Agnolo, Giovanni, and Taddeo Gaddi
Publius Licinius Egnatius Gallienus
Diocese of Galway and Kilmacduagh
Garcilasso de la Vega (the Inca)
Aloisius-Edouard-Camille Gaultier
Charles Etienne Arthur Gayarré
Vicariate Apostolic of Northern Germany
Abbey of Our Lady of Gethsemani
Prefecture Apostolic of Ghardaia
Vicariate Apostolic of Gibraltar
Nicolas-Joseph-Laurent Gilbert
Vicariate Apostolic of the Gilbert Islands
Alvarez Carillo Gil de Albornoz
Jacques-Marie-Achille Ginoulhiac
Glosses, Glossaries, Glossarists
Vicariate Apostolic of Goajira
Eastern Vicariate of the Cape of Good Hope
Western Vicariate of the Cape of Good Hope
Our Lady of Charity of the Good Shepherd
Francisco José de Goya y Lucientes
Auguste-Joseph-Alphonse Gratry
Diocese of Gravina and Montepeloso
Greek Orthodox Church in America
Johann Jacob Christoffel von Grimmelshausen
Archdiocese of Guadalajara (Guadalaxara)
Archdiocese of Santiago de Guatemala
Prosper Louis Pascal Guéranger
Joseph Heinrich Aloysius Gügler
Vicariate Apostolic of Gulf of St. Lawrence
Bartholomeu Lourenço de Gusmão
Neapolitan painter; b. at Naples, 1632; d. in the same place, 12 Jan., 1705. He was esteemed the marvel of his age for the rapidity with which he covered with frescoes vast ceilings, domes and walls in Italy and Spain, and was known as Luca "Fa Presto" (make haste), as the demand for his work was so great that his father was continually urging him to greater dispatch, until at length he was able to work with extraordinary speed. He was undoubtedly the chief of the Machinisti, as the popular quick-painting decorators of Italy came to be called, and perhaps no other painter has left so many picture. He was a pupil of Ribera, and then of Pietro da Cortona, and a constant copyist of the works of Raphael. Some of his earliest paintings were for the churches of Naples, but in 1679 he was invited to Florence, and in 1692 to Madrid, where he painted the immense ceiling and stairecase of the Escorial, and an enormous number of Spain to Naples, and there he spent the last three years of his life. There are sixty of his pictures in Madrid, and about half that number in Naples, while the valleries of Dresden, Munich, Paris, Vienna, Rome, works. He executed several etchings, and is believed to have also worked in pastel.
GEORGE CHARLES WILLIAMSON