32. No more does the Oak speak; no more does the Cauldron give oracles; no more is the Pythia filled with I know what, save lies and nonsense. Again the Castalian Fount has been silenced and is silent, and becomes no longer an oracular stream, but an object of ridicule: again a voiceless statue is Apollo: again is Daphne a shrub bewailed in fable: again is thy Bacchus a catamite, with a train of drunkards tied to his tail, as well as thy grand mystery, the Phallus; and a god abandoning himself to the beautiful Prosymnus: again Semele is struck with lightning: again Vulcan is lame (though quick to catch an adulterer), and a god grimed with soot, although a famous artificer, and the Thersites of Olympus: again Mars is a prisoner for adultery, with all his terrors, and frights, and tumults, and gets wounded through his audacity: again Venus is one, formerly a harlot, to her shame, and the procuress of shameful copulations: again Minerva is a maid, and yet brings forth a dragon: again Hercules is mad, or rather has ceased to be mad: again out of lasciviousness and impurity, Jove, teacher, and sovereign of the gods, turns himself into all sorts of things; and though able to draw up all the gods together with all living things, is himself drawn down by none: again Jupiter's tomb is shown in Crete. If I see thy god of gain, thy god of speech, thy president of games, I close my eyes and run past thy god out of shame for the exhibition:²³thou mayest, for ought I care, adore the tension of his----speech (shall I call it), and his money-bag. One thing alone of them all is respectable----namely, the honours paid amongst the Egyptians to the Nile by the catamite,²⁴ also those to Isis, and the gods of Mendes and the Apis bulls, and the other things thou dost sculpture or paint, composite and monstrous creatures, thy ludicrous Pan, thy Priapus, thy Hermaphroditus; and the gods who castrate themselves, or tear themselves to pieces. These subjects, however, I will leave to the stage, and to those who decorate them with pomps and ceremonies, and I will conclude my discourse with an exhortation.

ΛΒʹ. Οὐκ ἔτι φθέγγεται δρῦς: οὐκ ἔτι λέβης μαντεύεται: οὐκ ἔτι Πυθία πληροῦται, οὐκ οἶδ' ὧντινων, πλὴν μύθων καὶ ληρημάτων. Πάλιν ἡ Κασταλία σεσίγηται, καὶ σιγᾷ, καὶ ὕδωρ ἐστὶν οὐ μαντευόμενον, ἀλλὰ γελώμενον: πάλιν ἀνδριὰς ἄφωνος ὁ Ἀπόλλων, πάλιν ἡ Δάφνη φυτόν ἐστιν μύθῳ θρηνούμενον: πάλιν ἀνδρόγυνος ὁ Διόνυσος, καὶ χορὸν μεθυόντων ἐξηρτημένος, καὶ τὸ μέγα σου μυστήριον ὁ φαλλὸς, καὶ Προσύμνῳ τῷ καλῷ θεὸς παθαινόμενος: πάλιν Σεμέλη κεραυνῷ βάλλεται: πάλιν ἀμφιγυήεις Ἥφαιστος, ἀλλὰ ταχὺς εἰς μοιχῶν εὕρεσιν, καὶ θεὸς κατῃθαλωμένος, εἰ καὶ κλυτοτέχνης, καὶ Θερσίτης Ὀλύμπιος: πάλιν δεσμώτης Ἄρης διὰ μοιχείαν μετὰ τοῦ δείμου, καὶ τοῦ φόβου, καὶ τῶν κυδοιμῶν, καὶ τραυματίας διὰ θρασύτητα: πάλιν Ἀφροδίτη πόρνη γενομένη τε αἰσχρῶς, καὶ γάμων αἰσχρῶν ὑπηρέτις: πάλιν Ἀθηνᾶ παρθένος τέ ἐστι, καὶ τίκτει δράκοντα: πάλιν Ἡρακλῆς μαίνεται, μᾶλλον δὲ μαινόμενος πέπαυται: πάλιν τὰ πάντα γίνεται δι' ἀσέλγειαν καὶ ἀκαθαρσίαν ὁ Ζεὺς, ὁ τῶν θεῶν μήστωρ καὶ ὕπατος, καὶ μόνος μὲν πάντας σὺν πᾶσι τοῖς οὖσιν ἀνέλκων θεοὺς, αὐτὸς δὲ ὑπὸ πάντων οὐ καθελκόμενος. Πάλιν τοῦ Διὸς τάφος ἐν τῇ Κρήτῃ δείκνυται. Ἂν ἴδω σου τὸν Κερδῷον, καὶ τὸν Λόγιον, καὶ τὸν Ἐναγώνιον, συγκρύπτω τοὺς ὀφθαλμοὺς, καὶ παρατρέχω σου τὸν θεὸν αἰδοῖ τοῦ θεάματος: σὺ δέ μοι προσκύνει τὸ σύντονον τοῦ λόγου καὶ τὸ σακέλλιον: ἕν σου μόνον αἰδέσιμον, αἱ παρ' Αἰγυπτίοις δι' ἀνδρογύνων τιμαὶ τοῦ Νείλου, αἵ τε Ἴσιδες, καὶ οἱ Μενδήσιοι θεοὶ, καὶ οἱ Ἄπιδες, τἆλλά τε ὅσα πλάττεις, ἢ γράφεις, θηρία σύνθετα καὶ ἀλλόκοτα. Γελῶ σου τὸν Πᾶνα, καὶ τὸν Πρίαπον, καὶ τὸν Ἑρμαφρόδιτον, καὶ τοὺς ὑπὸ μανίας περικεκομμένους ἢ διεσπασμένους θεούς. Ἀλλὰ ταῦτα μὲν τῇ σκηνῇ παρήσω, καὶ τοῖς κοσμοῦσιν αὐτοὺς ποιηταῖς: ἐγὼ δὲ εἰς παραίνεσίν τινα καταλύσω τὸν λόγον.