The Works of Horace

 Table of Contents

 Handy Literal Translations

 The First Book of the Odes of Horace.

 Ode i. To Maecenas.

 Ode ii. To Augustus Caesar

 Ode iii. To the Ship, in Which Virgil Was About to Sail to Athens.

 Ode iv. To Sextius.

 Ode v. To Pyrrha.

 Ode vi. To Agrippa.

 Ode vii. To Munatius Plancus.

 Ode viii. To Lydia.

 Ode ix. To Thaliarchus.

 Ode x. To Mercury.

 Ode xi. To Leuconoe.

 Ode xii. To Augustus.

 Ode xiii. To Lydia.

 Ode xiv. To the Roman State.

 Ode xv. To Paris.

 Ode xvi. To a Young Lady Horace Had Offended.

 Ode xvii. To Tyndaris.

 Ode xviii. To Varus.

 Ode xix. To Glycera.

 Ode xx. To Maecenas.

 Ode xxi. On Diana and Apollo.

 Ode xxii. To Aristius Fuscus.

 Ode xxiii. To Chloe.

 Ode xxiv. To Virgil.

 Ode xxv. To Lydia.

 Ode xxvi. To Aelius Lamia.

 Ode xxvii. To His Companions.

 Ode xxviii. Archytas.

 Ode xxix. To Iccius.

 Ode xxx. To Venus.

 Ode xxxi. To Apollo.

 Ode xxxii. To His Lyre.

 Ode xxxiii. To Albius Tibullus.

 Ode xxxiv. Against the Epicurians.

 Ode xxxv. To Fortune.

 Ode xxxvi.

 Ode xxxvii. To His Companions.

 Ode xxxviii. To His Servant.

 The Second Book of the Odes of Horace.

 Ode i. To Asinius Pollio.

 Ode ii. To Crispus Sallustius.

 Ode iii. To Quintus Dellius.

 Ode iv. To Xanthias Phoceus.

 Ode v.

 Ode vi. To Septimus.

 Ode vii. To Pompeius Varus.

 Ode viii. To Barine.

 Ode ix. To Titus Valgius.

 Ode x. To Licinius Murena.

 Ode xi. To Quintius Hirpinus.

 Ode xii. To Maecenas.

 Ode xiii. To a Tree.

 Ode xiv. To Postumus.

 Ode xv. Against the Luxury of the Romans.

 Ode xvi. To Grosphus.

 Ode xvii. To Maecenas.

 Ode xviii. Against Avarice and Luxury.

 Ode xix. On Bacchus.

 A Dithyrambic, or Drinking Song.

 Ode xx. To Maecenas.

 The Third Book of the Odes of Horace.

 Ode i. On Contentment.

 Ode ii. Against the Degeneracy of the Roman Youth.

 Ode iii. On Steadiness and Integrity.

 Ode iv. To Calliope.

 Ode v. On the Recovery of the Standards From Phraates.

 Ode vi. To the Romans.

 Ode vii. To Asterie.

 Ode viii. To Maecenas.

 Ode ix. To Lydia.

 Ode x. To Lyce.

 Ode xi. To Mercury.

 Ode xii. To Neobule.

 Ode xiii. To the Bandusian Fountain.

 Ode xiv. To the Romans.

 Ode xv. To Chloris.

 Ode xvi. To Maecenas.

 Ode xvii. To Aelius Lamia.

 Ode xviii. To Faunus.

 A Hymn.

 Ode xix. To Telephus.

 Ode xx. To Pyrrhus.

 Ode xxi. To His Jar.

 Ode xxii. To Diana.

 Ode xxiii. To Phidyle.

 Ode xxiv. To the Covetous.

 Ode xxv. To Bacchus.

 A Dithyrambic.

 Ode xxvi. To Venus.

 Ode xxvii. To Galatea, Upon Her Going to Sea.

 Ode xxviii. To Lyde.

 Ode xxix. To Maecenas.

 Ode xxx. On His Own Works.

 The Fourth Book of the Odes of Horace.

 Ode i. To Venus.

 Ode ii. To Antonius Iulus.

 Ode iii. To Melpomene.

 Ode iv The Praise of Drusus.

 Ode v. To Augustus.

 Ode vi. Hymn to Apollo.

 Ode vii. To Torquatus.

 Ode viii. To Marcius Censorinus.

 Ode ix. To Marcus Lollius.

 Ode x. To Ligurinus.

 Ode xi. To Phyllis.

 Ode xii. To Virgil.

 Ode xiii. To Lyce.

 Ode xiv. To Augustus.

 Ode xv. To Augustus, on the Restoration of Peace.

 The Book of the Epodes of Horace.

 Ode i. To Maecenas.

 Ode ii. The Praises of a Country Life.

 Ode iii. To Maecenas.

 Ode iv. To Menas.

 Ode v. The Witches Mangling a Boy.

 Ode vi. Against Cassius Severus.

 Ode vii. To the Roman People.

 Ode viii. Upon a Wanton Old Woman.

 Ode ix. To Maecenas.

 Ode x. Against Maevius.

 Ode xi. To Pectius.

 Ode xii. To a Woman Whose Charms Were Over.

 Ode xiii. To a Friend.

 Ode xiv. To Maecenas.

 Ode xv. To Neaera.

 Ode xvi. To the Roman People.

 Ode xvii.

 Dialogue Between Horace and Canidia.

 Canidia's Answer.

 The Secular Poem of Horace. To Apollo and Diana.

 The First Book of the Satires of Horace.

 Satire i. That all, but especially the covetous, think their own condition the hardest.

 Satire ii. Bad men, when they avoid certain vices, fall into their opposite extremes.

 Satire iii. We might to connive at the faults of our friends, and all offences are not to be ranked in the catalogue of crimes.

 Satire iv. He apologizes for the liberties taken by satiric poets in general, and particularly by himself.

 Satire v. He describes a certain journey of his from Rome to Brundusium with great pleasantry.

 Satire vi. Of true nobility.

 Satire vii. He humorously describes a squabble betwixt Rupilius and Persius.

 Satire viii. Priapus complains that the Esquilian mount is infested with the incantations of sorceresses.

 Satire ix. He describes his sufferings from the loquacity of an impertinent fellow.

 Satire x. He supports the judgment which he had before given of Lucilius, and intersperses some excellent precepts for the writing of Satire.

 The Second Book of the Satires of Horace.

 Satire i. He supposes himself to consult with Trebatius, whether he should desist from writing satires, or not.

 Satire ii. On Frugality.

 Satire iii. Damasippus, in a conversation with Horace, proves this paradox of the Stoic philosophy, that most men are actually mad.

 Satire iv. He ridicules the absurdity of one Catius, who placed the summit of human felicity in the culinary art.

 Satire v. In a humorous dialogue between Ulysses and Tiresias, he exposes those arts which the fortune hunters make use of, in order to be appointed t

 Satire vi. He sets the conveniences of a country retirement in opposition to the troubles of a life in town.

 Satire vii. One of Horace's slaves, making use of that freedom which was allowed them at the Saturnalia, rates his master in a droll and severe manner

 Satire viii. A smart description of a miser ridiculously acting the extravagant.

 The First Book of the Epistles of Horace.

 Epistle i. To Maecenas. The poet renounces all verses of a ludicrous turn, and resolves to apply himself wholly to the study of philosophy, which teac

 Epistle ii. To Lollius. He prefers Homer to all the philosophers, as a moral writer, and advises an early cultivation of virtue.

 Epistle iii. To Julius Florus. After inquiring about Claudius Tiberius Nero, and some of his friends, he exhorts Florus to the study of philosophy.

 Epistle iv. To Albius Tibullus. He declares his accomplishments and, after proposing the thought of death, converts it into an occasion of pleasantry

 Epistle v. To Torquatus. He invites him to a frugal entertainment, but a cleanly and cheerful one.

 Epistle vi. To Numicius. That a wise man is in love with nothing but virtue.

 Epistle vii. To Maecenas. He apologizes to Maecenas for his long absence from Rome and acknowledges his favors to him in such a manner as to declare

 Epistle viii. To Celsus Albinovanus. That he was neither well in body, nor in mind that Celtics should bear his prosperity with moderation.

 Epistle ix. To Claudius Tiberius Nero. He recommends Septimius to him.

 Epistle x. To Aristius Fuscus. He praises a country before a city life, as more agreeable to nature, and more friendly to liberty.

 Epistle xi. To Bullatius. Endeavoring to recall him back to Rome from Asia, whither he had retreated through his weariness of the civil wars, he advis

 Epistle xii. To Iccius. Leader the appearance of praising the man's parsimony, he archly ridicules it introduces Grosphus to him, and concludes with

 Epistle xiii. To Vinnius Asina. Horace cautions him to present his poems to Augustus at a proper opportunity, and with due decorum.

 Epistle xiv. To His Steward. He upbraids his levity for contemning a country life, which had been his choice, and being eager to return to Rome.

 Epistle xv. To C. Neumonius Vala. Preparing to go to the baths either at Velia or Salernum, he inquires after the healthfulness and agreeableness of t

 Epistle xvi. To Quinctius. He describes to Quinctius the form, situation, and advantages of his country house: then declares that probity consists in

 Epistle xvii. To Scaeva. That a life of business is preferable to a private and inactive one the friendship of great men is a laudable acquisition, y

 Epistle xviii. To Lollius. He treats at large upon the cultivation of the favor of great men and concludes with a few words concerning the acquiremen

 Epistle xix. To Maecenas. He shows the folly of some persons who would imitate and the envy of others who would censure him.

 Epistle xx. To His Book. In vain he endeavors to retain his book, desirous of getting abroad tells it what trouble it is to undergo, and imparts some

 The Second Book of the Epistles of Horace.

 Epistle i. To Augustus. He honors him with the highest compliments then treats copiously of poetry, its origin, character, and excellence.

 Epistle ii. To Julius Florus. In apologizing for not having written to him, he shows that the well-ordering of life is of more importance than the com

 Horace's Book Upon the Art of Poetry. To the Pisos.

Satire iv.

He apologizes for the liberties taken by satiric poets in general, and particularly by himself.

The poets Eupolis, and Cratinus, and Aristophanes, and others, who are authors of the ancient comedy, if there was any person deserving to be distinguished for being a rascal or a thief, an adulterer or a cut-throat, or in any shape an infamous fellow, branded him with great freedom. Upon these [models] Lucilius entirely depends, having imitated them, changing only their feet and numbers: a man of wit, of great keenness, inelegant in the composition of verse: for in this respect he was faulty; he would often, as a great feat, dictate two hundred verses in an hour, standing in the same position. As he flowed muddily, there was [always] something that one would wish to remove; he was verbose, and too lazy to endure the fatigue of writing - of writing accurately: for, with regard to the quantity [of his works], I make no account of it. See! Crispinus challenges me even for ever so little a wager. Take, if you dare, take your tablets, and I will take mine; let there be a place, a time, and persons appointed to see fair play: let us see who can write the most. The gods have done a good part by me, since they have framed me of an humble and meek disposition, speaking but seldom, briefly: but do you, [Crispinus,] as much as you will, imitate air which is shut up in leathern bellows, perpetually putting till the fire softens the iron. Fannius is a happy man, who, of his own accord, has presented his manuscripts and picture [to the Palatine Apollo]; when not a soul will peruse my writings, who am afraid to rehearse in public, on this account, because there are certain persons who can by no means relish this kind [of satiric writing], as there are very many who deserve censure. Single any man out of the crowd; he either labors under a covetous disposition, or under wretched ambition. One is mad in love with married women, another with youths; a third the splendor of silver captivates: Albius is in raptures with brass; another exchanges his merchandize from the rising sun, even to that with which the western regions are warmed: but he is burried headlong through dangers, as dust wrapped up in a whirlwind; in dread lest he should lose anything out of the capital, or [in hope] that he may increase his store. All these are afraid of verses, they hate poets. "He has hay on his horn, [they cry;] avoid him at a great distance: if he can but raise a laugh for his own diversion, he will not spare any friend: and whatever he has once blotted upon his paper, he will take a pleasure in letting all the boys and old women know, as they return from the bakehouse or the lake." But, come on, attend to a few words on the other side of the question.

In the first place, I will except myself out of the number of those I would allow to be poets: for one must not call it sufficient to tag a verse: nor if any person, like me, writes in a style bordering on conversation, must you esteem him to be a poet. To him who has genius, who has a soul of a diviner cast, and a greatness of expression, give the honor of this appellation. On this account some have raised the question, whether comedy be a poem or not; because an animated spirit and force is neither in the style, nor the subject-matter: bating that it differs from prose by a certain measure, it is mere prose. But [one may object to this, that even in comedy] an inflamed father rages, because his dissolute son, mad after a prostitute mistress, refuses a wife with a large portion; and (what is an egregious scandal) rambles about drunk with flambeaux by day-light. Yet could Pomponius, were his father alive, hear less severe reproofs! Wherefore it is not sufficient to write verses merely in proper language; which if you take to pieces, any person may storm in the same manner as the father in the play. If from these verses which I write at this present, or those that Lucilius did formerly, you take away certain pauses and measures, and make that word which was first in order hindermost, by placing the latter [words] before those that preceded [in the verse]; you will not discern the limbs of a poet, when pulled in pieces, in the same manner as you would were you to transpose ever so [these lines of Ennius]:

When discord dreadful bursts the brazen bars, And shatters iron locks to thunder forth her wars.

So far of this matter; at another opportunity [I may investigate] whether [a comedy] be a true poem or not: now I shall only consider this point, whether this [satiric] kind of writing be deservedly an object of your suspicion. Sulcius the virulent, and Caprius hoarse with their malignancy, walk [openly], and with their libels too [in their hands]; each of them a singular terror to robbers: but if a man lives honestly and with clean hands, he may despise them both. Though you be like highwaymen, Coelus and Byrrhus, I am not [a common accuser], like Caprius and Sulcius; why should you be afraid of me? No shop nor stall holds my books, which the sweaty hands of the vulgar and of Hermogenes Tigellius may soil. I repeat to nobody, except my intimates, and that when I am pressed; nor any where, and before any body. There are many who recite their writings in the middle of the forum; and who [do it] while bathing: the closeness of the place, [it seems,] gives melody to the voice. This pleases coxcombs, who never consider whether they do this to no purpose, or at an unseasonable time. But you, says he, delight to hurt people, and this you do out of a mischievous disposition. From what source do you throw this calumny upon me? Is any one then your voucher, with whom I have lived? He who backbites his absent friend; [nay more,] who does not defend, at another's accusing him; who affects to raise loud laughs in company, and the reputation of a funny fellow, who can feign things he never saw; who cannot keep secrets; he is a dangerous man: be you, Roman, aware of him. You may often see it [even in crowded companies], where twelve sup together on three couches; one of which shall delight at any rate to asperse the rest, except him who furnishes the bath; and him too afterward in his liquor, when truth-telling Bacchus opens the secrets of his heart. Yet this man seems entertaining, and well-bred, and frank to you, who are an enemy to the malignant: but do I, if I have laughed because the fop Rufillus smells all perfumes, and Gorgonius, like a he-goat, appear insidious and a snarler to you? If by any means mention happen to be made of the thefts of Petillius Capitolinus in your company, you defend him after your manner: [as thus,] Capitolinus has had me for a companion and a friend from childhood, and being applied to, has done many things on my account: and I am glad that he lives secure in the city; but I wonder, notwithstanding, how he evaded that sentence. This is the very essence of black malignity, this is mere malice itself: which crime, that it shall be far remote from my writings, and prior to them from my mind, I promise, if I can take upon me to promise any thing sincerely of myself. If I shall say any thing too freely, if perhaps too ludicrously, you must favor me by your indulgence with this allowance. For my excellent father inured me to this custom, that by noting each particular vice I might avoid it by the example [of others]. When he exhorted me that I should live thriftily, frugally, and content with what he had provided for me; don't you see, [would he say,] how wretchedly the son of Albius lives? and how miserably Barrus? A strong lesson to hinder any one from squandering away his patrimony. When he would deter me from filthy fondness for a light woman: [take care, said he,] that you do not resemble Sectanus. That I might not follow adulteresses, when I could enjoy a lawful amour: the character cried he, of Trobonius, who was caught in the fact, is by no means creditable. The philosopher may tell you the reasons for what is better to be avoided, and what to be pursued. It is sufficient for me, if I can preserve the morality traditional from my forefathers, and keep your life and reputation inviolate, so long as you stand in need of a guardian: so soon as age shall have strengthened your limbs and mind, you will swim without cork. In this manner he formed me, as yet a boy: and whether he ordered me to do any particular thing: You have an authority for doing this: [then] he instanced some one of the select magistrates: or did he forbid me [any thing]; can you doubt, [says he,] whether this thing be dishonorable, and against your interest to be done, when this person and the other is become such a burning shame for his bad character [on these accounts]? As a neighboring funeral dispirits sick gluttons, and through fear of death forces them to have mercy upon themselves; so other men's disgraces often deter tender minds from vices. From this [method of education] I am clear from all such vices, as bring destruction along with them: by lighter foibles, and such as you may excuse, I am possessed. And even from these, perhaps, a maturer age, the sincerity of a friend, or my own judgment, may make great reductions. For neither when I am in bed, or in the piazzas, am I wanting to myself: this way of proceeding is better; by doing such a thing I shall live more comfortably; by this means I shall render myself agreeable to my friends; such a transaction was not clever; what, shall I, at any time, imprudently commit any thing like it? These things I resolve in silence by myself. When I have any leisure, I amuse myself with my papers. This is one of those lighter foibles [I was speaking of]: to which if you do not grant your indulgence, a numerous band of poets shall come, which will take my part (for we are many more in number), and, like the Jews, we will force you to come over to our numerous party.