Agnolo, Giovanni, and Taddeo Gaddi
Publius Licinius Egnatius Gallienus
Diocese of Galway and Kilmacduagh
Garcilasso de la Vega (the Inca)
Aloisius-Edouard-Camille Gaultier
Charles Etienne Arthur Gayarré
Vicariate Apostolic of Northern Germany
Abbey of Our Lady of Gethsemani
Prefecture Apostolic of Ghardaia
Vicariate Apostolic of Gibraltar
Nicolas-Joseph-Laurent Gilbert
Vicariate Apostolic of the Gilbert Islands
Alvarez Carillo Gil de Albornoz
Jacques-Marie-Achille Ginoulhiac
Glosses, Glossaries, Glossarists
Vicariate Apostolic of Goajira
Eastern Vicariate of the Cape of Good Hope
Western Vicariate of the Cape of Good Hope
Our Lady of Charity of the Good Shepherd
Francisco José de Goya y Lucientes
Auguste-Joseph-Alphonse Gratry
Diocese of Gravina and Montepeloso
Greek Orthodox Church in America
Johann Jacob Christoffel von Grimmelshausen
Archdiocese of Guadalajara (Guadalaxara)
Archdiocese of Santiago de Guatemala
Prosper Louis Pascal Guéranger
Joseph Heinrich Aloysius Gügler
Vicariate Apostolic of Gulf of St. Lawrence
Bartholomeu Lourenço de Gusmão
Venetian painter; born at Venice, 1712; died in the same city, 1793. He was a pupil of Canaletto, and in style a close follower of his master. Of his life practically nothing is known, save that he is believed to have always lived in Venice, and to have painted scenes confined to that city and its neighbourhood. He painted with extraordinary facility, three or four days being enough for producing an entire work, with the result that, although his pictures are rich and forcible in colouring, and accurate in general effect, they are far behind those of Canaletto in the accuracy of their details, and are less solid and firm, and less well grounded, than the paintings of his master. They are noted, however, for their spirited touch and sparkling colour. Examples are to be found in almost every European gallery, notably in Paris, Berlin, Modena, Brussels, Venice, and Verona, and his smaller works are in great demand in the houses of the wealthier collectors of choice pictures. A sketchbook by Guardi was sold in London two or three years ago for a very high price, and it contained, amongst other drawings, the original sketches for the views of Venice in the Bridgewater House collection. The artist is said to have been responsible for nearly a thousand pictures. Berenson speaks of him as "anticipating both the Romantic and the Impressionist painters of our own country", and again refers to his "eye for the picturesque, and his remarkable instantaneous effects".
ZANETTI, Della Pittura Veneziana (Venice, 1771); BERENSON, The Venetian Painters of the Renaissance (London, 1894).
GEORGE CHARLES WILLIAMSON