The Satyricon of Petronius Arbiter
THE SATYRICON OF PETRONIUS ARBITER VOLUME I. ADVENTURES OF ENCOLPIUS AND HIS COMPANIONS
NO SLAVE TO LEAVE THE PREMISES
HERE RESTS G POMPEIUS TRIMALCHIO
CHAPTER THE ONE HUNDRED AND FIRST.
CHAPTER THE ONE HUNDRED AND SECOND.
CHAPTER THE ONE HUNDRED AND THIRD.
CHAPTER THE ONE HUNDRED AND FOURTH.
CHAPTER THE ONE HUNDRED AND FIFTH.
CHAPTER THE ONE HUNDRED AND SIXTH.
CHAPTER THE ONE HUNDRED AND SEVENTH.
CHAPTER THE ONE HUNDRED AND EIGHTH.
CHAPTER THE ONE HUNDRED AND NINTH.
CHAPTER THE ONE HUNDRED AND TENTH.
CHAPTER THE ONE HUNDRED AND ELEVENTH.
CHAPTER THE ONE HUNDRED AND TWELFTH.
CHAPTER THE ONE HUNDRED AND THIRTEENTH.
CHAPTER THE ONE HUNDRED AND FOURTEENTH.
CHAPTER THE ONE HUNDRED AND FIFTEENTH.
CHAPTER THE ONE HUNDRED AND SIXTEENTH.
CHAPTER THE ONE HUNDRED AND SEVENTEENTH.
CHAPTER THE ONE HUNDRED AND EIGHTEENTH.
CHAPTER THE ONE HUNDRED AND NINETEENTH.
CHAPTER THE ONE HUNDRED AND TWENTIETH.
CHAPTER THE ONE HUNDRED AND TWENTY-FIRST.
CHAPTER THE ONE HUNDRED AND TWENTY-SECOND.
CHAPTER THE ONE HUNDRED AND TWENTY-THIRD.
CHAPTER THE ONE HUNDRED AND TWENTY-FOURTH.
CHAPTER THE ONE HUNDRED AND TWENTY-FIFTH.
CHAPTER THE ONE HUNDRED AND TWENTY-SIXTH.
CHAPTER THE ONE HUNDRED AND TWENTY-SEVENTH.
CHAPTER THE ONE HUNDRED AND TWENTY-EIGHT.
CHAPTER THE ONE HUNDRED AND TWENTY-NINTH.
CHAPTER THE ONE HUNDRED AND THIRTIETH.
CHAPTER THE ONE HUNDRED AND THIRTY-FIRST.
CHAPTER THE ONE HUNDRED AND THIRTY-SECOND.
CHAPTER THE ONE HUNDRED AND THIRTY-THIRD.
CHAPTER THE ONE HUNDRED AND THIRTY-FOURTH.
CHAPTER THE ONE HUNDRED AND THIRTY-FIFTH.
CHAPTER THE ONE HUNDRED AND THIRTY-SIXTH.
CHAPTER THE ONE HUNDRED AND THIRTY SEVENTH.
CHAPTER THE ONE HUNDRED AND THIRTY-EIGHTH.
CHAPTER THE ONE HUNDRED AND THIRTY-NINTH.
CHAPTER THE ONE HUNDRED AND FORTIETH.
CHAPTER THE ONE HUNDRED AND FORTY-FIRST.
CHAPTER 9. Gladiator obscene:--
CHAPTER 34. Silver Skeleton, et seq.
ALIAE. RESTITVTAE. ANIMAE. DVLCISSIMAE.
CHAPTER 56. Contumelia--Contus and Melon (malum).
CHAPTER 119. The rite of the Persians:
Another exquisite and illuminating passage occurs in Catullus, 51, given in Marchena's fourth note.
CHAPTER 131. Medio sustulit digito:
Philosophic dogmas concerning the brevity and uncertainty of life were ancient even in the time of Herodotus. They have left their mark upon our language in the form of more than one proverb, but in none is this so patent as "the skeleton at the feast." In chapter lxxviii of Euterpe, we have an admirable citation. In speaking of the Egyptians, he says: "At their convivial banquets, among the wealthy classes, when they have finished supper, a man carries round in a coffin the image of a dead body carved in wood, made as life-like as possible in color and workmanship, and in size generally about one or two cubits in length; and showing this to each of the company, he says: 'Look upon this, then drink and enjoy yourself; for when dead you will be like this.' This is the practice they have at their drinking parties." According to Plutarch, (Isis and Osiris, chapter 17.) the Greeks adopted this Egyptian custom, and there is, of course, little doubt that the Romans took it from the Greeks. The aim of this custom was, according to Scaliger, to bring the diners to enjoy the sweets of life while they were able to feel enjoyment, and thus to abandon themselves to pleasure before death deprived them of everything. The verses which follow bring this out beautifully. In the Copa of Virgil we find the following:
"Wine there! Wine and dice! Tomorrow's fears shall fools alone benumb! By the ear Death pulls me. 'Live!' he whispers softly, 'Live! I come.'"
The practical philosophy of the indefatigable roues sums itself up in this sentence uttered by Trimalchio. The verb "vivere" has taken a meaning very much broader and less special, than that which it had at the time when it signified only the material fact of existence. The voluptuaries of old Rome were by no means convinced that life without license was life. The women of easy virtue, living within the circle of their friendships, after the fashion best suited to their desires, understood that verb only after their own interpretation, and the philologists soon reconciled themselves to the change. In this sense it was that Varro employed "vivere," when he said: "Young women, make haste to live, you whom adolescence permits to enjoy, to eat, to love, and to occupy the chariot of Venus (Veneris tenere bigas)."
But a still better example of the extension in the meaning of this word is to be found in an inscription on the tomb of a lady of pleasure. This inscription was composed by a voluptuary of the school of Petronius.