The First Book of the Odes of Horace.
Ode iii. To the Ship, in Which Virgil Was About to Sail to Athens.
Ode xvi. To a Young Lady Horace Had Offended.
Ode xxxiii. To Albius Tibullus.
Ode xxxiv. Against the Epicurians.
Ode xxxvii. To His Companions.
The Second Book of the Odes of Horace.
Ode ii. To Crispus Sallustius.
Ode xv. Against the Luxury of the Romans.
Ode xviii. Against Avarice and Luxury.
A Dithyrambic, or Drinking Song.
The Third Book of the Odes of Horace.
Ode ii. Against the Degeneracy of the Roman Youth.
Ode iii. On Steadiness and Integrity.
Ode v. On the Recovery of the Standards From Phraates.
Ode xiii. To the Bandusian Fountain.
Ode xxvii. To Galatea, Upon Her Going to Sea.
The Fourth Book of the Odes of Horace.
Ode viii. To Marcius Censorinus.
Ode xv. To Augustus, on the Restoration of Peace.
The Book of the Epodes of Horace.
Ode ii. The Praises of a Country Life.
Ode v. The Witches Mangling a Boy.
Ode vi. Against Cassius Severus.
Ode viii. Upon a Wanton Old Woman.
Ode xii. To a Woman Whose Charms Were Over.
Dialogue Between Horace and Canidia.
The Secular Poem of Horace. To Apollo and Diana.
The First Book of the Satires of Horace.
Satire i. That all, but especially the covetous, think their own condition the hardest.
Satire ii. Bad men, when they avoid certain vices, fall into their opposite extremes.
Satire v. He describes a certain journey of his from Rome to Brundusium with great pleasantry.
Satire vii. He humorously describes a squabble betwixt Rupilius and Persius.
Satire ix. He describes his sufferings from the loquacity of an impertinent fellow.
The Second Book of the Satires of Horace.
Satire viii. A smart description of a miser ridiculously acting the extravagant.
The First Book of the Epistles of Horace.
Epistle v. To Torquatus. He invites him to a frugal entertainment, but a cleanly and cheerful one.
Epistle vi. To Numicius. That a wise man is in love with nothing but virtue.
Epistle ix. To Claudius Tiberius Nero. He recommends Septimius to him.
The Second Book of the Epistles of Horace.
Horace's Book Upon the Art of Poetry. To the Pisos.
Why, O Asterie, do you weep for Gyges, a youth of inviolable constancy, whom the kindly zephyrs will restore to you in the beginning of the Spring, enriched with a Bithynian cargo? Driven as far as Oricum by the southern winds, after [the rising] of the Goat's tempestuous constellation, he sleepless passes the cold nights in abundant weeping [for you]; but the agent of his anxious landlady slyly tempts him by a thousand methods, informing him that [his mistress], Chloe, is sighing for him, and burns with the same love that thou hast for him. He remonstrates with him how a perfidious woman urged the credulous Proetus, by false accusations, to hasten the death of the over-chaste Bellerophon. He tells how Peleus was like to have been given up to the infernal regions, while out of temperance he avoided the Magnesian Hippolyte: and the deceiver quotes histories to him, that are lessons for sinning. In vain; for, heart-whole as yet, he receives his words deafer than the Icarian rocks. But with regard to you, have a care lest your neighbor Enipeus prove too pleasing. Though no other person equally skillful to guide the steed, is conspicuous in the course, nor does any one with equal swiftness swim down the Etrurian stream, yet secure your house at the very approach of night, nor look down into the streets at the sound of the doleful pipe; and remain inflexible toward him, though he often upbraid thee with cruelty.