Jean-Baptiste-Julien D'Omalius Halloy
Joseph, Baron von Hammer-Purgstall
Daniel Bonifacius von Haneberg
Charles-Joseph de Harlez de Deulin
Johann Simon (Joachim) Haspinger
Diocese of Havana (San Cristóbal de la Habana)
Devotion to the Heart of Jesus
Congregations of the Heart of Mary
Hebrew Language and Literature
Freiherr von Heereman von Zuydwyk
Society of the Helpers of the Holy Souls
Mathieu-Richard-Auguste Henrion
Alejandro Herculano de Carvalho e Araujo
Sebastiano de Herrera Barnuevo
Antonio de Herrera y Tordesillas
Diocese of Hexham and Newcastle
Alexander Leopold Hohenlohe-Waldenburg-Schillingsfürst
Hollanders in the United States
Archconfraternity of Holy Agony
Association of the Holy Childhood
Society of the Holy Child Jesus
Sisters Marianites of Holy Cross
Archconfraternity of the Holy Family
Congregations of the Holy Family
Religious Congregations of the Holy Ghost
Institute of Sisters of the Holy Humility of Mary
Canonesses Regular of the Holy Sepulchre
Vicariate Apostolic of British Honduras
Vicariate Apostolic of Hong-Kong
Johannes Nicolaus von Hontheim
Guillaume-François-Antoine de L'Hôpital
Hospitallers of St. John of Jerusalem
Hospital Sisters of the Mercy of Jesus
Host (Archaeological and Historical)
Host (Canonical and Liturgical)
Mary Howard, of the Holy Cross
Annette Elisabeth, Baroness von Hülshoff
Maurice Le Sage d'Hauteroche d'Hulst
Usually called "Frauenlob" (Woman's praise), a Middle High German lyric poet; b. at Meissen about 1250; d. at Mainz, 1318. He received a learned education, probably at the cathedral school of his native town. He led a wandering life, roving over the greater part of Germany. Poems in praise of different princes enable us to trace his travels after 1278 as far as Bohemis and Carinthia in the south and Denmark in the north. In 1311 he settled down at Mainz, where he is said to have founded the first school of Mastersingers. Tradition relates that he was borne to his grave by women. His tomb in the cathedral of Mainz was renovated in 1842 and is still to be seen. The surname "Frauenlob" is said to have been given to him because in a poetic contest with the poet Barthel Regenbogen he maintained that the term Frau (in the sense of "lady", "mistress") was superior to Weib (woman, as the opposite of man). But it has been shown that he had the surname when quite young and before the poetic contest took place.
Heinrich von Meissen marks the transition from Minnesong to Mastersong; certain it is that the later Mastersingers looked to him as their model. He has written a great many lyric poems on a wide range of subjects, theological, ethical, erotic, and didactic or gnomic. Many of these poems sing the praises of women, matrimony especially being exalted. As a poet he lacks inspiration and spontaneity; his lyrics are the product of learning and reflection, and excel chiefly on the formal side. The artificiality of their form renders most of them unpalatable to modern readers, while the excessive use of far-fetched metaphors and the frequent occurrence of learned allusions tend to obscurity that at times verges on the unintelligible, as, for instance, in his poem in honour of the Blessed Virgin. He is at best in the Spruch or gnomic poem. His poems were edited by Ettmüller, "Heinrichs von Meissen des Frauenlobes Leiche, Sprüche, Streigedichte und Lieder" (Quedlinburg-Leipzig, 1843). Selections were edited by Pfaff in Kürschner's, "Deutsche National Litteratur", VIII, pt. I, pp. 234-239.
See the introduction and notes to the editions mentioned above: Also Boerckel, Frauenlob. Sein Leben und Dichten (Mainz, 2nd ed., 1881). For comments on particular poems and passages, see Bech in Germania, XXVI, 257 sq., 379 sq.; XXIX, 1 sq.
ARTHUR F.J. REMY