Antoine de Lamothe, Sieur de Cadillac
Tommaso de Vio Gaetani Cajetan
Diocese of Calahorra and La Calzada
Polidoro (da Caravaggio) Caldara
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Baptiste-Honoré-Raymond Capefigue
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Apostolic Prefecture of Caquetá
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Bartolommeo and Vincenzo Carducci
Caroline Books (Libri Carolini)
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Diocese of Castellammare di Stabia
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Count Carlo Ottavio Castiglione
Giovanni Benedetto Castiglione
Francesco Castracane degli Antelminelli
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Catholic University of America
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Archdiocese of Chambéry (Camberium)
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François-René de Chateaubriand
Timoléon Cheminais de Montaigu
Maria Luigi Carlo Zenobio Salvatore Cherubini
Ancient Diocese of Chester (Cestrensis)
Jean-Louis Lefebvre de Cheverus
Ancient Catholic Diocese of Chichester (Cicestrensis)
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Domingo (San Anton y Muñon) Chimalpain
Etienne-François, Duc de Choiseul
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Giovanni Battista Cima da Conegliano
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Mathieu-Nicolas Poillevillain de Clémanges
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Pierre-Suzanne-Augustin Cochin
Diocese of Colle di Val d'Elsa
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Philippe du Contant de la Molette
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François Edouard Joachim Coppée
Diocese of Cordova (Cordubensis)
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Elena Lucrezia Piscopia Cornaro
Michel Corneille (the Younger)
Charles-Edmond-Henride Coussemaker
Brothers of the Cross of Jesus
Diocese of Cuenca (Conca in Indiis)
Vicariate Apostolic of Curaçao
French sculptor, b. at Lyons, 9 January, 1658; d. at Paris, 1 May, 1733. He was the son of a wood-carver, from whom he received his first instruction in art. At the age of eighteen he went to Paris, and studied under the tutorship of his uncle, the sculptor Coysevox. On the occasion of Colbert's last visit to the Royal Academy, Coustou received from his hands the gold medal for sculpture (Colbert prize), which enabled him to go to Rome as a pensioner from 1683 to 1686. Here he applied himself especially to the study of Michelangelo and Algardi, hoping to unite in his own work the strength of the one and the grace of the other. On his return he settled in Paris, and showed his independence by declining to submit to the decrees of the ruling school of sculpture. The design made by him for a public monument being refused, he appealed directly to the king, who decided in his favour and awarded him the commission. Nicolas was joined by his younger brother Guillaume, also a sculptor, whom he admitted to a share in his labours, so that it is not always easy to ascribe particular works definitely to one or the other. In 1720 Nicolas was appointed rector of the academy of painting and sculpture and held his post until his death, shortly before which he was also made chancellor of the academy. Coysevox and the Coustous formed a school in French sculpture and were distinguished by grace, naturalness and truth to life. Many of the works of Nicholas were destroyed in the fury of the Revolution, but a number still remain. Chief among them are the "Union of the Seine and Marne"; the "Huntsman Resting" (called in French "Berger Chasseur"); "Daphne Pursued by Apollo". All of these are now in the garden of the Tuileries; further, the statues of Julius Caesar and Louis XV in the Louvre, and the "Descent From the Cross" in the choir of Notre-Dame, Paris, one of his best efforts. There are also statues by Coustou at Versailles and Marly. A good terra-cotta bust of him by his brother Guillaume is in the Louvre.
M. L. Handley.