Moral Aspects of Labour Unions
Jean-Baptiste-Henri Dominique Lacordaire
Lucius Caecilius Firmianus Lactantius
René-Théophile-Hyacinthe Laennec
Marie Madeleine Pioche de la Vergne, Comtesse de La Fayette
Louis-François Richer Laflèche
Jean de La Haye (Jesuit Biblical scholar)
Jean-Baptiste-Pierre-Antoine de Monet, Chevalier de Lamarck
Lamb in Early Christian Symbolism
Jacques and Jean de Lamberville
Jean-Marie-Robert de Lamennais
Louis-Christophe-Leon Juchault de la Moricière
Archdiocese of Lanciano and Ortona
Land-Tenure in the Christian Era
The Duke of La Rochefoucauld-Liancourt
Henri-Auguste-Georges du Vergier, Comte de la Rochejacquelein
René-Robert-Cavelier, Sieur de La Salle
Baron Joseph Maria Christoph von Lassberg
Classical Latin Literature in the Church
Diocese of Lausanne and Geneva
Pierre Gaultier de Varennes, Sieur de Lavérendrye
Charles-Martial-Allemand Lavigerie
Influence of the Church on Civil Law
Order of St. Lazarus of Jerusalem
Emile-Paul-Constant-Ange Le Camus
Ven. Louise de Marillac Le Gras
Diocese and Civil Province of Leon
Liber Diurnus Romanorum Pontificum
Ven. Francis Mary Paul Libermann
Bruno Franz Leopold Liebermann
Justin Timotheus Balthasar, Freiherr von Linde
Ancient Diocese and Monastery of Lindisfarne
Etienne-Charles de Loménie de Brienne
Francisco Antonio de Lorenzana
Pietro and Ambrogio Lorenzetti
Sisters of Loretto at the Foot of the Cross
St. Louis-Marie Grignion de Montfort
Brothers of Our Lady of Lourdes
Diocese of Luni-Sarzana-Brugnato
Jean-Baptiste-Alphonse Lusignan
Diocese of Lutzk, Zhitomir, and Kamenetz
Composer, b. near Florence in 1633; d. at Paris, 22 March, 1687. He was brought to France when quite a child by Mlle de Montpensier. Having great natural gifts as a violinist, he was soon promoted to be one of the king's band of twenty-four violins, and leader of the private band. He composed a number of popular songs, including "Au clair de la lune", as well as much dance music and violin solos, and he revolutionized the orchestra by his methods. After a study of theory and composition under celebrated masters he set music for the court ballets, and was appointed composer to the king, and music master to the royal family. After his marriage in 1662, he became on very intimate terms with Molière, with whom he collaborated in ballets until 1671. A clever diplomatist and thorough courtier, he completely won the royal favour, and in March, 1672, he succeeded in ousting Abbe Perrin from the directorship of the Academy of Music. Thenceforward his success as founder of modern French opera was unquestioned, although Cambert, in 1671, paved the way. From 1672 to 1686 Lully produced twenty operas, showing himself a master of various styles. His "Isis", "Thésée", "Armide", and "Atys" are good specimens of operatic work, and he not only improved recitative but invented the French overture. Nor did he concentrate his abilities wholly on the stage; he wrote much church music. As an artist he was in the first rank, though as a man his ethical code was not of the strictest. His death was caused while conducting a "Te Deum" to celebrate the king's recovery, as, when beating time, he struck his foot inadvertently, causing an abscess which proved fatal. At his decease he left four houses, and property valued at £14,000, and he occupied the coveted post of Secrétaire du Roi, as well as Surintendant to Louis XIV.
W. H. Grattan-Flood.