Hesiod, Homeric Hymns, and Homerica

 Table of Contents

 Preface

 Introduction

 General

 The Boeotian School

 Life of Hesiod

 The Hesiodic Poems

 Date of the Hesiodic Poems

 Literary Value of Homer

 The Ionic School

 The Trojan Cycle

 The Homeric Hymns

 The Epigrams of Homer

 The Burlesque Poems

 The Contest of Homer and Hesiod

 The Works of Hesiod

 Works and Days (832 lines)

 The Divination by Birds (fragments)

 The Astronomy (fragments)

 The Precepts of Chiron (fragments)

 The Great Works (fragments)

 The Idaean Dactyls (fragments)

 The Theogony (1,041 lines)

 The Catalogues of Women and Eoiae (fragments)

 The Shield of Heracles (480 lines)

 The Marriage of Ceyx (fragments)

 The Great Eoiae (fragments)

 The Melampodia (fragments)

 Aegimius (fragments)

 Fragments of Unknown Position

 Doubtful Fragments

 Works Attributed to Homer The Homeric Hymns

 I. To Dionysus (21 lines)

 II. To Demeter (495 lines)

 III. To Apollo (546 lines)

 IV. To Hermes (582 lines)

 V. To Aphrodite (293 lines)

 VI. To Aphrodite (21 lines)

 VII. To Dionysus (59 lines)

 VIII. To Ares (17 lines)

 IX. To Artemis (9 lines)

 X. To Aphrodite (6 lines)

 XI. To Athena (5 lines)

 XII. To Hera (5 lines)

 XIII. To Demeter (3 lines)

 XIV. To the Mother of the Gods (6 lines)

 XV. To Heracles the Lion-Hearted (9 lines)

 XVI. To Asclepius (5 lines)

 XVII. To the Dioscuri (5 lines)

 XVIII. To Hermes (12 lines)

 XIX. To Pan (49 lines)

 XX. To Hephaestus (8 lines)

 XXI. To Apollo (5 lines)

 XXII. To Poseidon (7 lines)

 XXIII. To the Son of Cronos, Most High (4 lines)

 XXIV. To Hestia (5 lines)

 XXV. To the Muses and Apollo (7 lines)

 XXVI. To Dionysus (13 lines)

 XXVII. To Artemis (22 lines)

 XXVIII. To Athena (18 lines)

 XXIX. To Hestia (13 lines)

 XXX. To Earth the Mother of All (19 lines)

 XXXI. To Helios (20 lines)

 XXXII. To Selene (20 lines)

 XXXIII. To the Dioscuri (19 lines)

 Homer's Epigrams

 Fragments of the Epic Cycle

 The War of the Titans (fragments)

 The Story of Oedipus (fragments)

 The Thebaid (fragments)

 The Epigoni (fragments)

 The Cypria (fragments)

 The Aethiopis (fragments)

 The Little Iliad (fragments)

 The Sack of Ilium (fragments)

 The Returns (fragments)

 The Telegony (fragments)

 Non-Cyclic Poems Attributed to Homer

 The Expedition of Amphiaraus (fragments)

 The Taking of Oechalia (fragments)

 The Phocais (fragments)

 The Margites (fragments)

 The Cercopes (fragments)

 The Battle of Frogs and Mice (303 lines)

 Of the Origin of Homer and Hesiod, and of their Contest (aka The Contest of Homer and Hesiod)

The Burlesque Poems

To Homer were popularly ascribed certain burlesque poems in which Aristotle ("Poetics" iv) saw the germ of comedy. Most interesting of these, were it extant, would be the "Margites". The hero of the epic is at once sciolist and simpleton, 'knowing many things, but knowing them all badly'. It is unfortunately impossible to trace the plan of the poem, which presumably detailed the adventures of this unheroic character: the metre used was a curious mixture of hexametric and iambic lines. The date of such a work cannot be high: Croiset thinks it may belong to the period of Archilochus (c. 650 B.C.), but it may well be somewhat later.

Another poem, of which we know even less, is the "Cercopes". These Cercopes ('Monkey-Men') were a pair of malignant dwarfs who went about the world mischief-making. Their punishment by Heracles is represented on one of the earlier metopes from Selinus. It would be idle to speculate as to the date of this work.

Finally there is the "Battle of the Frogs and Mice". Here is told the story of the quarrel which arose between the two tribes, and how they fought, until Zeus sent crabs to break up the battle. It is a parody of the warlike epic, but has little in it that is really comic or of literary merit, except perhaps the list of quaint arms assumed by the warriors. The text of the poem is in a chaotic condition, and there are many interpolations, some of Byzantine date.

Though popularly ascribed to Homer, its real author is said by Suidas to have been Pigres, a Carian, brother of Artemisia, 'wife of Mausonis', who distinguished herself at the battle of Salamis.

Suidas is confusing the two Artemisias, but he may be right in attributing the poem to about 480 B.C.