Prefecture Apostolic of Palawan
Giovanni Pierluigi da Palestrina
Republic and Diocese of Panama
Arnold Pannartz and Konrad Sweinheim
Commemoration of the Passion of Christ
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Feast of the Patronage of Our Lady
St. Paulinus II, Patriarch of Aquileia
Luis Ignatius Peñalver y Cardenas
Feast of Pentecost (of the Jews)
Christian and Religious Perfection
Religious of Perpetual Adoration
Religious of the Perpetual Adoration
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Bl. Pierre-Louis-Marie Chanel (1)
Ven. Giuseppe Maria Pignatelli
Pierre-Guillaume-Frédéric Le Play
Hebrew Poetry of the Old Testament
Giovanni Francesco Poggio Bracciolini
Antonio and Piero Benci Pollajuolo
Joseph Anthony de la Rivière Poncet
Poor Brothers of St. Francis Seraphicus
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Diocese of Porto and Santa-Rufina
Jean-François-Albert du Pouget
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Ecclesiastical Property in the United States
Prophecy, Prophet, and Prophetess
Protestant Episcopal Church in the United States of America
Diocese of Przemysl, Sambor, and Sanok
Augustus Welby Northmore Pugin
An Italian poet, born at Florence, 15 Aug., 1432; died at Padua in 1484. The Pulci gave many interesting writers to the history of Italian letters in the earlier period of the Renaissance. Luigi's brothers, Luca and Bernardo, as well as the latter's wife, also poetized. Luigi frequented the household of Lorenzo il Magnifico, who was very fond of him, and helped him in a material way, a debt which he repaid by imitating certain verses of his patron and fellow-poet. Some attempt has been made to convict him of heterodoxy, because of rather free passages in his most famous work. Those who have engaged in this attempt have failed to realize that Pulci was an inveterate joker and that the passages in question figure among the least serious of the poem. He had all the burlesquing and parodying instincts of his time, and spared no man or institution when the whim was on him. His chief title to fame is the chivalrous romantic poem, "Morgante", which on the basis of two antecedent Italian documents gives the history of Roland's peripatetic adventures, and marks a first serious attempt at an artistic treatment of the Carlovingian epic matter imported from France. Dealing ostensibly with the adventures of a giant, Morgante, the author is far more concerned with the wandering career of Orlando, Rinaldo, and other legendary heroes of Charlemagne's court. The lesser compositions of Pulci are greatly inferior to "Morgante". They include the "Beca da Dicomano", which is a burlesque treatment of the idyll in verse, and follows the example set by Lorenzo's "Nencia da Barberino"; the octaves on the "Giostra" of Lorenzo; a number of briefer lyrics (strambotti, rispetti, sonetti); a prose tale; and a "Confessione" in terza-rima, which has too much the air of a parody of parts of Scripture.
Opere (Lucca, 1769); Morgante, ed. VOLPI (Florence, 1900), a truly scholarly ed. le still needed; RAJNA in Propugnatore (1869 and 1871); articles in Giornale storico, XVI, XVII; ROSSI, Il Quattrocento.
J. D. M. FORD.