Ven. Anna Maria Gesualda Antonia Taigi
Charles-Maurice de Talleyrand-Périgord
Marie-Marthe-Baptistine Tamisier
Sts. Tarachus, Probus, and Andronicus
Vicariate Apostolic of Tarapacá (de Tarapacá)
Catherine Tegakwitha (Tekakwitha, Takwitha)
Vicariate Apostolic of Temiskaming
Sixteen Blessed Teresian Martyrs of Compiègne
Diocese of Terracina, Sezze, and Piperno
Thanksgiving before and after Meals
Theodore, Archbishop of Canterbury
Joseph Albert Alberdingk Thijm
Peter Paul Maria Alberdingk Thijm
Right Honourable Sir John Sparrow David Thompson
Johann Amadeus Franz de Paula Thugut
Louis-Sébastien Le Nain de Tillemont
Johannes Tserclæs, Count of Tilly
Tomb of the Blessed Virgin Mary
Charles-Thomas Maillard de Tournon
Alexandre de Prouville, Marquis de Tracy
Tradition and Living Magisterium
Feast of Transfiguration of Christ
Vicariate Apostolic of the Transvaal
Vicariate Apostolic of Trichur (Trichurensis)
Diocese of Triest-Capo d'Istria
Abbey of Trinità di Cava dei Tirreni
Prefecture Apostolic of Tripoli
Tryphon, Respicius, and Nympha
English Minorite, b. at Norwich, year unknown; d. at Bruisyard, Suffolk, 1369. Having joined the Greyfriars at Norwich he distinguished himself for learning and piety and was made a doctor of theology. He filled several important ecclesiastical charges, being at different times warden of the Franciscan convent at Norwich, regent master of the Minorities at Oxford (1351), and twenty-ninth provincial superior of his order in England (1360). He wrote a commentary on the "Meteora" of Aristotle, improved the "Albeon" of Richard of Wallingford; and is the reputed author of another work, the "Quatuor Principalia Musicae", a clear, practical, and very valuable medieval treatise on music. Davey gives a thorough discussion of the authorship of this work, which has been ascribed by different writers on the history of music to Tunsted, to John Hanboys, and to Thomas of Tewkesbury; but the arguments brought forward by Davey show that it is certainly not the work of either Hanboys or Thomas of Tewkesbury, whilst his conclusion with regard to the first-named writer is that "the grounds for ascribing it to Tunsted are admittedly insufficient; and internal evidence point to the author being a foreigner either by birth or education".
DAVEY in Dict. Nat. Biog., s. v.; IDEM, Hist. of English Music.
Edward C. Phillips.