Agnolo, Giovanni, and Taddeo Gaddi
Publius Licinius Egnatius Gallienus
Diocese of Galway and Kilmacduagh
Garcilasso de la Vega (the Inca)
Aloisius-Edouard-Camille Gaultier
Charles Etienne Arthur Gayarré
Vicariate Apostolic of Northern Germany
Abbey of Our Lady of Gethsemani
Prefecture Apostolic of Ghardaia
Vicariate Apostolic of Gibraltar
Nicolas-Joseph-Laurent Gilbert
Vicariate Apostolic of the Gilbert Islands
Alvarez Carillo Gil de Albornoz
Jacques-Marie-Achille Ginoulhiac
Glosses, Glossaries, Glossarists
Vicariate Apostolic of Goajira
Eastern Vicariate of the Cape of Good Hope
Western Vicariate of the Cape of Good Hope
Our Lady of Charity of the Good Shepherd
Francisco José de Goya y Lucientes
Auguste-Joseph-Alphonse Gratry
Diocese of Gravina and Montepeloso
Greek Orthodox Church in America
Johann Jacob Christoffel von Grimmelshausen
Archdiocese of Guadalajara (Guadalaxara)
Archdiocese of Santiago de Guatemala
Prosper Louis Pascal Guéranger
Joseph Heinrich Aloysius Gügler
Vicariate Apostolic of Gulf of St. Lawrence
Bartholomeu Lourenço de Gusmão
Flemish painter; born at Tournai, 10 May, 1810; died in Brussels, 20 November, 1887. He produced melodramatic and sensational pictures, very much on the lines of those of Ary Scheffler, with a leaning towards the pathetic and emotional side. Gallait was, however, a more accomplished painter than Scheffer, with whom his works have frequently been compared. His colouring was superior, and his drawing more accurate, but the two men were possessed of similar devotional fervour, and poetic emotion of a sentimental type. Gallait was a youthful prodigy, and produced his first picture when ten years old, obtaining an important local prize. One of his earliest performances was purchased by the municipal authorities of Tournai and presented to the Cathedral, and it was owing to the generosity of his own townspeople that he was enabled in 1835 to go to Paris and study under Hennequin. He became a member of the Institute of France, and honorary foreign Royal Academician. Several of his pictures were exhibited in London in 1862, and three at the Royal Academy in 1872, when he was residing at 51 Bedford Square. He painted in water-colours as well as in oil, and was made an honorary member of the Royal Institute.
GEORGE CHARLES WILLIAMSON