The Satyricon of Petronius Arbiter
THE SATYRICON OF PETRONIUS ARBITER VOLUME I. ADVENTURES OF ENCOLPIUS AND HIS COMPANIONS
NO SLAVE TO LEAVE THE PREMISES
HERE RESTS G POMPEIUS TRIMALCHIO
CHAPTER THE ONE HUNDRED AND FIRST.
CHAPTER THE ONE HUNDRED AND SECOND.
CHAPTER THE ONE HUNDRED AND THIRD.
CHAPTER THE ONE HUNDRED AND FOURTH.
CHAPTER THE ONE HUNDRED AND FIFTH.
CHAPTER THE ONE HUNDRED AND SIXTH.
CHAPTER THE ONE HUNDRED AND SEVENTH.
CHAPTER THE ONE HUNDRED AND EIGHTH.
CHAPTER THE ONE HUNDRED AND NINTH.
CHAPTER THE ONE HUNDRED AND TENTH.
CHAPTER THE ONE HUNDRED AND ELEVENTH.
CHAPTER THE ONE HUNDRED AND TWELFTH.
CHAPTER THE ONE HUNDRED AND THIRTEENTH.
CHAPTER THE ONE HUNDRED AND FOURTEENTH.
CHAPTER THE ONE HUNDRED AND FIFTEENTH.
CHAPTER THE ONE HUNDRED AND SIXTEENTH.
CHAPTER THE ONE HUNDRED AND SEVENTEENTH.
CHAPTER THE ONE HUNDRED AND EIGHTEENTH.
CHAPTER THE ONE HUNDRED AND NINETEENTH.
CHAPTER THE ONE HUNDRED AND TWENTIETH.
CHAPTER THE ONE HUNDRED AND TWENTY-FIRST.
CHAPTER THE ONE HUNDRED AND TWENTY-SECOND.
CHAPTER THE ONE HUNDRED AND TWENTY-THIRD.
CHAPTER THE ONE HUNDRED AND TWENTY-FOURTH.
CHAPTER THE ONE HUNDRED AND TWENTY-FIFTH.
CHAPTER THE ONE HUNDRED AND TWENTY-SIXTH.
CHAPTER THE ONE HUNDRED AND TWENTY-SEVENTH.
CHAPTER THE ONE HUNDRED AND TWENTY-EIGHT.
CHAPTER THE ONE HUNDRED AND TWENTY-NINTH.
CHAPTER THE ONE HUNDRED AND THIRTIETH.
CHAPTER THE ONE HUNDRED AND THIRTY-FIRST.
CHAPTER THE ONE HUNDRED AND THIRTY-SECOND.
CHAPTER THE ONE HUNDRED AND THIRTY-THIRD.
CHAPTER THE ONE HUNDRED AND THIRTY-FOURTH.
CHAPTER THE ONE HUNDRED AND THIRTY-FIFTH.
CHAPTER THE ONE HUNDRED AND THIRTY-SIXTH.
CHAPTER THE ONE HUNDRED AND THIRTY SEVENTH.
CHAPTER THE ONE HUNDRED AND THIRTY-EIGHTH.
CHAPTER THE ONE HUNDRED AND THIRTY-NINTH.
CHAPTER THE ONE HUNDRED AND FORTIETH.
CHAPTER THE ONE HUNDRED AND FORTY-FIRST.
CHAPTER 9. Gladiator obscene:--
CHAPTER 34. Silver Skeleton, et seq.
ALIAE. RESTITVTAE. ANIMAE. DVLCISSIMAE.
CHAPTER 56. Contumelia--Contus and Melon (malum).
CHAPTER 119. The rite of the Persians:
Another exquisite and illuminating passage occurs in Catullus, 51, given in Marchena's fourth note.
CHAPTER 131. Medio sustulit digito:
"Young men," said he, "many are they who have been seduced by poetry; for, the instant a man has composed a verse in feet, and has woven a more delicate meaning into it by means of circumlocutions, he straightway concludes that he has scaled Helicon! Take those who are worn out by the distressing detail of the legal profession, for example: they often seek sanctuary in the tranquillity of poetry, as a more sheltered haven, believing themselves able more easily to compose a poem than a rebuttal charged with scintillating epigrams! But a more highly cultivated mind loves not this conceited affectation, nor can it either conceive or bring forth, unless it has been steeped in the vast flood of literature. Every word that is what I would call 'low,' ought to be avoided, and phrases far removed from plebeian usage should be chosen. Let 'Ye rabble rout avaunt,' be your rule. In addition, care should be exercised in preventing the epigrams from standing out from the body of the speech; they should gleam with the brilliancy woven into the fabric. Homer is an example, and the lyric poets, and our Roman Virgil, and the exquisite propriety of Horace. Either the others did not discover the road that leads to poetry, or, having seen, they feared to tread it. Whoever attempts that mighty theme, the civil war, for instance, will sink under the load unless he is saturated with literature. Events, past and passing, ought not to be merely recorded in verse, the historian will deal with them far better; by means of circumlocutions and the intervention of the immortals, the free spirit, wracked by the search for epigrams having a mythological illusion, should plunge headlong and appear as the prophecy of a mind inspired rather than the attested faith of scrupulous exactitude in speech. This hasty composition may please you, even though it has not yet received its final polishing:"