Prefecture Apostolic of Palawan
Giovanni Pierluigi da Palestrina
Republic and Diocese of Panama
Arnold Pannartz and Konrad Sweinheim
Commemoration of the Passion of Christ
Devotion to the Passion of Jesus Christ
Passion of Jesus Christ in the Four Gospels
Feast of the Patronage of Our Lady
St. Paulinus II, Patriarch of Aquileia
Luis Ignatius Peñalver y Cardenas
Feast of Pentecost (of the Jews)
Christian and Religious Perfection
Religious of Perpetual Adoration
Religious of the Perpetual Adoration
Sisters of the Perpetual Adoration
Perpetual Adorers of the Blessed Sacrament
Sisters of Our Lady of Perpetual Help
Pestalozzi and Pestalozzianism
Sts. Peter Baptist and Twenty-five Companions
Bl. Pierre-Louis-Marie Chanel (1)
Ven. Giuseppe Maria Pignatelli
Pierre-Guillaume-Frédéric Le Play
Hebrew Poetry of the Old Testament
Giovanni Francesco Poggio Bracciolini
Antonio and Piero Benci Pollajuolo
Joseph Anthony de la Rivière Poncet
Poor Brothers of St. Francis Seraphicus
Sisters of the Poor Child Jesus
Poor Handmaids of Jesus Christ
Sisters of the Poor of St. Francis
Poor Servants of the Mother of God
Diocese of Porto and Santa-Rufina
Jean-François-Albert du Pouget
Archconfraternity of the Most Precious Blood
Congregation of the Most Precious Blood
Congregations of the Precious Blood
Count Humbert-Guillaume de Precipiano
Religious Congregations of the Presentation
Congregation of the Presentation of Mary
Feast of the Presentation of the Blessed Virgin Mary
Sacred Congregation of Propaganda
Society for the Propagation of the Faith
Ecclesiastical Property in the United States
Prophecy, Prophet, and Prophetess
Protestant Episcopal Church in the United States of America
Diocese of Przemysl, Sambor, and Sanok
Augustus Welby Northmore Pugin
A musician, born at Rieti, Perugia, Italy, 18 March, 1657; died at Rome, 1 Feb., 1743, and buried in the church of San Marco, where he had been choirmaster, in the Pitoni family vault. His biography, by his pupil Girolamo Chiti, is in the library of the Corsini palace. At five years he began to study music at Rome. Not yet sixteen, he composed pieces which were sung in the church of the Holy Apostles. At that age he was in charge of the choir at Monte Rotondo; at seventeen at the Cathedral of Assisi. At twenty (1677) he returned to Rome, and was maestro di cappella in many churches; in 1708 he was appointed director of St. John Lateran. In 1719 he became choirmaster of St. Peter's, and remained in that office for twenty-four years. In the Accademia di S. Cecilia he was one of the four esaminatori dei maestri. Pitoni acquired such a marvellous facility, that for his compositions, which were of great musical value, he could write every part separately, without making a score. The number of his compositions, says Chiti, is infinite. Many of them are written for three and four choirs. He also began a Mass for twelve choirs; but his advanced age did not allow him to finish it. He left a work "Notizie dei maestri di Cappella si di Roma che oltramontani".
Dictionary of Music from 1450-1880 (London, 1880); EITNER, Quellenlexicon, VII (1902), 462-64; BAINI, Memorie . . . di G. P. da Palestrina, II (Rome, 1828), 55, nota 502, Ger. tr. KANDLER (Vienna, 1834).
A. Walter.