Chapter V.—Behaviour in the Baths.

And of what sort are their baths? Houses skilfully constructed, compact, portable, transparent, covered with fine linen. And gold-plated chairs, and silver ones, too, and ten thousand vessels of gold and silver, some for drinking, some for eating, some for bathing, are carried about with them. Besides these, there are even braziers of coals; for they have arrived at such a pitch of self-indulgence, that they sup and get drunk while bathing. And articles of silver with which they make a show, they ostentatiously set out in the baths, and thus display perchance their wealth out of excessive pride, but chiefly the capricious ignorance, through which they brand effeminate men, who have been vanquished by women; proving at least that they themselves cannot meet and cannot sweat without a multitude of vessels, although poor women who have no display equally enjoy their baths. The dirt of wealth, then, has an abundant covering of censure. With this, as with a bait, they hook the miserable creatures that gape at the glitter of gold. For dazzling thus those fond of display, they artfully try to win the admiration of their lovers, who after a little insult them naked. They will scarce strip before their own husbands affecting a plausible pretence of modesty; but any others who wish, may see them at home shut up naked in their baths. For there they are not ashamed to strip before spectators, as if exposing their persons for sale. But Hesiod advises

The baths are opened promiscuously to men and women; and there they strip for licentious indulgence (for from looking, men get to loving), as if their modesty had been washed away in the bath.595    Rom. xiii. 12, 13.    [Such were women before the Gospel came. See note to Hermas, cap. xi. note 1, p. 47, this volume, and Elucidation (p. 57) of the same.] Those who have not become utterly destitute of modesty shut out strangers; but bathe with their own servants, and strip naked before their slaves, and are rubbed by them; giving to the crouching menial liberty to lust, by permitting fearless handling. For those who are introduced before their naked mistresses while in the bath, study to strip themselves in order to audacity in lust, casting off fear in consequence of the wicked custom. The ancient athletes,596    [He distinguishes between the lewd music of Satanic odes (Tatian, cap. xxxiii. p. 79, supra), and another art of music of which he will soon speak.]    [The barbarians were more decent than the Greeks, being nearer to the state of nature, which is a better guide than pagan civilization. But see the interesting note of Rawlinson (Herod., vol. i. p. 125, ed. New York), who quotes Thucydides (i. 6) to prove the recent invasion of immodest exposure even among athletes. Our author has this same quotation in mind, for he almost translates it here.] ashamed to exhibit a man naked, preserved their modesty by going through the contest in drawers; but these women, divesting themselves of their modesty along with their tunic, wish to appear beautiful, but contrary to their wish are simply proved to be wicked.597    Ps. cl. 3, 5.    [Attic girls raced in the games quite naked. Spartan girls wore only the linen chiton, even in the company of men; and this was esteemed nudity, not unjustly. David’s “uncovering himself” (2 Sam. vi. 20) was nudity of the same sort. Married women assumed to peplus.] For through the body itself the wantonness of lust shines clearly; as in the case of dropsical people, the water covered by the skin. Disease in both is known from the look. Men, therefore, affording to women a noble example of truth, ought to be ashamed at their stripping before them, and guard against these dangerous sights; “for he who has looked curiously,” it is said, “hath sinned already.”598    Col. iii. 16.    Matt. v. 28. At home, therefore, they ought to regard with modesty parents and domestics; in the ways, those they meet; in the baths, women; in solitude, themselves; and everywhere the Word, who is everywhere, “and without Him was not anything.”599    [Here instrumental music is allowed, though he turns everything into a type.]    John i. 3. For so only shall one remain without falling, if he regard God as ever present with him.

Πῶς περὶ τὰ λουτρὰ ἀναστρεπτέον. Οἷα δὲ καὶ τὰ λουτρὰ αὐταῖς· οἶκοι τεχνητοί, συμπαγεῖς καὶ περιφορητοί, διαφανεῖ σινδόνι καλυπτόμενοι, καθέδραι τε ἐπίχρυσοι, ἀργυρόηλοι καὶ σκεύη μυρία χρυσοῦ τε καὶ ἀργύρου, τὰ μὲν εἰς προπόσεις, τὰ δὲ εἰς τροφάς, τὰ δὲ εἰς τὸ λούσασθαι περιφερόμενα· ναὶ μὴν καὶ ἐσχαρίδες ἀνθράκων· εἰς τοσοῦτον γὰρ ἀκρασίας ἥκουσιν ὡς δειπνεῖν καὶ μεθύειν ἔτι λουομένας· τά τε ἀργυρώματα, μεθ' ὧν ἐμπομπεύουσιν, ἀπειροκάλως ἐν τοῖς βαλανείοις προτιθέασι· τάχα μέν που καὶ τὸν πλοῦτον δι' ἀλαζονείαν περιττήν, μάλιστα δὲ τὴν αὐτεξούσιον ἀπαιδευσίαν, καθ' ἣν κατηγοροῦσιν ἀνάνδρων ἀνδρῶν πρὸς γυναικῶν κεκρατημένων, ἐπιδεικνύμεναι ἐλέγχουσαί τε ἁμῇ γέ πῃ σφᾶς αὐτὰς μὴ οἵας τε εἶναι συνεῖναι καὶ δίχα τῶν σκευῶν τῶν πολλῶν ἱδροῦν δύνασθαι· καὶ γὰρ αἱ πενόμεναι τῆς πομπῆς μὴ μεταλαμβάνουσαι τῶν ἴσων κοινωνοῦσι λουτρῶν. Ἔχει δὲ ἄρα ὁ ῥύπος τῆς περιουσίας βλασφημίας περιβολὴν πολλήν. Τούτῳ καθάπερ δελέατι ἀγκιστρεύουσιν τοὺς ἀθλίους κεχηνότας ἐπὶ τὰς μαρμαρυγὰς τοῦ χρυσίου· καὶ γὰρ ἐκπλήττουσαι τούτῳ τοὺς ἀπειροκάλους θαυμάζειν σφᾶς τεχνῶνται τοὺς ἐραστάς, οἳ μετ' ὀλίγον αὐταῖς ἐνυβρίζουσι γυμναῖς. Καὶ δὴ τοῖς μὲν ἀνδράσι τοῖς σφῶν οὐκ ἂν ἀποδύσαιντο προσποίητον αἰσχύνης ἀξιοπιστίαν μνώμεναι, ἔξεστι δὲ τοῖς βουλομένοις τῶν ἄλλων τὰς οἴκοι κατακλείστους γυμνὰς ἐν τοῖς βαλανείοις θεάσασθαι· ἐνταῦθα γὰρ ἀποδύσασθαι τοῖς θεαταῖς ὥσπερ καπήλοις σωμάτων οὐκ αἰσχύνονται. Ἀλλ' ὁ μὲν Ἡσίοδος μηδὲ γυναικείῳ λουτρῷ χρόα φαιδρύνεσθαι παραινεῖ. Κοινὰ δὲ ἀνέῳκται ἀνδράσιν ὁμοῦ καὶ γυναιξὶ τὰ βαλανεῖα, κἀντεῦθεν ἐπὶ τὴν ἀκρασίαν ἀποδύονται· ἐκ τοῦ γὰρ εἰσορᾶν γίνεται ἀνθρώποις ἐρᾶν, ὥσπερ ἀποκλυζο μένης τῆς αἰδοῦς αὐτοῖς κατὰ τὰ λουτρά. Αἳ δὲ μὴ εἰς τοσοῦτον ἀπερυθριῶσαι τοὺς μὲν ὀθνείους ἀποκλείουσιν, ἰδίοις δὲ οἰκέταις συλλούονται καὶ δούλοις ἀποδύονται γυμναὶ καὶ ἀνατρίβονται ὑπ' αὐτῶν, ἐξουσίαν δοῦσαι τῷ κατεπτηχότι τῆς ἐπιθυμίας τὸ ἀδεὲς τῆς ψηλαφήσεως· οἱ γὰρ παρεισαγόμενοι παρὰ τὰ λουτρὰ ταῖς δεσποίναις γυμναῖς μελέτην ἴσχουσιν ἀποδύσασθαι πρὸς τόλμαν ἐπιθυμίας ἔθει πονηρῷ περιγράφοντες τὸν φόβον. Καὶ οἱ μὲν παλαιοὶ τῶν ἀθλητῶν γυμνὸν δεικνύναι τὸν ἄνδρα αἰδούμενοι ἐν διαζώσμασι τὴν ἀγωνίαν ἐκτελοῦντες τὸ αἰδῆμον ἐφύλαττον· αἳ δὲ ἀποδυσάμεναι ἅμα τῷ χιτῶνι καὶ τὴν αἰδῶ φαίνεσθαι μὲν βούλονται καλαί, ἄκουσαι δ' ὅμως ἐλέγχονται κακαί· καὶ γὰρ δι' αὐτοῦ καταφαίνεται μάλιστα τοῦ σώματος τὸ μάχλον τῆς ἐπιθυμίας, καθάπερ τοῖς ὑδεριῶσιν τὸ περιστεγόμενον τῆς ἐπιφανείας ὑγρόν· τὸ νοσοῦν δὲ ἀμφοῖν ἐκ τῆς ὄψεως γνωρίζεται. Χρὴ τοίνυν τοὺς ἄνδρας γενναῖον ἀληθείας ὑπόδειγμα ταῖς γυναιξὶ γινομένους αἰσχύνεσθαι τὰς μετ' αὐτῶν ἀποδύσεις καὶ φυλάττεσθαι τὰς ὄψεις τὰς ὀλισθηράς· ὁ γὰρ ἐμβλέψας, φησί, περιεργότερον ἤδη ἥμαρτεν. Οἴκοι μὲν οὖν τοὺς γονεῖς καὶ τοὺς οἰκέτας αἰδεῖσθαι χρή, ἐν δὲ ταῖς ὁδοῖς τοὺς ἀπαντῶντας, ἐν δὲ τοῖς λουτροῖς τὰς γυναῖκας, ἐν δὲ ταῖς ἐρημίαις ἑαυτούς, πανταχοῦ δὲ τὸν λόγον, ὅς ἐστι πανταχοῦ, καὶ ἐγένετο ἄνευ αὐτοῦ οὐδὲ ἕν. Οὕτως γὰρ μόνως ἀπτώς τις διαμενεῖ, εἰ πάντοτε αὐτῷ συμπαρεῖναι νομίζοι τὸν θεόν.