The Satyricon of Petronius Arbiter
THE SATYRICON OF PETRONIUS ARBITER VOLUME I. ADVENTURES OF ENCOLPIUS AND HIS COMPANIONS
NO SLAVE TO LEAVE THE PREMISES
HERE RESTS G POMPEIUS TRIMALCHIO
CHAPTER THE ONE HUNDRED AND FIRST.
CHAPTER THE ONE HUNDRED AND SECOND.
CHAPTER THE ONE HUNDRED AND THIRD.
CHAPTER THE ONE HUNDRED AND FOURTH.
CHAPTER THE ONE HUNDRED AND FIFTH.
CHAPTER THE ONE HUNDRED AND SIXTH.
CHAPTER THE ONE HUNDRED AND SEVENTH.
CHAPTER THE ONE HUNDRED AND EIGHTH.
CHAPTER THE ONE HUNDRED AND NINTH.
CHAPTER THE ONE HUNDRED AND TENTH.
CHAPTER THE ONE HUNDRED AND ELEVENTH.
CHAPTER THE ONE HUNDRED AND TWELFTH.
CHAPTER THE ONE HUNDRED AND THIRTEENTH.
CHAPTER THE ONE HUNDRED AND FOURTEENTH.
CHAPTER THE ONE HUNDRED AND FIFTEENTH.
CHAPTER THE ONE HUNDRED AND SIXTEENTH.
CHAPTER THE ONE HUNDRED AND SEVENTEENTH.
CHAPTER THE ONE HUNDRED AND EIGHTEENTH.
CHAPTER THE ONE HUNDRED AND NINETEENTH.
CHAPTER THE ONE HUNDRED AND TWENTIETH.
CHAPTER THE ONE HUNDRED AND TWENTY-FIRST.
CHAPTER THE ONE HUNDRED AND TWENTY-SECOND.
CHAPTER THE ONE HUNDRED AND TWENTY-THIRD.
CHAPTER THE ONE HUNDRED AND TWENTY-FOURTH.
CHAPTER THE ONE HUNDRED AND TWENTY-FIFTH.
CHAPTER THE ONE HUNDRED AND TWENTY-SIXTH.
CHAPTER THE ONE HUNDRED AND TWENTY-SEVENTH.
CHAPTER THE ONE HUNDRED AND TWENTY-EIGHT.
CHAPTER THE ONE HUNDRED AND TWENTY-NINTH.
CHAPTER THE ONE HUNDRED AND THIRTIETH.
CHAPTER THE ONE HUNDRED AND THIRTY-FIRST.
CHAPTER THE ONE HUNDRED AND THIRTY-SECOND.
CHAPTER THE ONE HUNDRED AND THIRTY-THIRD.
CHAPTER THE ONE HUNDRED AND THIRTY-FOURTH.
CHAPTER THE ONE HUNDRED AND THIRTY-FIFTH.
CHAPTER THE ONE HUNDRED AND THIRTY-SIXTH.
CHAPTER THE ONE HUNDRED AND THIRTY SEVENTH.
CHAPTER THE ONE HUNDRED AND THIRTY-EIGHTH.
CHAPTER THE ONE HUNDRED AND THIRTY-NINTH.
CHAPTER THE ONE HUNDRED AND FORTIETH.
CHAPTER THE ONE HUNDRED AND FORTY-FIRST.
CHAPTER 9. Gladiator obscene:--
CHAPTER 34. Silver Skeleton, et seq.
ALIAE. RESTITVTAE. ANIMAE. DVLCISSIMAE.
CHAPTER 56. Contumelia--Contus and Melon (malum).
CHAPTER 119. The rite of the Persians:
Another exquisite and illuminating passage occurs in Catullus, 51, given in Marchena's fourth note.
CHAPTER 131. Medio sustulit digito:
"This starveling snub-nosed dancer was old, repulsive, and nastily gay. Drops of sweat mixed with paint were trickling from his shaven forehead; his wrinkles, plastered with white lead, looked like the cracks in some wall when rain has washed away the lime. The flutes and organ ceased when he withdrew, and a fifteen-year-old girl ran out upon the stage. She was to perform the celebrated cordax, so passionately adored by the mob. The Fathers of the Church called down anathema upon it, the Roman laws prohibited it, but all in vain. The cordax was danced everywhere, by rich and poor, by senators' wives and by street dancers, just as it had been before.
"'What a beautiful girl,' whispered Agamemnon enthusiastically. Thanks to the fists of his companions, he had reached a place in the front rank of spectators. The slender bronze body of the Nubian was draped only about the hips with an almost airy colorless scarf. Her hair was wound on the top of her head, in close fine curls like those of Nubian woven. Her face was of the severest Egyptian type, recalling that of the Sphinx.
"She began to dance languidly, carelessly, as if already weary. Above her head she swung copper bells, castanets or 'crotals,'--swung them lazily, so that they tinkled very faintly. Gradually her movements became more emphatic, and suddenly under their long lashes, yellow eyes shone out, clear and bright as the eyes of a leopardess. She drew her body up to her full height and the copper castanets began to tinkle with such challenge in their piercing sound that the whole crowd trembled with emotion. Vivid, slender, supple as a serpent, the damsel whirled rapidly, her nostrils dilated, and a strange cry came crooning from her throat. With each impetuous movement, two dark little breasts held tight by a green silk net, trembled like two ripe fruits in the wind, and their sharp, thickly painted nipples were like rubies, as they protruded from the net.
"The crowd was beside itself with passion. Agamemnon, nearly mad, was held back by his companions. Suddenly the girl stopped as if exhausted. A slight shudder ran through her, from her head down the dark limbs to her feet. Deep silence prevailed. The head of the Nubian was thrown back as if in a rigid swoon but above it the crotals still tinkled with an extraordinary languor, a dying vibration, quick and soft as the wing flutterings of a captured butterfly. Her eyes grew dim but in their inner depths glittered two sparks; the face remained severe, impersonal, but upon the sensuous red lips of that sphinx-like mouth a smile trembled, faint as the dying sound of the crotals."