε δι' αὐτὰ καὶ χρυσῷ περιαλείφουσιν καὶ στεφανοῦσιν τὸν ἀνδριάντα οἱ Τρωαδεῖς. ὁ δὲ τοῦ Ἀλεξάνδρου καὶ ὁ τοῦ Πρωτέως (τοῦτον δ' οὐκ ἀγνοεῖτε ·ίψαντα ἑαυτὸν εἰς τὸ πῦρ περὶ τὴν Ὀλυμπίαν), ὁ μὲν καὶ αὐτὸς λέγεται χρηματίζειν, τῷ δὲ τοῦ Ἀλεξάνδρου–“∆ύσπαρι, εἶδος ἄριστε, γυναιμανές“–δημοτελεῖς ἄγονται θυσίαι καὶ ἑορταὶ ὡς ἐπηκόῳ θεῷ. πότερον οὖν ὁ Νερυλλῖνος καὶ ὁ Πρωτεὺς καὶ ὁ Ἀλέξανδρός εἰσιν οἱ ταῦτα ἐνεργοῦντες περὶ τὰ ἀγάλματα ἢ τῆς ὕλης ἡ σύστασις; ἀλλ' ἡ μὲν ὕλη χαλκός ἐστιν, τί δὲ χαλκὸς δύναται καθ' αὑτόν, ὃν μεταποιῆσαι πάλιν εἰς ἕτερον σχῆμα ἔξεστιν, ὡς τὸν ποδονιπτῆρα ὁ παρὰ τῷ Ἡροδότῳ Ἄμασις; ὁ δὲ Νερυλλῖνος καὶ ὁ Πρωτεὺς καὶ ὁ Ἀλέξανδρος τί πλέον τοῖς νοσοῦσιν; ἃ γὰρ ἡ εἰκὼν λέγεται νῦν ἐνεργεῖν, ἐνήργει καὶ ζῶντος καὶ νοσοῦντος Νερυλλίνου.