All Causes Reduced to Four Classes
Chapter 2: 1013b 16-1014a 25
409. All the causes mentioned fall under one of the four classes which are most evident. For the elements of syllables, the matter of things made by art, fire and earth and all such elements of bodies, the parts of a whole, and the premises of a conclusion, are all causes in the sense of that from which things are made. But of these some are causes as a subject, for example, parts, and others as the essence, for example, the whole, the composition and the species, whereas the seed, the physician, the adviser, and in general every agent, are all sources of change or of rest. But the others are causes as the end and the good of other things. For that for the sake of which other things come to be is the greatest good and the end of other things. And it makes no difference whether we say that it is a good or an apparent good. These, then, are the causes, and this the number of their classes.
410. Now the modes of causes are many in number, but these become fewer when summarized. For causes are spoken of in many senses; and of those which belong to the same class, some are prior and some subsequent. For example, both the physician and one possessing an art are causes of health, and both the ratio of 2:1 and number are causes of the octave chord; and always those classes which contain singulars. Further, a thing may be a cause in the sense of an accident, and the classes which contain these; for example, in one sense the cause of a statue is Polyclitus and in another a sculptor, because it is accidental that a sculptor should be Polyclitus. And the universals which contain accidents are causes; for example, man is the cause of a statue, and even generally animal, because Polyclitus is a man and an animal. And of accidental causes some are more remote and some more proximate than others. Thus what is white and what is musical might be said to be the causes of a statue, and not just Polyclitus or man. Again, in addition to all of these, i.e., both proper causes and accidental causes, some are said to be causes potentially and some actually, as a builder and one who is building. And the distinctions which have been made will apply in like manner to the effects of these causes, for example, to this statue, or to a statue, or to an image generally, or to this bronze, or to bronze, or to matter in general. And the same applies to accidental effects. Again, both proper and accidental causes may be spoken of together, so that the cause of a statue may be referred to as neither Polyclitus nor a sculptor but the sculptor Polyclitus. But while all these varieties of causes are six in number, each is spoken of in two ways; for causes are either singular or generic; either proper or accidental, or generically accidental; or they are spoken of in combination or singly; and again they are either active or potential causes. But they differ in this respect, that active causes, i.e., singular causes, exist or cease to exist simultaneously with their effects, as this particular one who is healing with this particular person who is being healed, and as this particular builder with this particular thing which is being built. But this is not always true of potential causes; for the builder and the thing built do not cease to exist at the same time.
COMMENTARY
777. Here the philosopher reduces all causes to the classes of causes mentioned above (409), saying that all those things which are called causes fall into one of the four classes mentioned above. For "elements," i.e., letters, are said to be the causes of syllables; and the matter of artificial things is said to be their cause; and fire and earth and all simple bodies of this kind are said to be the causes of compounds. And parts are said to be the causes of a whole, and "premises," i.e., propositions previously set down from which conclusions are drawn, are said to be the causes of the conclusion. And in all of these cases cause has a single formal aspect according as cause means that from which a thing is produced, and this is the formal aspect of material cause.
778. Now it must be noted that propositions are said to constitute the matter of a conclusion, not inasmuch as they exist under such a form, or according to their force (for in this way they would rather have the formal aspect of an efficient cause), but with reference to the terms of which they are composed. For a conclusion is constituted of the terms contained in the premises, i.e., of the major and minor terms.
779. And of those things of which something is composed, some are like a subject, for example, parts and the other things mentioned above, whereas some are like the essence, for example, the whole, the composition and the species, which have the character of a form whereby a thing's essence is made complete. For it must be borne in mind that sometimes one thing is the matter of something else in an unqualified sense (for example, silver of a goblet), and then the form corresponding to such a matter can be called the species. But sometimes many things taken together constitute the matter of a thing; and this may occur in three ways. For sometimes things are united merely by their arrangement, as the men in an army or the houses in a city; and then the whole has the role of a form which is designated by the term army or city. And sometimes things are united not just by arrangement alone but by contact and a bond, as is evident in the parts of a house; and then their composition has the role of a form. And sometimes the alteration of the component parts is added to the above, as occurs in the case of a compound; and then the compound state itself is the form, and this is still a kind of composition. And a thing's essence is derived from any one of these three--the composition, species, or whole--as becomes clear when an army, a house, or a goblet is defined. Thus we have two classes of cause.
780. But the seed, the physician and the adviser, and in general every agent, are called causes for a different reason, namely, because they are the sources of motion and rest. Hence this is now a different class of cause because of a different formal aspect of causality. He puts seed in this class of cause because he is of the opinion that the seed has active power, whereas a woman's menstrual fluid has the role of the matter of the offspring.
781. There is a fourth formal aspect of causality inasmuch as some things are said to be causes in the sense of the end and good of other things. For that for the sake of which something else comes to be is the greatest good "and the end" of other things, i.e., it is naturally disposed to be their end. But because someone could raise the objection that an end is not always a good since certain agents sometimes inordinately set up an evil as their end, he therefore replies that it makes no difference to his thesis whether we speak of what is good without qualification or of an apparent good. For one who acts does so, properly speaking, because of a good, for this is what he has in mind. And one acts for the sake of an evil accidentally inasmuch as he happens to think that it is good. For no one acts for the sake of something with evil in view.
782. Moreover, it must be noted that, even though the end is the last thing to come into being in some cases, it is always prior in causality. Hence it is called the cause of causes, because it is the cause of the causality of all causes. For it is the cause of efficient causality, as has already been pointed out (407:C 775); and the efficient cause is the cause of the causality of both the matter and the form, because by its motion it causes matter to be receptive of form and makes form exist in matter. Therefore the final cause is also the cause of the causality of both the matter and the form. Hence in those cases in which something is done for an end (as occurs in the realm of natural things, in that of moral matters, and in that of art), the most forceful demonstrations are derived from the final cause. Therefore he concludes that the foregoing are causes, and that causes are distinguished into this number of classes.
783. Now the modes (410).
Then he distinguishes between the modes of causes. And causes are distinguished into classes and into modes. For the division of causes into classes is based on different formal aspects of causality, and is therefore equivalently a division based on essential differences, which constitute species. But the division of causes into modes is based on the different relationships between causes and things caused, and therefore pertains to those causes which have the same formal aspect of causality. An example of this is the division of causes into proper and accidental causes, and into remote and proximate causes. Therefore this division is equivalently a division based on accidental differences, which do not constitute different species.
784. He accordingly says that there are many modes of causes, but that these are found to be fewer in number when "summarized," i.e., when brought together under one head. For even though proper causes and accidental causes are two modes, they are still reduced to one head insofar as both may be considered from the same point of view. The same thing is true of the other different modes. For many different modes of causes are spoken of, not only with reference to the different species of causes, but also with reference to causes of the same species, namely, those which are reduced to one class of cause.
785. For one cause is said to be prior and another subsequent; and causes are prior or subsequent in two ways: In one way, when there are many distinct causes which are related to each other, one of which is primary and remote, and another secondary and proximate (as in the case of efficient causes man generates man as a proximate and subsequent cause, but the sun as a prior and remote cause); and the same thing can be considered in the case of the other classes of causes. In another way, when the cause is numerically one and the same, but is considered according to the sequence which reason sets up between the universal and the particular; for the universal is naturally prior and the particular subsequent.
786. But he omits the first way and considers the second. For in the second way the effect is the immediate result of both causes, i.e., of both the prior and subsequent cause; but this cannot happen in the first way. Hence he says that the cause of health is both the physician and one possessing an art, who belong to the class of efficient cause: one possessing an art as a universal and prior cause, and the physician as a particular, or special, and subsequent cause. The same thing is true of the formal cause, since this cause may also be considered in two ways; for example, for an octave chord "double," or the ratio of 2:1, or the number two, is a formal cause as one that is special and subsequent, whereas number, or the ratio of one number to another or to the unit, is like a universal and prior cause. And in this way too "always those classes which contain singulars," i.e., universals, are said to be prior causes.
787. Causes are distinguished in another way inasmuch as one thing is said to be a proper cause and another an accidental cause. For just as proper causes are divided into universal and particular, or into prior and subsequent, so also are accidental causes. Therefore, not only accidental causes themselves are called such, but so also are the classes which contain these. For example, a sculptor is the proper cause of a statue, and Polyclitus is an accidental cause inasmuch as he happens to be a sculptor. And just as Polyclitus is an accidental cause of a statue, in a similar way all universals "which contain accidents," i.e., accidental causes, are said to be accidental causes, for example, man and animal, which contain under themselves Polyclitus, who is a man and an animal.
788. And just as some proper causes are proximate and some remote, as was pointed out above, so also is this the case with accidental causes. For Polyclitus is a more proximate cause of a statue than what is white or what is musical. For an accidental mode of predication is more remote when an accident is predicated of an accident than when an accident is predicated of a subject. For one accident is predicated of another only because both are predicated of a subject. Hence when something pertaining to one accident is predicated of another, as when something pertaining to a builder is predicated of a musician, this mode of predication is more remote than one in which something is predicated of the subject of an accident, as when something pertaining to a builder is predicated of Polyclitus.
789. Now it must be borne in mind that one thing can be said to be the accidental cause of something else in two ways: in one way, from the viewpoint of the cause; because whatever is accidental to a cause is itself called an accidental cause, for example, when we say that something white is the cause of a house. In another way, from the viewpoint of the effect, i.e., inasmuch as one thing is said to be an accidental cause of something else because it is accidental to the proper effect. This can happen in three ways. The first is that the thing has a necessary connection with the effect. Thus that which removes an obstacle is said to be a mover accidentally. This is the case whether that accident is a contrary, as when bile prevents coolness (and thus scammony is said to produce coolness accidentally, not because it causes coolness, but because it removes the obstacle preventing coolness, i.e., bile, which is its contrary); or even if it is not a contrary, as when a pillar hinders the movement of a stone which rests upon it, so that one who removes the pillar is said to move the stone accidentally. In a second way, something is accidental to the proper effect when the accident is connected with the effect neither necessarily nor in the majority of cases but seldom, as the discovery of a treasure is connected with digging in the soil. It is in this way that fortune and chance are said to be accidental causes. In a third way things are accidental to the effect when they have no connection except perhaps in the mind, as when someone says that he is the cause of an earthquake because an earthquake took place when he entered the house.
790. And besides the distinction of all things into causes in themselves or proper causes and accidental causes, there is a third division of causes inasmuch as some things are causes potentially and some actually, i.e., actively. For example, the cause of building is a builder in a state of potency (for this designates his habit or office), or one who is actually building.
791. And the same distinctions which apply to causes can apply to the effects of which these causes are the causes. For effects, whether particular or universal, can be divided into prior and subsequent, as a sculptor may be called the cause of this statue, which is subsequent; or of a statue, which is more universal and prior; or of an image, which is still more universal. And similarly something is the formal cause of this particular bronze; or of bronze, which is more universal; or of matter, which is still more universal. The same things can be said of accidental effects, i.e., of things produced by accident. For a sculptor who is the cause of a statue is also the cause of the heaviness, whiteness or redness which are in it as accidents from the matter and are not caused by this agent.
792. Again, he gives a fourth division of causes, namely, the division into simple causes and composite causes. A cause is said to be simple when, for example, in the case of a statue, the proper cause alone is considered, as a sculptor, or when an accidental cause alone is considered, as Polyclitus. But a cause is said to be composite when both are taken together, for example, when we say that the cause of a statue is the sculptor Polyclitus.
793. There is moreover another way in which causes are said to be composite, i.e., when several causes act together to produce one effect, for example, when many men act together in order to row a boat, or when many stones combine in order to constitute the matter of a house. But he omits the latter way because no one of these things taken in itself is the cause, but a part of the cause.
794. And having given these different modes of causes, he brings out their number, saying that these modes of causes are six in number, and that each of these have two alternatives so that twelve result. For these six modes are either singular or generic (or, as he called them above, prior and subsequent); either proper or accidental (to which the genus of the accident is also reduced, for the genus to which an accident belongs is an accidental cause); and again, either composite or simple. Now these six modes are further divided by potency and actuality and thus are twelve in number. Now the reason why all these modes must be divided by potency and actuality is that potency and actuality distinguish the connection between cause and effect. For active causes are at one and the same time particulars and cease to exist along with their effects; for example, this act of healing ceases with this act of recovering health, and this act of building with this thing being built; for a thing cannot be actually being built unless something is actually building. But potential causes do not always cease to exist when their effects cease; for example, a house and a builder do not cease to exist at one and the same time. In some cases, however, it does happen that when the activity of the efficient cause ceases the substance of the effect ceases. This occurs in the case of those things whose being consists in coming to be, or whose cause is not only the cause of their coming to be but also of their being. For example, when the sun's illumination is removed from the atmosphere, light ceases to be. He says "singular causes" because acts belong to singular things, as was stated in Book I of this work (7:C 21).