Diocese of Fabriano and Matelica
Giulio Carlo de' Toschi di Fagnano
Protestant Confessions of Faith
Society of the Faithful Companions of Jesus
Hervé-Auguste-Etienne-Albans Faye
Rudolph William Basil Feilding
Anti-Pope Felix V (Amadeus of Savoy)
Johann Michael Nathanael Feneberg
François de Salignac de la Mothe-Fénelon
Baron Ernst Von Feuchtersleben
Benito Jerónimo Feyjóo y Montenegro
Francisco García de la Rosa Figueroa
Guillaume Fillastre (Philastrius)
Fioretti di San Francesco d'Assisi
Jean-Pierre Claris, Chevalier de Florian
Order and Abbey of Fontevrault
Comte de Charles-Auguste-Marie-Joseph Forbin-Janson
Venantius Honorius Clementianus Fortunatus
Diocese of Fossombrone (Forum Sempronii)
Diocese of Fréjus (Forum Julii)
French Catholics in the United States
University of Fribourg (Switzerland)
Count Louis de Buade Frontenac
St. Fabius Claudius Gordianus Fulgentius
Lady Georgiana Charlotte Fullerton
(The name was also spelled FLEMALLE and FLAMAEL).
Painter, b. at Liège, Flanders, in 1614; d. there in 1675. The son of a glass painter, he was instructed in his art by Trippez and Douffet successively. He visited Rome in 1638 was invited by the Duke of Tuscany to Florence and employed in decorating one of his galleries, thence he passed to Paris where he carried out some elaborate decorative work at Versailles and painted for the sacristy of the church of the Augustinians his picture of the "Adoration of the Magi". He returned to Liège in 1647 and executed many paintings for the churches of his native town. In 1670 he was invited to return to Paris, and painted the ceiling of the audience room in the Tuileries. Louis XIV made him a professor of the Royal Academy of Paris. Towards the close of his life he returned to Liège and was elected a lay canon of the church of St. Paul, and painted several works for the prince-bishop of the city. A few years before he died he fell into a state of profound melancholy and had to be placed under the care of a medical man, in whose house he died. He was a painter of the "grand style", full of inventive genius, but his colouring is pate and weak and his figures somewhat artificial. He is believed to have painted a portrait of Colbert and by some writers is stated to have been a pupil at one time of Jordaens, but this has never been verified.
GEORGE CHARLES WILLIAMSON