Dubious or spurious writings.

 A sectional confession of faith.

 Part ii.—dubious or spurious writings.

 Ii.

 Iii.

 Iv.

 V.

 Vi.

 Vii.

 Viii.

 Ix.

 X.

 Xi.

 Xii.

 Xiii.

 Xiv.

 Xv.

 Xvi.

 Xvii.

 Xviii.

 Xix.

 Xx.

 Xxi.

 Xxii.

 Xxiii.

 A fragment of the same declaration of faith, accompanied by glosses. —from gregory thaumaturgus, as they say, in his sectional confession of faith.

 Elucidations.

 On the trinity.

 On the trinity.

 Elucidation.

 Twelve topics on the faith.

 Twelve topics on the faith.

 Topic ii.

 Topic iii.

 Topic iv.

 Topic v.

 Topic vi.

 Topic vii.

 Topic viii.

 Topic ix.

 Topic x.

 Topic xi.

 Topic xii.

 Elucidations.

 On the subject of the soul.

 On the subject of the soul.

 I. wherein is the criterion for the apprehension of the soul.

 Ii. whether the soul exists.

 Iii. whether the soul is a substance.

 Iv. whether the soul is incorporeal.

 V. whether the soul is simple or compound.

 Vi. whether our soul is immortal.

 Vii. whether our soul is rational.

 Elucidations.

 Four homilies.

 Four homilies.

 The second homily.

 The third homily.

 The fourth homily.

 Elucidations.

 On all the saints.

 On all the saints.

 Elucidations.

 On the gospel according to matthew.

Elucidations.

The feast of All Saints is very ancient in the Oriental churches, and is assigned to the Octave of Pentecost, the Anglican Trinity Sunday. See Neale, Eastern Church, vol. ii. pp. 734, 753. In the West it was instituted when Boniface III. (who accepted from the Emperor Phocas the title of “Universal Bishop,” a.d. 607) turned the Pantheon into a church, and with a sort of practical epigram called it the church of “All the Saints.” It was a local festival until the ninth century, when the Emperor Louis the Pious introduced it into France and Germany. Thence it came to England. It falls on the 1st of November.

The gates of the church at Rome are the same which once opened for the worship of “all the gods.” They are of massive bronze, and are among the most interesting of the antiquities of the city.

The modern gates of St. Peter’s, at Rome, are offensive copies of heathen mythology; and among the subjects there represented, is the shameful tale of Leda,—a symbol of the taste of Leo X.