Francesco Zabarella

 Zabulon

 Diocese of Zacatecas

 Francesco Antonio Zaccaria

 Ludovico Zacconi

 Zacharias

 Zacharias Chrysopolitanus

 Pope St. Zachary

 János Zádori

 Zahle and Forzol

 Zakho

 Jacob Anton Zallinger zum Thurn

 Gregor Zallwein

 José Maria de Zalvidea

 Zama

 Prefecture Apostolic of the Zambesi Mission

 Diocese of Zamboanga

 Giuseppe Zamboni

 Diocese of Zamora (1)

 Diocese of Zamora (2)

 Vicariate Apostolic of Zamora

 Roman Sebastian Zängerle

 Diocese of Zante

 Francesco Zantedeschi

 Zanzibar

 Zapoteca Indians

 Archdiocese of Zara

 Zarai

 Gioseffe Zarlino

 Ulric Zasius

 Zeal

 Nicholas Tacitus Zegers

 Zela

 Karl Zell

 Ulrich Zell

 Diocese of Zengg-Modrus

 St. Zeno

 St. Zenobius

 Zenonopolis

 Zeno of Elea

 Pope St. Zephyrinus

 Zephyrium

 Zeugma

 Johann Kaspar Zeuss

 Magnoald Ziegelbauer

 Gregorius Thomas Ziegler

 Cornelius van Zierikzee

 Tommaso Maria Zigliara

 Patrick Benedict Zimmer

 Niccolò Antonio Zingarelli

 Pius Zingerle

 Zionists

 Zionites

 Diocese of Zips

 Zircz

 St. Zita

 St. Zita's Home for Friendless Women

 Zoara

 Jörgen Zoega

 Stanislaus Zolkiewski

 John Zonaras

 Zoque Indians

 Pope St. Zosimus

 Zosimus

 Zucchetto

 Diocese of Zulia

 Zululand

 Juan de Zumárraga

 Zuñi Indians

 Francisco Zurbaran

 Zurich

 Giacinto Placido Zurla

 Cistercian Abbey of Zwettl

 Ulrich Zwingli

 Ernst Friedrich Zwirner

Zacharias Chrysopolitanus


A famous exegete of the Premonstratensian Order; born at Chrysopolis (Besançon); died about 1155. He was first headmaster of the Cathedral School at Resancon; then joined the order of the Premonstratensians at the Abbey of Saint Martin in Laon, where he gave himself up to literary pursuits. He published a Gospel-Harmony with a grammatical and etymological explanation of the Greek, Hebrew, and some Latin words found in the text, under the title "Unum ex Quattuor, sive De Concordia Evangelistarum" (cf. P.L., XLCCCVI, 11-20). The work is introduced by three prefaces, the fist of which shows the relation of the Gospel to the Jewish Law, to philosophy, and to the symbols of the Evangelists; the second describes the Evangelists and their view of the mission of Christ; the third enumerates the authorities which he uses. The Gospel-Harmony is divided into one hundred and eighty-one chapters. As to the original Harmony, Zacharias attributes it to Ammonius of Alexandria. For his main sources he relies on the Latin Fathers for the most part. Among the teachers of the Middle Ages, he employs mostly Aleuin and Remigius of Auxerre. From the commentaries on the sacraments the work is shown to be the product of the early days of Scholasticism. In his explanations he tries to give as literal a sense as possible to the Biblical text. He differs in one notable exception from Ammonius, where he assumes that Christ made another journey to Samaria after His triumphant journey into Jerusalem. Zacharias's work is to be commended for his taste in selecting passages from the Fathers, and his endeavours to keep to the literal sense of the Scriptures. His work compares very favourably with the "Catena Aurea" of Saint Thomas.

HURTER, Nomenclator Literarius; P.L., CLXXXVI, 11-620; DE MAS LATRIE, Tresor de Chronologie, 2119; SCHMID, Zacharias Chrys. und sein Kommentar zur Evangelienharmonie, LXVIII, 531.

Leo T. Butler.