Francesco Zabarella

 Zabulon

 Diocese of Zacatecas

 Francesco Antonio Zaccaria

 Ludovico Zacconi

 Zacharias

 Zacharias Chrysopolitanus

 Pope St. Zachary

 János Zádori

 Zahle and Forzol

 Zakho

 Jacob Anton Zallinger zum Thurn

 Gregor Zallwein

 José Maria de Zalvidea

 Zama

 Prefecture Apostolic of the Zambesi Mission

 Diocese of Zamboanga

 Giuseppe Zamboni

 Diocese of Zamora (1)

 Diocese of Zamora (2)

 Vicariate Apostolic of Zamora

 Roman Sebastian Zängerle

 Diocese of Zante

 Francesco Zantedeschi

 Zanzibar

 Zapoteca Indians

 Archdiocese of Zara

 Zarai

 Gioseffe Zarlino

 Ulric Zasius

 Zeal

 Nicholas Tacitus Zegers

 Zela

 Karl Zell

 Ulrich Zell

 Diocese of Zengg-Modrus

 St. Zeno

 St. Zenobius

 Zenonopolis

 Zeno of Elea

 Pope St. Zephyrinus

 Zephyrium

 Zeugma

 Johann Kaspar Zeuss

 Magnoald Ziegelbauer

 Gregorius Thomas Ziegler

 Cornelius van Zierikzee

 Tommaso Maria Zigliara

 Patrick Benedict Zimmer

 Niccolò Antonio Zingarelli

 Pius Zingerle

 Zionists

 Zionites

 Diocese of Zips

 Zircz

 St. Zita

 St. Zita's Home for Friendless Women

 Zoara

 Jörgen Zoega

 Stanislaus Zolkiewski

 John Zonaras

 Zoque Indians

 Pope St. Zosimus

 Zosimus

 Zucchetto

 Diocese of Zulia

 Zululand

 Juan de Zumárraga

 Zuñi Indians

 Francisco Zurbaran

 Zurich

 Giacinto Placido Zurla

 Cistercian Abbey of Zwettl

 Ulrich Zwingli

 Ernst Friedrich Zwirner

Niccolò Antonio Zingarelli


Composer, born at Naples, 4 April, 1752; died at Torre del Greco, 5 May, 1837. Having studied at the Loreto Conservatory under Fenaroli and Speranza, his first opera, "Montesuma", was given at San Carlo, 13 August, 1781. He then went to Milan, where he remained until 1794, when he took up the post of maestro di cappella at Santa Casa, Loreto (1794-1804), after which he succeeded Gugliemi as choir master of the Sistine Chapel in Rome. For refusing to conduct a "Te Deum" for Napoleon in St. Peter's, Rome, in 1811, he was taken a prisoner to Paris, but released soon after; and in 1816 he replaced Paisiello as choir master of Naples cathedral, a position he held until death. Whether as a composer of operas or of sacred music Zingarelli holds a high place, but, being a deeply religious Catholic, he devoted most of his attention to masses, oratorios, cantatas, and motets. For Loreto he composed 541 works, including 28 masses. In 1829 he wrote a cantata for the Birmingham Festival. Less than a month before his death he produced an oratorio, "The Flight into Egypt", a wonderful feat for a man of eighty-five. Of his operas "Giulietta e Romeo" (1796) is regarded as his best; and his requiem mass, composed for his own funeral, is said to embody his most devotioned church style. Bellini and Mercadante were among his pupils.

W. H. Grattan-Flood.