Agnolo, Giovanni, and Taddeo Gaddi
Publius Licinius Egnatius Gallienus
Diocese of Galway and Kilmacduagh
Garcilasso de la Vega (the Inca)
Aloisius-Edouard-Camille Gaultier
Charles Etienne Arthur Gayarré
Vicariate Apostolic of Northern Germany
Abbey of Our Lady of Gethsemani
Prefecture Apostolic of Ghardaia
Vicariate Apostolic of Gibraltar
Nicolas-Joseph-Laurent Gilbert
Vicariate Apostolic of the Gilbert Islands
Alvarez Carillo Gil de Albornoz
Jacques-Marie-Achille Ginoulhiac
Glosses, Glossaries, Glossarists
Vicariate Apostolic of Goajira
Eastern Vicariate of the Cape of Good Hope
Western Vicariate of the Cape of Good Hope
Our Lady of Charity of the Good Shepherd
Francisco José de Goya y Lucientes
Auguste-Joseph-Alphonse Gratry
Diocese of Gravina and Montepeloso
Greek Orthodox Church in America
Johann Jacob Christoffel von Grimmelshausen
Archdiocese of Guadalajara (Guadalaxara)
Archdiocese of Santiago de Guatemala
Prosper Louis Pascal Guéranger
Joseph Heinrich Aloysius Gügler
Vicariate Apostolic of Gulf of St. Lawrence
Bartholomeu Lourenço de Gusmão
Spanish poet, active between 1220 and 1242. Born in the closing years on twelfth century, he appears to be the earliest Castilian author known to us by name. He became a priest and passed the whole of his life in or near the monastery of San Millán de la Cogolla. His compositions extend to more than 13,000 verses (Alexandrines), arranged in monorhymed quatrains (cuaderna via), and, at least in so far as the truly authentic are concerned, are religious and hagiographical in their nature. They are made up of lives of Spanish saints: "La vida de Santo Domingo de Silos", "La vida de San Millán", "La vida de Santa Oria"; of poems celebrating the Blessed Virgin: "Los Milagros de Nuestra Señora", "Los Loores de Nuestra Señora", "El duelo de la Virgen"; and of other pious and didactic works: "El sacrificio de la Misa" , "Los Signos del juicio", and perhaps some hymns. In all these compositions he manifests halt little originality, abidng, wherever possible, by Latin sources that were doubtless in the monastic library. His manner and style, however, are decidedly interesting, because they evince his desire to appeal to all the lay reading public of Castile in his time. He writes, as he tells us, in the vernacular, so that he may be read by the common man; and he intentionally adopts the methods of the popular minstrel in order to reach more quickly the popular heart. In spite of his diffuseness, he can interest us today, and his quaint humour, heavy though it may be at times, has no little charm. If we are to believe the ascription contained in one of the two manuscripts of the old Spanish poem on Alexander the Great ("Libro de Alexandre") we must credit him with that secular work also; but scholars are not too prone to regard the ascription as correct.
J.D.M. FORD