Jean-Baptiste-Julien D'Omalius Halloy
Joseph, Baron von Hammer-Purgstall
Daniel Bonifacius von Haneberg
Charles-Joseph de Harlez de Deulin
Johann Simon (Joachim) Haspinger
Diocese of Havana (San Cristóbal de la Habana)
Devotion to the Heart of Jesus
Congregations of the Heart of Mary
Hebrew Language and Literature
Freiherr von Heereman von Zuydwyk
Society of the Helpers of the Holy Souls
Mathieu-Richard-Auguste Henrion
Alejandro Herculano de Carvalho e Araujo
Sebastiano de Herrera Barnuevo
Antonio de Herrera y Tordesillas
Diocese of Hexham and Newcastle
Alexander Leopold Hohenlohe-Waldenburg-Schillingsfürst
Hollanders in the United States
Archconfraternity of Holy Agony
Association of the Holy Childhood
Society of the Holy Child Jesus
Sisters Marianites of Holy Cross
Archconfraternity of the Holy Family
Congregations of the Holy Family
Religious Congregations of the Holy Ghost
Institute of Sisters of the Holy Humility of Mary
Canonesses Regular of the Holy Sepulchre
Vicariate Apostolic of British Honduras
Vicariate Apostolic of Hong-Kong
Johannes Nicolaus von Hontheim
Guillaume-François-Antoine de L'Hôpital
Hospitallers of St. John of Jerusalem
Hospital Sisters of the Mercy of Jesus
Host (Archaeological and Historical)
Host (Canonical and Liturgical)
Mary Howard, of the Holy Cross
Annette Elisabeth, Baroness von Hülshoff
Maurice Le Sage d'Hauteroche d'Hulst
French historical painter, b. near Belfort, 1787, d. in Paris, 1865. This clever painter commenced work when eight years old, and gained the first prize for drawing in Strasburg before he was eleven. He was a pupil of Vincent in 1803, his people having sent him to Paris to receive the best instruction they could afford. In 1807 he won a prize at the Academy with a picture of Theseus and the Minotaur, and a travelling scholarship with which he went to Rome. On his return to Paris he carried off the gold medal at the Academy, became a full member in 1829, and a professor in 1831. He was appointed painter to the Institute of France, and exhibited over sixty portraits of members, the drawings for which are now in the Louvre. His historical and religious paintings were very attractive. The best of them, representing Jacob in Mesopotamia, was executed in 1814, and is now to be seen at Bordeaux. Two of the ceilings in the Louvre, and three of the ceilings in the Senate house in Paris are his work, and his pictures are also to be found at Versailles and Strasburg.
A privately printed essay from the Strasburg Artistic Society's Proceedings (1901).
GEORGE CHARLES WILLIAMSON