Charles François d'Abra de Raconis
Physical Effects of Abstinence
Acacius, Patriarch of Constantinople
Diocese of Ascoli, Satriano, and Cirignola
Acclamation (in Papal Elections)
The Ass (in Caricature of Christian Beliefs and Practices)
Assemblies of the French Clergy
Assistant at the Pontifical Throne
Right of Voluntary Association
Association of Priestly Perseverance
Little Sisters of the Assumption
Feast of the Assumption of the Blessed Virgin Mary
Vicariate Apostolic of Athabasca
François Hédelin, Abbé d'Aubignac
Teaching of St. Augustine of Hippo
Works of St. Augustine of Hippo
Augustinians of the Assumption
Pierre du Bois, Baron d'Avaugour
John Emerich Edward Dalberg Acton, Baron Acton
Ad Apostolicae Dignitatis Apicem
Adam in Early Christian Liturgy and Literature
Administrator (of Ecclesiastical Property)
Advocates of Roman Congregations
Charles Constance César Joseph Matthieu d'Agoult
Heinrich Cornelius Agrippa of Nettesheim
Michael and Nicetas Akominatos
Bl. Albert Berdini of Sarteano
Diocese of Alessandria della Paglia
Alpha and Omega (in Jewish Theology)
History of the Christian Altar
Fernando Alvarez de Toledo, Duke of Alva
Ambo (in the Russian and Greek Church)
Pre-Columbian Discovery of America
American Protective Association
Heinrich Bernhard, Freiherr von Andlaw
Bl. Angelo Carletti di Chivasso
Early Christian Representations of Angels
College and Church of the Anima (in Rome)
Annunciation of the Blessed Virgin Mary
Feast of the Annunciation of the Blessed Virgin Mary
St. Anselm of Lucca, the Younger
Antiphon (in the Greek Church)
Vicariate Apostolic of Antofogaste
Fray Domingo de la Anunciación
Apostolic Union of Secular Priests
Diocese of Aquino, Sora, and Pontecorvo
Prefecture Apostolic of Araucania
Commission of Sacred Archæology
I. An open place or court before a church. It consisted of a large quadrangle with colonnaded walks on its four sides forming a portico or cloister. It was situated between the porch or vestibule and the body of the church. In the center of the atrium was a fountain or well, where the worshippers washed their hands before entering the church. A remnant of this custom still survives in the use of the holy-water font, or basin, usually placed near the inner entrances of churches in the atrium those that were not suffered to advance farther, and more particularly the first class of penitents, stood to solicit the prayers of the faithful as they went into the church. It was also used as a burying-ground, at first only for distinguished persons, but afterwards for all believers. The covered portion next the church was called the narthex and was the place for penitents. The basilicas at Ravenna seem usually to have had a closed narthex, while those of Rome were open to the West. A mosaic in S. Apollinare Nuovo Ravenna shows an open narthex closed by curtains. The atrium existed in some of the largest of the early Christian churches such as old St. Peter's at Rome in the fourth century, and Sancta Sophia at Constantinople, in the sixth. In the residences (palatia, domus) of the Rornan aristocracy, where the Roman Christians first worshipped, there was a threefold division, first, on entering, a court called the atrium; then, farther in, another colonnaded court called the peristyle, and then the tablinum, where the altar was problably placed, and services conducted. (See BASILICA.) So large a fore-court to a church required an area of land costly and difficult to obtain in a large city. For this reason the old Roman atrium survived only occasionally in Eastern and Western churches. Typical examples may be seen in the churches of St. Clement, at Rome, and St. Ambrose, at Mllan; also in the seventh century churches of Novara and Parenzo.
II. In secular architecture the atrium was the principal entrance-hall and apartment in a Roman house, and formed the reception-room. It was lighted by an opening in the roof, called the compluvium, the roof sloping so as to throw the rain-water into a cistern in the floor called the impluvium. In large houses it was surrounded by a colonnade.
THOMAS H. POOLE